WOOLWORM ANNOUNCE NEW LP, SHARE FIRST SINGLE “HOLD THE BOW”

WOOLWORM’S THIRD LP, AWE, DUE OUT NOV 8 VIA MINT RECORDS

LISTEN AND SHARE “HOLD THE BOW” HERE

PRE-ORDER AWE HERE

TOUR DATES BEGIN SEPTEMBER 26 AT POP MONTREAL

“...this killer tune will have you playing it over and over again.” - Indie88 (on “Hold The Bow”

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Photo Credit : Lovisa Drever // DOWNLOAD HIGH-RES

Today, Woolworm announce their third LP, Awe, due out November 8 via Mint Records, expanding the band’s already robust songbook even further by offering a new take on their heavy, hardcore-inflected indie pop sound. Woolworm’s minor-chord melancholy is still featured throughout the album’s first single “Hold The Bow”, but the song’s uptempo, off-kilter rhythms and general urgency amp up the band’s delivery.

Indie88 says of the track: "The gritty new tune revolves around a powerhouse guitar line, a driven drum beat, and intimate, crooning vocal lines that feels almost reminiscent of The Cure or Joy Division. ‘Hold the Bow’ puts a modern twist on ’80s indie rock, and this killer tune will have you playing it over and over again.”

The song was inspired by Marina Abramović's performance art piece Rest Energy, says frontman Giles Roy. “The image of two people leaning back opposite each other, one holding a bow and the other holding an arrow pointed at their heart. Like the piece itself, the song is about complete trust. It's also a sort of love song, but not possessive, romantic love. It's more about unconditional love.”

LISTEN AND SHARE “HOLD THE BOW” HERE

With their massive sonics and anthemic pop songwriting, Woolworm is an arena rock band that just so happens to perform in DIY venues. Their music, which somehow seamlessly combines shoegaze, Britpop, post-punk, hardcore and black-metal into an impossibly cohesive sound, is the sum of their parts. Heather Black pounds her bass like she’s ripping a basement punk set before delivering sweet vocal harmonies straight out of the C86 compilation. Nick Tolliday pummels his drums with the reckless abandon of the hardcore scene that birthed the band. All the while, dual guitarists Alex Pomeroy and Giles Roy offer intricate, complex riff interplay as often as they stomp their pedals and break into hard-hitting power chords. 

“People seem to be rightfully wary of rock in general,” Roy says, admitting that his band’s complicated genre blending is rooted in the familiar. “I like the underdog feeling.” That scrappiness is self-evident, but make no mistake: Woolworm are anything but underdogs. 

The band’s bleakly fulfilling 2017 LP Deserve To Die saw them smashing their heads against the wall, meticulously planning every note before entering a real studio with venerable Vancouver producer Jesse Gander. This time around, they recorded with labelmate Jay Arner whenever the inspiration hit.

“Even though some of these songs date back to before Deserve To Die, we allowed ourselves to be spontaneous and open-minded here and took a collage approach to the overall record,” Roy says of Awe. “We let it be scrappier and more diverse and less symmetrical.” 

The result is a collection of songs that are bristling with immediacy and, well, life. “Deserve To Die was a sort of exorcism, and this one’s more of a meditation,” Roy continues. “That one took so long to write and record that finally releasing it had a cathartic effect. But now we’re done with death. For the foreseeable future, at least. This is more of a life record.”

PRE-ORDER AWE HERE

The bleakness of Deserve To Die has also dissipated thanks to Woolworm’s relationship to Canada’s music community writ large. The band’s malleable sound has allowed them to play recent shows with artists as diverse as country pop crooner Orville Peck and mysterious hardcore legends Integrity, and no one has batted an eye. As a result, Woolworm have connected with audiences and like-minded musicians around the country.  

“Ultimately, I think the album is about other people — trying to relate to someone, sometimes succeeding brilliantly, sometimes failing horrifically. Just the process of connecting with anyone is such a trip,” Roy says. “It’s so fucked up to have a real person in front of you and know that you’re each just hiding in your own mind. You can wind up knowing them pretty well but you will never know what it’s like to actually be them. So we’re all alone in our own realities, but then we’re all constantly trusting each other in so many ways. That can go horribly wrong, but when it goes right, that’s the most beautiful thing I can think of.”

Overwhelming feelings, lived-in melodies and masterful rock music. It’s all more than enough to inspire Awe.

