THE WEATHER STATION ANNOUNCES NEW LP, SHARES FIRST SINGLE/VIDEO

THE WEATHER STATION ANNOUNCES HOW IS IT THAT I SHOULD LOOK AT THE STARS, COMPANION ALBUM TO IGNORANCE, OUT MARCH 4, 2022 VIA NEXT DOOR RECORDS

WATCH / SHARE “ENDLESS TIME” HERE

BUY / STREAM “ENDLESS TIME” HERE 

2022 TOUR DATES BEGIN FEBRUARY 12

PRE-SAVE HOW IS IT THAT I SHOULD LOOK AT THE STARS HERE

“Tamara Lindeman’s shape-shifting avant-folk reaches a kind of apex on [Ignorance], as she sings coolly about climate grief, love, lust, healing, and the upheaval of self-discovery.” 
- New Yorker, Album of the Year (Amanda Petrusich)

“Whether they deal with romantic loss or the perils of climate change, the songs on The Weather Station’s Ignorance are concerned with grief and carried by a calm, penetrative air of desperation. Lindeman’s ache is exquisite.” - The Globe and Mail, Album of the Year (Brad Wheeler)

 “In the lush, dewy arrangements and Lindeman's sterling songcraft is the suggestion of a way forward in the fight for our world and for ourselves, proposed with a clarity and vulnerability that still feels like a gift. If the world is right and good — and granted, it often isn't — Ignorance will be remembered for a long while, as both a towering artistic achievement and a document of a time when there was still something worth saving.” - Exclaim! , #2 Best Album of 2021

“How do you make music about climate change without it sounding too didactic and abstract? [The Weather Station] came up with a winning solution on her stirring album Ignorance, which finds her singing elegiac love songs to a dying planet.” - The New York Times, Best Albums of 2021

“ The album effortlessly connects our relationship with the planet to our relationships with each other — poetic breakup songs that pull double duty. It’s  the intimacy of small moments that Lindeman is best at detailing, and it's why Ignorance resonates so personally: she takes the emotional side of climate change and places it in the palm of your hand.” - CBC Music, Best Albums of 2021

“After [Ignorance], it seems, Tamara Lindeman can do anything.”  - Pitchfork, #7 Best Album of 2021

Photo Credit: Brendan Ko // DOWNLOAD HIGH-RES

One year ago, The Weather Station released Ignorance, one of 2021’s most praised and far-reaching albums. Today, Tamara Lindeman announces How Is It That I Should Look At The Stars, a new album out March 4 on Next Door Records, and presents its lead single/video, “Endless Time”. How Is It That I Should Look At The Stars is intended to be heard as a companion piece to Ignorance. These are songs written at the same time that connect emotionally and deal with many of the same themes: disconnection and conflict, love, birds, and climate feelings. Recorded live in just three days, How Is It That I Should Look At The Stars is achingly intimate; full of breath, silence, and detail.  

“When I wrote Ignorance, it was a time of intense creativity, and I wrote more songs than I ever had in my life. The songs destined to be on the album were clear from the beginning, but as I continued down my writing path, songs kept appearing that had no place on the album I envisioned.  Songs that were simple, pure; almost naive.  Songs that spoke to many of the same questions and realities as Ignorance, but in a more internal, thoughtful way.” Lindeman elaborates, “So I began to envision How Is It That I Should Look At The Stars, a quiet, strange album of ballads. I imagined it not as a followup to Ignorance, but rather as a companion piece; the moon to its sun.”

Not long after completing Ignorance, Lindeman decided to make this album on her own terms, fronting the money herself and not notifying the labels. She assembled a new band, and communicated a new ethos; the music should feel ungrounded, with space, silence, and sensitivity above all else. On this record, there are no drums, no percussion; in the absence of rhythm, time stretches and becomes elastic. With Christine Bougie on guitar and lap steel, Karen Ng on saxophone and clarinet, Ben Whiteley on upright bass, Ryan Driver on piano, flute, and vocals, and Tania Gill on wurlitzer, rhodes, and pianet, the band comprised some of the best players in the Toronto jazz and improvisation scene. 

How Is It That I Should Look At The Stars was recorded live off the floor at Toronto’s Canterbury Music Studios from March 10-12, 2020. With Jean Martin co-producing, Lindeman sang and played piano live while the band improvised their accompaniment. When the band entered the studio, Covid-19 was a news item, not front of mind, but just three days later, everything had changed. On today’s “Endless Time”, Lindeman sings about a feeling of unease, interweaving relational loss with anxiety about the impending climate crisis. She wonders whether she would look back on the present moment as one of unnoticed abundance as she repeats in the song ‘it’s only the end / of an endless time’. Lindeman comments, “In Toronto, I live in a world of overwhelming abundance; fruits and fresh vegetables flown in year round from Chile, California, Malaysia. Standing outside a neighbourhood fruit stand one day, I found myself wondering how I would look back on this time from the future; if I would someday remember it as a time of abundance and wealth I did not fully comprehend at the time, and I wondered how it would feel to stand at that threshold of change. I wondered too if we were not already there. The song was written long before the pandemic, but when we recorded it, on March 11, 2020, it began to feel eerily prescient. The day it was recorded truly was the end of an endless time, and as ever, I don’t know how the song knew. Somehow, the music captures that instability; it is ungrounded and diaphanous, it floats and drifts.”

