LYDIA PERSAUD ANNOUNCES NEW LP, MOODY31, SHARES FIRST SINGLE / VIDEO

WATCH / SHARE “GOOD FOR US” HERE
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NEW ALBUM, MOODY31, OUT APRIL 29, 2022 VIA NEXT DOOR RECORDS

PRE-SAVE MOODY31 HERE

Photo Credit : Joshua C. Rille // DOWNLOAD HIGH-RES

In Moody31, the latest album from Toronto’s Lydia Persaud, brings a full spectrum of emotion. Shimmery runs fall alongside precise enunciations that slightly quiver on pitch. A singer with daring range, she stretches words – subtly melismatic, smooth, slantly gospel – to their full emotional capacity. Out April 29 via Next Door Records, her sophomore record remodels a multitude of influences into a dynamic and harmonious original. Described by producer Scott McCannell as “Roberta Flack sitting in with Bill Withers' band at a folk festival,” Moody31 recombines jazz, R&B, and folk stylings to create soul music in its most literal sense. 

Today, Persaud is sharing the first single from the upcoming album, “Good For Us”, a track which she wrote while on tour in Halifax, NS. “Funny thing about bad communication when you’re away from home is, you can decide to sit by the phone or be present and go outside,” says Persaud. “The song definitely captures the moment of deciding to go outside and recognizes that space was what we both needed at the time. Somewhere along the way ‘Good For Us’ became a celebratory anthem outlining the importance of space and self reflection in order to make room for clarity. Kyla Charter and James Baley had outlined the chorus background vocals while they were singing backup for me at live shows. I had them take a break during this tune because I didn’t have vocal parts arranged yet, while the band and I played I could see them side stage dancing along and echoing ‘good for us’. Listening back to the echoing parts now feels like a group of friends offering support and words of wisdom. I remember sitting in Scott McCannell’s basement studio to re-record ‘Good For Us’ for the album. I was introducing him to Christine Bougie as the guitarist for the album and at the time this felt like a real moment, given that the family was tight. Scott, Ben McDonald, Chino De Villa, and I had put a lot of musical and emotional energy into the dynamic that was the 4 of us. Now that Christine was in our midst, being the legend that she is, Scott was both excited and protective of the music that we had so carefully created together. Obviously it was a perfect match. Not only was Scott blown away by Christine’s insane ability to create melody lines that fit so perfectly and tightly within the groove, but she bought her nylon guitar that was able to fill out the frequencies that my baritone ukulele always lacked.”

On the video, Persaud says, “My art director, Josh Rille and I wanted to keep things minimal and cute for ‘Good For Us’, filming everything on iPhones while giving the Super 8 film feel. The song is about taking care of ourselves and knowing when to choose freedom from spaces that no longer serve us. I was very thankful to capture laughter and joy amongst the people that make me feel very loved, as it puts a spotlight on the energy we should be giving and receiving.”

WATCH / SHARE “GOOD FOR US” HERE
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 “Good For Us” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT MOODY31
It’s tempting to want to deconstruct her amalgam into its distinct parts, tracing each track’s reference points and divergencies. On “Let Me Be There For You” homage is paid to the beautifully haunting background vocals of Motown legend Mavin Gaye, while the ukelele fingerpicking on “Think Of Me” is approached with the lyrical sensitivities of a storyteller. Without fidelity to a single source of inspiration, Persaud’s arrangements are kaleidoscopic: layered sounds that mimic the prismatic moods of the album. It’s here that brokenness, loss of identity, and glorified independence commingle with self-assurance, acceptance and new beginnings. 

“I Got You” is a bouncy love-letter to oneself, while “Words For Her” is fraught with the anticipation of saying ‘I love you’ for the first time in a blossoming romance. This is a summer album, with Persaud’s honeyed tone warming each track, but one that complicates the expected feel-good nature of the season. Imagine riding your bike through the city on a near-perfect July day, on the heels of a recent heartbreak. 

The title track “Moody31” is a surprising instrumental strip-down: diminished and major 7-chords fall alongside lush yet anguished vocals. The effect is a deep vulnerability crossed with absolute self-possession. It’s these antithetical desires that cut to the core of Moody31: to love and be loved without losing oneself in the process. 