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AWE TRACKLIST
A1. Awe
A2. Dogman
A3. Hold the Bow
A4. Soon
A5. Finally
A6. Live for You
B1. Might as Well
B2. Much Too Much
B3. Can’t Be Fucked
B4. Without Will
B5. Let Me Wear the Mask
B6. Woe Is Me

TOUR DATES
Sept 26 - Montreal, QC - Quai Des Brumes (Pop Montreal)
Sept 27 - Ottawa, ON - Cinqhole 
Sept 28 - Toronto, ON - The Beguiling
Oct 12 - Vancouver, BC - 333

MORE DATES TBA

WOOLWORM ONLINE
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GREAT LAKE SWIMMERS ANNOUNCE NEW ACOUSTIC LP OF THE WAVES, THE WAKE

DIGITAL AND LP VERSIONS OF THE WAVES, THE WAKE (ACOUSTIC) OUT NOVEMBER 8

 PRE-ORDER THE WAVES, THE WAKE (ACOUSTIC) LP HERE

WATCH AND SHARE A NEW ACOUSTIC VIDEO FOR THE WAVES, THE WAKE ACOUSTIC VERSION OF “IN A CERTAIN LIGHT” RECORDED AT SLEEPING GIANT PROVINCIAL PARK HERE

"Dekker renews Great Lake Swimmers' sound while still retaining the atmospheric singing and subtle yet intricate guitar playing that are quintessential to the band. It's a tricky balance, but Dekker and his sprawling team of contributors pull it off with aplomb.” - Exclaim!

“…a beautiful, hypnotic track wrapped in a rich, comforting warmth…” – CBC

“’Alone But Not Alone’ is a breezy 60s inspired track that’s more than meets the eye– NOISEY

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Photo Credit : Joe Lapinksi // DOWNLOAD HIGH-RES

Today, Great Lake Swimmers are announcing the new acoustic version of their latest LP, The Waves, The Wake, out November 8. “There were a handful of demos from the album recording that were very scaled back and stark,” says songwriter Tony Dekker. “I recorded a few more with producer Joe Lapinski – those turned out so well that we decided to do a full album of acoustic versions from The Waves, The Wake. No frills, no weighty production, just voice and guitar. It’s meant to be a companion piece to our latest release.”

The limited edition LP is available for pre-order exclusively through the band’s website, on limited edition 180-gram vinyl, with original artwork by Niagara artist Geoff Farnsworth. Pre-ordered LPs will ship on the album release day, November 8.

The JUNO Award nominated and Polaris Music Prize shortlisted band are also sharing a new video for the acoustic version of “In A Certain Light” from the LP, which was recorded in Sleeping Giant Provincial Park.

“The northern shore of Lake Superior has an intense grip on my imagination and I wanted to make a dedicated trip to explore more deeply its mythology and wild landscapes,” says Dekker. “In conjunction with Ontario Creates, we set off on an exploratory trip this past July documenting sounds by way of audio field recordings, visual footage, gathering inspiration for new songs, and recording demos in the locations we found ourselves in. The ultimate destination was Sleeping Giant Provincial Park. This will be the heart of the next Great Lake Swimmers album, which is currently a work in progress.” 

WATCH AND SHARE “IN A CERTAIN LIGHT” HERE


Beginning September 21, Great Lake Swimmers will continue their summer tour dates across Canada. Full tour dates can be found below and tickets can be purchased at www.greatlakeswimmers.com.

 Released earlier this year, The Waves, The Wake was recorded in the 145-year-old Bishop Cronyn Memorial Church and produced by Chris Stringer (Union Sound). On the LP, Dekker decided to challenge himself by writing new music without any acoustic guitar, which has always been his instrumental mainstay. Each song on the album is brought to life in its own distinctive way, using an acoustic palette that includes woodwinds, harp, congas, marimba and pipe organ.

STREAM OR PURCHASE THE WAVES, THE WAKE ON
SPOTIFY / AMAZON / APPLE MUSIC 

GREAT LAKE SWIMMERS ON TOUR
Sept. 21: Saint John, NB @ Peppers Pub
Sept. 23: Moncton, NB @ Capitol Theatre w/ Jenn Grant
Sept. 24: Fredericton, NB @ The Playhouse, w/ Jenn Grant
Sept. 25: Georgetown, PE @ King’s Playhouse
Sept. 26: Halifax, NS @ The Seahorse
Sept. 27: Annapolis Royal, NS @ King’s Theatre
Sept. 29: Sackville, NB @ Thunder & Lightning w/ Colleen Brown
Oct. 1: Quebec City, QC @ L’Anti w/ Colleen Brown
Oct. 2: Montreal, QC @ Studio Base Bin
Oct. 3: Ottawa, ON @ The 27 Club w/ Colleen Brown
Oct. 5: Grimsby, ON @ Station 1
Oct. 6: Napanee, ON @ Doghouse Studios w/ Colleen Brown
Oct. 8: Collingwood, ON @ Crow Sessions with host Jeff Woods (Sold Out)
Oct. 9: Gravenhurst, ON @ Peter’s Players
Oct. 17: Paris, ON @ Dominion Telegraph Hall (Sold Out)

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THE WAVES, THE WAKE (ACOUSTIC) TRACKLIST
01 The Talking Wind (Acoustic)
02 In A Certain Light (Acoustic)
03 Alone But Not Alone (Acoustic)
04 Falling Apart (Acoustic)
05 Side Effects (Acoustic)
06 The Real Work (Acoustic)
07 Root Systems (Acoustic)
08 Unmaking The Bed (Acoustic)
09 Visions Of A Different World (Acoustic)
10 Holding Nothing Back (Acoustic)
11 Mouth Of Flames (Acoustic)
12 The Open Sea (Acoustic)