WATCH / SHARE “ENDLESS TIME” HERE

BUY / STREAM “ENDLESS TIME” HERE 

You might argue that the underlying theme of Ignorance was vulnerability; vulnerability that goes unnoticed and unacknowledged, and the damage that results from that erasure. On How Is It That I Should Look At The Stars, this vulnerability is made manifest. It is an album of immense sensitivity, a recording of a band and a person daring to reach towards softness without apology.

The Weather Station embark on a long-awaited tour next month in support of Ignorance and How Is It That I Should Look At The Stars. Shows prior to February 12 have been moved later in spring. All shows are on sale now here.

DOWNLOAD HIGH-RES

HOW IS IT THAT I SHOULD LOOK AT THE STARS TRACKLIST:
1. Marsh
2. Endless Time
3. Taught
4. Ignorance
5. To Talk About
6. Stars
7. Song
8. Sway
9. Sleight of Hand
10. Loving You

THE WEATHER STATION TOUR DATES:
Sat. Feb. 12, 2022 - Los Angeles, CA @ Troubadour &
Sun. Feb. 13, 2022 - San Francisco, CA @ The Independent &
Tue. Feb. 15, 2022 - Portland, OR @ Mississippi Studios &
Thu. Feb. 17, 2022 - Seattle, WA @ Tractor Tavern &
Sat. Feb. 19, 2022 - Salt Lake City, UT @ The State Room ^
Mon. Feb. 21, 2022 - Denver, CO @ Globe Hall ^
Wed. Feb. 23, 2022 - Minneapolis, MN @ Turf Club ^
Thu. Feb. 24, 2022 - Madison, WI @ High Noon ^
Fri. Feb. 25, 2022 - Chicago, IL @ Lincoln Hall ^
Tue. Mar. 15, 2022 - Brighton, UK @ Komedia
Wed. Mar. 16, 2022 - Bristol, UK @ Thekla
Thu. Mar. 17, 2022 - Manchester, UK @ Gorilla
Fri. Mar. 18, 2022 - Dublin, IE @ Workmans Club
Sat. Mar. 19, 2022 - Belfast, UK @ Black Box
Mon. Mar. 21, 2022 - Glasgow, UK @ Mono
Tue. Mar. 22, 2022 - Leeds, UK @ Brudenell Social Club
Wed. Mar. 23, 2022 - London, UK @ Scala
Fri. Mar. 25, 2022 - Brussels, BE @ Botanique
Sat. Mar. 26, 2022 - Paris, FR @ La Boule Noire
Sun. Mar. 27, 2022 - Amsterdam, NL @ Paradiso Noord
Mon. Mar. 28, 2022 - Berlin, DE @ Frannz Club
Wed. Mar. 30, 2022 - Copenhagen, DK @ Loppen
Thu. Mar. 31, 2022 - Oslo, NO @ Bla
Fri. Apr. 1, 2022 - Stockholm, SE @ Debaser / Bar Brooklyn
Sat. Apr. 2, 2022 - Gothenburg, SE @ Oceanen
Mon. Apr. 4, 2022 - Hamburg, DE @ Nochtwache
Tue. Apr. 5, 2022 - Cologne, DE @ Blue Shell
Wed. Apr. 6, 2022 - Munich, DE @ Milla
Thu. Apr. 7, 2022 - Zurich, CH @ Bogen F
Sat. Jun. 11, 2022 - Barcelona, ES @ Primavera
Thu. Jun. 16, 2022 - Manchester, TN @ Bonnaroo

&= w/ Cassandra Jenkins
^= w/ Helena Deland
*= w/ Sam Amidon

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PONDERCAST : I’VE COME BACK FROM WORSE

LISTEN TO PONDERCAST : I’VE COME BACK FROM WORSE

GET ‘THE SIGNAL’ EXPERIENCE EVERY MONTH WITH ‘PONDERCAST RADIO’ - SPECIAL CONTENT FOR PATREON SUBSCRIBERS

SUBSCRIBE TO GROUND LEVEL - THE NEW PODCAST FROM LAURIE BROWN

LISTEN TO PONDERBEAT EPISODE 10 HERE

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This episode of Laurie Brown’s Pondercast is a report from deep inside the limbic system of the brain. Also known as the paleomammalian cortex (if you want to get fancy), or the emotional brain. Perhaps you’ve been there before? 