Persaud met producer and bassist Scott McCannell of Safe Spaceship Music in 2019. “Scott and I shared the same desire to create something new while preserving the classic warmth of the 70s soul and jazz sounds we love.” The two began compiling a collection of demos that eventually became Moody31. “The baritone ukulele was the foundational instrument I used to write the record,” Persaud says. “I would teach Scott a new song, and, to avoid  perfectionism, we would record a rough demo while the song was loose and fresh.” With all the bed-tracks recorded in one room, the songs have a live, jazz-combo quality. Kyla Charter and James Baley’s backing vocals are full of disco-esque call-and-response, while Chino de Villa’s steady drums lend heartbeat from start to finish. 

PRE-SAVE MOODY31 HERE

MORE ABOUT LYDIA PERSAUD
A fixture of Toronto’s music community and a sought-after collaborator, Persaud has had a colourful decade performing to small clubs with her jazz project (2012 - 2016), to crate diggers with The Soul Motivators (2011-2015), to folkies at festivals with The O’Pears (2013-2019), and to rock nostalgics with Dwayne Gretzky (2017-present). She’s shared the stage with Lee Fields, Richard Bona, David Crosby, Gordon Lightfoot, Jackie Richardson, Divine Brown, and Justin Nozuka, among many others. She’s also a member of the Queer Songbook Orchestra, and host of the upcoming docuseries, New World Beat.

“After ten years of playing music, I’m beginning to bring my multiple experiences into what I’m doing. I make music to honestly connect with others who might feel the same way. I hope Moody31 celebrates and validates the human experience in all its contradictions: how new love can be experienced alongside deep loss, how one can crave solitude and connection, simultaneously. It’s beautiful to embrace all of our moods - it’s living.”

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MOODY31 TRACKLIST
01 Good For Us
02 I Got You
03 Think Of Me
04 Moody31
05 Unsung
06 Words For Her
07 Let Me Be There For You 
08 Outro 

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PIERRE KWENDERS PRESENTS NEW VIDEO / SINGLE FROM UPCOMING LP

WATCH / SHARE “HEARTBEAT” (FEAT. ANAIIS) HERE
BUY / STREAM “HEARTBEAT” (FEAT. ANAIIS) HERE

NEW ALBUM, JOSÉ LOUIS AND THE PARADOX OF LOVE, OUT APRIL 29, 2022 ON ARTS & CRAFTS 

PRE-ORDER JOSÉ LOUIS AND THE PARADOX OF LOVE HERE

“ 'Papa Wemba' adds electronic clout to the soukous beat — it sounds like it’s being punched out on a Teletype — and stirs up a rhythmic vortex with echoing guitars, gruffly sung and chanted vocals and a twin-saxophone riff that approximates the horns saying 'Papa Wemba.’” — The New York Times

"Since his 2014 debut LP Le Dernier Empereur Bantou, Pierre Kwenders has been an invaluable force in Canadian music with his experimental and playful approach to Congolese rumba.” — The FADER

Photo Credit: Kim Yang // DOWNLOAD HIGH-RES

Congolese-born, Montreal-based musician, songwriter, and DJ Pierre Kwenders presents new single, “Heartbeat” (feat. anaiis), from his forthcoming album, José Louis and the Paradox of Love, out April 29, 2022 on Arts & Crafts. Following lead single, “Papa Wemba”, praised by The New York Times as “a rhythmic vortex with echoing guitars, gruffly sung and chanted vocals,” “Heartbeat” features French-Senegalese artist anaiis, and is an infectious sequel to the Branko-produced “Amours d’Éte” which Kwenders performed for the preeminent music platform COLORS. The melancholic “Heartbeat” pivots sonically and aesthetically, illustrating Kwenders’ emotional and stylistic breadth. His captivating multilingual chorus is bolstered by anaiis’ lithe vocal accompaniment.

“‘Heartbeat' represents the paradox of love,” says Kwenders. “Love can manifest itself in many and the most unexpected ways. I've been a fan of anaiis' for a while now. The tenderness that breathes through her voice was the perfect match to this story. While our hearts are beating hard, we're surrounded by the beauty of nature which keeps us calm and happy. All in tenderness, on a farm of love!”

The song’s striking music video was made by BLANGUAGE and directed by Daniel Omoakoh, the same team that created the video for lead single "Papa Wemba". 

WATCH / SHARE “HEARTBEAT” (FEAT. ANAIIS) HERE
BUY / STREAM “HEARTBEAT” (FEAT. ANAIIS) HERE

Following MAKANDA at The End of Space, the Beginning of Time, Kwenders’s 2017 sophomore album, and Le Dernier Empereur Bantou, his 2014 debut – both of which earned Kwenders nominations for Canada’s prestigious Polaris Music PrizeJosé Louis and the Paradox of Love finds the artist arriving at a new juncture: a moment of resonance, carefully wrapped in freewheeling tapestry, hinged in reverence to its diverse heritage, yet reveling in the inventive combination of its elements. 