GREAT LAKE SWIMMERS ONLINE
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ANDRÉ ETHIER SHARES “JENNY THE BLUES” FROM UPCOMING LP

LISTEN AND SHARE “JENNY THE BLUES” HERE

CROAK IN THE WEEDS DUE OUT OCTOBER 11 VIA TELEPHONE EXPLOSION

PRE-ORDER CROAK IN THE WEEDS HERE

“A raw and sparse meditation on nature, aging and existence, it’s unhurried and subtly clever – like a Canadian Bill Callahan.” - NOW Toronto

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Photo Credit : Colin Medley // DOWNLOAD HIGH-RES

Today, ex-Deadly Snakes frontman André Ethier shares the second new track from his upcoming LP, Croak In The Weeds. “Jenny The Blues” is a funky little song about feeling sorry for yourself,” claims Ethier. “ And remember, you can't wash the blues off a cop.”

LISTEN AND SHARE “JENNY THE BLUES” HERE

Due October 11 via Telephone Explosion Records, the nine-song LP was created in collaboration with Sandro Perri (producer) at his Toronto studio in late 2018 / early 2019.

On the LP, Ethier explains: “I was imagining a pond at the swamp. A pond gets murkier the deeper you dive. Frogs are amphibians. They’re in and out of the pond like it’s no big deal, but we stay mostly on the shore and only peer in. Then, when the weather is right, the pond rises in a mist and we can breathe it too. We can be in the pond but also on the shore.”

Croak In The Weeds continues Ethier and Perri’s musical relationship which was originally established on 2017’s Under Grape Leaves. Croak expands upon that album, deconstructing synthetic elements to a point of raw organic beauty. Lyrically, André’s approach has shifted to the natural world, focusing heavily on flora and fauna. Almost every track on the 34-minute album references animals, with central characters ranging from pigs to dragons. 

This is André’s third attempt at a trilogy of records. Previous attempts have stalled for various reasons; disillusionment with genre, unrealistic sense of self, arachnophobia... Though it would not be inaccurate to suggest that he now has completed a trilogy of unfinished trilogies (he would thank you for your optimistic reasoning,) and is still planning to finish this one. Regarding trilogies, André opines: “In the first you establish the tools and build yourself a room, in the sequel you live in the room and imagine what’s outside, finally in the third.... you escape?”

He doesn’t know, he has never gone all the way…

WATCH AND SHARE “DREAM ON PIGS” HERE

MORE ON ANDRÉ ETHIER

André Ethier has been steadily creating a body of work over the last 20 years. An artist who works in two mediums, music and painting, he does so both synergistically and separately, depending on his whim. He currently enjoys a humble, cult-like status with concertgoers and gallery patrons alike.

He began his career releasing four albums with seminal garage-rockers The Deadly Snakes, the last of which, 2005’s Porcella, was Polaris Music Prize-shortlisted in the award’s inaugural year. He then released five solo albums, taking a nine-year hiatus from releasing music after the third to raise a family. In 2018, he returned with Under Grape Leaves and a sound that fell directly in-line with the thickly stroked and wryly humorous characters in his newly discovered style of painting, revealing a new world that is connected both sonically and visually.

André’s career has seen all the ups, downs and transcendent moments that come with two decades of experience. His paintings have been reviewed in the New York Times and continue to be shown in galleries worldwide. He sang the Canadian national anthem at a 2007 Los Angeles Dodgers game (the team’s then-outfielder was also named André Ethier.) Afterwards, he received a congratulatory hug from Lisa Loeb, who sang the American version and was suffering from an extreme bout of stage fright. Anyone who listens to André’s recent work will attest to the fact that he has undergone a musical resurgence. André's work has never felt as fresh, full of life and truly unique as it does today.

PRE-ORDER CROAK IN THE WEEDS HERE

PAST PRAISE FOR ANDRÉ ETHIER

“André Ethier is a world-class storyteller-songwriter on Under Grape Leaves” - Now Magazine 

“Slow, soft-spoken and built around spare voice/guitar/drum-machine arrangements overseen by esteemed Toronto experimentalist Sandro Perri, Under Grape Leaves adopts a pensive tone to match Ethier’s ruminations” - The Toronto Star  

“Andre Ethier’s ‘Under Grape Leaves’ leaves you with a sense pure calm” - Broken Pencil 

“Under Grape Leaves, a soothing but still powerful journey through the lush, untamed expanse of the mind and soul.” - Dominionated

“Under Grape Leaves is a nuanced collection of intimate songs recorded by Sandro Perri.” - Northern Transmissions

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CROAK IN THE WEEDS TRACKLIST
01 Dream On Pigs
02 Croaks In The Weeds
03 Wedding Band
04 Two Dogs
05 Jenny The Blues
06 Sigfried Slays The Dragon
07 Summer Evening Pigs
08 Froggy
09 Foolish Love

ANDRÉ ETHIER ONLINE
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