“I’m calling it ‘I’ve Come Back from Worse’, because shit has been going down in my world.  Yours too? If so, how about something you can hang on your wall to acknowledge that?  The phrase ‘I’ve come back from worse’ has earned a reputation in my family, and my niece has created this tea saucer and sends them out into the hurting world from her shop in Peterborough, Ontario. Pondercastronauts get a 10% discount!”

Type in the code IVECOMEBACKFROMWORSE and you can join this illustrious club of survivors – shop here.

You will also hear about a program I took called The Grief Recovery Method. Here’s a link to find out more about that. 

If you are looking for grief support, contact Laurie (laurie@pondercast.ca) and she’ll put you in touch with someone who can guide you through the course. 

LISTEN TO PONDERCAST : I’VE COME BACK FROM WORSE

For Season 5, a few new things are happening while some others are getting their own spotlight. First, the Pondercast team is bringing you something entirely new yet a little reminiscent of times past. Pondercast Radio uses an innovative hack of streaming technology to bring you a once a month ‘radio show’ which you can stream at any time. The show will include a new playlist of music and Laurie’s introductions for your dining and dancing pleasure.  The episodes play out exactly like radio, feel like Laurie’s old show The Signal - and you will get a 2 hour show of new music for you to fall in love with every month.

Pondercast Radio is available only to those who support Pondercast via Patreon at any level. Supporters must also have a paid Spotify or Apple Music account to access Pondercast Radio. If you have a paid account on Apple Music or on Spotify, then you can get our monthly ‘radio’ shows delivered to your inbox.

SUPPORT PONDERCAST VIA PATREON HERE

The other big news is the new podcast Ground Level which is out now. Pondercast is moving all of their weekly guided meditations to a brand new podcast. So if you have been meditating with Laurie, subscribe to Ground Level wherever you get your podcasts to be sure you don’t miss an episode. Look for interviews and other content to help navigate these strange days. 

SUBSCRIBE TO GROUND LEVEL - THE NEW PODCAST FROM LAURIE BROWN

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Recently, Killbeat Music partnered with the team at Pondercast to bring you Ponderbeat, a series of special episodes featuring selections curated by Brown from some of Killbeat’s latest releases. The ninth episode of Ponderbeat is live now, featuring music from Charlotte Cornfield, Ouri, Andy Shauf, Cots, Absolutely Free, Homeshake, and more.

LISTEN TO PONDERBEAT EPISODE 10 HERE

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CASSIDY MANN ANNOUNCES NEW EP VIA END TIMES MUSIC

CASSIDY MANN’S NEW EP, IF IT’S NOT FOREVER, OUT APRIL 1 VIA DONOVAN WOODS AND MICHELLE SZETO’S NEW LABEL, END TIMES MUSIC

WATCH / SHARE “FINE” VISUALIZER HERE
BUY / STREAM “FINE” HERE

PRE-SAVE IF IT’S NOT FOREVER EP HERE

Photo Credit : Adam Kelly // DOWNLOAD HIGH-RES

By entwining her acoustic roots with gentle electronic textures, singer-songwriter Cassidy Mann finds her true voice on the upcoming debut EP, If It’s Not Forever, set for release on the new label, End Times Music, created by Donovan Woods and Michelle Szeto

As a lyricist, Mann often reshapes a small moment into a powerful and poetic song that feels both personal and relatable. What makes these recordings stand out, though, is the way the sonic approach enhances the storyline, allowing her to share her most intimate memories in a singular way. 

Co-producing with her friend Roman Clarke, Mann wanted to find a cinematic yet wistful sound to complement these emotionally driven pop songs. They achieved that effect through reverb and delay on the guitars, along with crafting lyrics about specific moments in past relationships. 

“My favorite thing is to write about tiny things that make the bigger picture more important somehow,” she says. “I was wondering a lot about how two people can be in the same situation and have different memories attached to those times. It’s interesting to me how memories are interpretable that way.” 

Having already released “Stop A Heart” and “Election Night” from the EP, today Mann is sharing “Fine”, a song thathappened really fast lyrically, but we redid the production like four times just trying to get it right,” she says.

“Normally I try really hard to be honest and transparent when I’m writing but this song also has a lot of sarcasm in it, because ‘fine’ is always the word people use to deflect. It’s what we say when we don’t want to talk about our real feelings. So in every chorus I sing ‘I’m fine’ and then use a very explicit example of something that actually feels really sad or uncomfortable, like your summer crush leaving town before you got to tell them how you felt.

The analogies are fun because ‘fine’ is a word that can be used in so many different contexts. There’s ‘fine’ in a textural sense (like finely ground coffee) and fine like a fee you have to pay for messing up. And then of course, there’s also the being ‘fine’ emotionally. There’s not many other words that you can squeeze so many different moments into like that.”

WATCH / SHARE “FINE” VISUALIZER HERE

BUY / STREAM “FINE” HERE

“Fine” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT IF IT’S NOT FOREVER

The songs on If It’s Not Forever also serve as a catalogue of how Mann’s early relationships ended and why – and she hopes that other people will feel seen and comforted by her stories. While processing one particular breakup, she remembers sitting on her bed and eating the same sour candy she once shared with the person she missed. When she discovered the metaphor – “this thing that seems sweet, but also physically hurts you if you have too much,” as she describes it – the song “Tropical Sour Candy” emerged. 

She wrote “Election Night", tweaking the melodies with Clarke, to capture the intense awakening and transformation that many people experienced over the four years of the prior presidency. The lyrics focus on a couple that moved beyond just friends that night but ultimately ended as strangers. Her skill as a writer is especially clear on “Fine” as that simple word takes on multiple meanings in the context of a heartbreak. 

Certain moments in a relationship are almost always at the core of her songs, whether it’s the potential start of something special (“Since I Met You”) or the inevitable end (“Stop A Heart”). There’s also an acknowledgement that listeners can carry those important parts of the past through the rest of their lives (“If It’s Not Forever”). 

“A lot of the time, whenever I’m remembering something, I find myself connected to these subtle moments that made me feel alive in some way. Those are the things that I replay in my mind a lot.” 

LISTEN AND SHARE “STOP A HEART” HERE
BUY / STREAM “STOP A HEART” HERE

Growing up in the Prairies of Winnipeg, Mann has been singing since she could talk. Her parents bought her a guitar as a birthday present when she was 9. By 14, she started taking songwriting more seriously and her emerging talent led to a nomination for Aboriginal Recording of the Year at the Western Canadian Music Awards. Still, she felt uncertain about the next step.

“In my early teens I wasn’t sure what music was going to be to me,” she says. “I was writing and playing shows a lot but after high school I studied film for a while and worked in restaurants. I definitely meandered a bit before really deciding that this is what I was going to do.” 

Her family’s Indigenous community of Sagkeeng First Nation offered encouragement and support throughout her journey-- and she notes how Indigenous tradition influences her. 

“When it comes to my Indigenous heritage and cultures, it is based around oral storytelling – songs and spoken stories,” Mann observes. “That is so fascinating to me and it ties into my music a lot because that’s how memories and experiences have been captured in my culture forever. Storytelling is something I feel compelled to do. I think it probably has a lot to do with the fact that that’s what my ancestors did.” 

WATCH / SHARE “ELECTION NIGHT” VISUALIZER HERE
BUY / STREAM “ELECTION NIGHT” HERE

Still, in her formative years, Mann struggled to blend her introspective writing style with her love of the enticing pop influences of her generation. Plus, she often found it difficult to communicate her creative concepts to the older men she worked with in the studio. Knowing she needed to be more involved in the process, she opted to learn as many production techniques as possible on her own by watching online videos, taking courses in audio engineering, listening to older music as a study in song structure, and doing a deep dive into her favourite artists and their influences for inspiration. 

“I felt like I was given permission to do whatever I wanted to do,” she says. “Becoming really involved in production is what helped me come to a place where I feel fully represented in the music that I make.” 

Relocating to Toronto after a difficult breakup, Mann made a bunch of demos on her own while relentlessly searching for that certain sound. She brought the demos to Roman Clarke and they experimented on the new songs together, ultimately transcending genre and tapping into the evocative feelings that permeate If It’s Not Forever

“When I listen to these songs now, I feel a sense of peace because I have captured the story I wanted to tell, and I’ve also captured a lot of the nuance surrounding it,” she says. “I’m telling a story of my evolution and the relationships that I’ve gone through, but this is only my version of the experience and the way I remember it. It took me a while to figure out how to express that lyrically and sonically but I feel really proud of the fact that I do think that’s pretty clear in the music.”

PRE-SAVE IF IT’S NOT FOREVER EP HERE

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IF IT’S NOT FOREVER TRACKLIST
01 Tropical Sour Candy
02 Election Night
03 Fine
04 Stop A Heart 
05 Since I Met You
06 If It’s Not Forever

CASSIDY MANN ONLINE
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MORE ABOUT END TIMES MUSIC
The core of End Times’ mission is transparency and adaptability. In the world of streaming, the data is available. Artists should understand their expenses and their earnings as well as anyone they work with. It allows us to interpret and react to how, why, and where songs are being discovered. 

There are many pathways to success, and success looks different to everyone. Every artist and every project is unique and artists should be confident that the team built around them is being created thoughtfully and purposefully in service of their individuality. 

We’ll focus on songwriters, regardless of genre, and work together to make their music valuable by getting it to people who will use it and love it.

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