WATCH / SHARE “PAPA WEMBA” HERE
BUY / STREAM “PAPA WEMBA” HERE


Seamlessly working across Congolese rumba, contemporary electronic music, pop-R&B, and jazz-infused progressions with a range of global collaborators including Tendai Maraire (Shabazz Palaces), Branko (M.I.A., Buraka som Sistema), Win Butler (Arcade Fire), Michael Brun (J Balvin), and Uproot Andy (Poirier), José Louis and the Paradox of Love is both an embrace of African musical tradition and an evolution of it. Singing and rapping in Lingala, French, English, Tshiluba, and Kikongo, Kwenders similarly weaves his stories across the boundaries of language and geography. Written and recorded while traversing the globe with his Moonshine Collective — holding nearly 100 lunar-based events including a Boiler Room party in his native Kinshasa or performing for COLORS in Berlin — Kwenders has taken his Afro-electronic soirées from Los Angeles to Santiago to Paris and beyond, building a truly international grassroots community of fans and peers.

PRE-ORDER JOSÉ LOUIS AND THE PARADOX OF LOVE HERE

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JOSÉ LOUIS AND THE PARADOX OF LOVE TRACKLIST
1. L.E.S (Liberté Égalité Sagacité) (Feat. Win Butler, King Britt)
2. Your Dream (Feat. Ngabo)
3. No No No
4. Imparfait (Feat. Sônge)
5. Papa Wemba
6. Religion désir
7. Makambo Ya Gaga (skit)
8. Heartbeat (feat. anaiis)
9. Kilimanjaro
10. Coupé
11. Sahara
12. Radio trottoir (interlude) (Feat. Babel Bukasa)
13. Church (Likambo) (Feat. Africa Intshiyetu Choir)

PIERRE KWENDERS LIVE
May 4 - Toronto, ON - The Music Gallery | Tickets
May 6 - Montreal, QC - Phi Centre | Tickets
July 30 - Montreal, QC - Osheaga Festival 

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SUNGLACIERS REVEAL NEW VIDEO FOR “OUT OF MY SKULL”

WATCH / SHARE “OUT OF MY SKULL” HERE
BUY / STREAM “OUT OF MY SKULL” HERE

SECOND LP, SUBTERRANEA, OUT MARCH 25, 2022 VIA MOTHLAND

PRE-SAVE SUBTERRANEA HERE

CANADIAN TOUR DATES BEGIN MARCH 3, 2022

"Sunglaciers are already criminally underrated and a must add to your playlist [...]" - Sidewalk Hustle

 "Calgary psych-pop quartet Sunglaciers [share] the twinkling "Draw Me In," a new single co-produced by Chad VanGaalen." - Exclaim!

"A sweat-slicked fever dream of an album, Sunglaciers’ first full-length release reverberates with an electric intellect that shimmers like a sunset reflecting off a skyscraper." - BeatRoute

"In the studio, [Sunglaciers] finds a nice balance between feverish fits of experimental noise and more traditional songcraft." - Calgary Herald

"Sunglaciers’ songs are complex but never fussy, maintaining a healthy display of instrumental dexterity and structural sophistication [...]" - Stagehand

Press Photo : Haley Gunn // DOWNLOAD HIGH-RES

In just one month, Calgary’s post-punk meets psychedelic pop outfit Sunglaciers will be releasing their new album Subterranea via Montreal imprint Mothland. Today, the band is sharing the video for “Out Of My Skull” which arrives with a new video from director and songwriter Evan Resnik.

"Out Of My Skull" is “dark but it's lively.” says Resnik. “I shot in black and white to lend a bit of a classic, noir vibe to the video, which also helped bring out some of my innate 90s influence. 

“The lyrics loosely reference Miles Davis and a few moments from his life: his hiatus from 1975-80, a shooting in 1969, being assaulted by a cop outside Birdland in 1959. I watched a lot of music documentaries in early 2020 when we began writing this record. Miles was a mysterious and brooding artist, and that initial inspiration helped me get into that mindset during songwriting and throughout the video production. The video is intimate but detached, with close-up faces in contrasting, unreal environments. We're in your face, but we're not really there. We had a lot of fun shooting, and I think that comes through in the video and adds a bit of levity.”

WATCH / SHARE “OUT OF MY SKULL” HERE
BUY / STREAM “OUT OF MY SKULL” HERE

“Out Of My Skull” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT SUBTERRANEA
Subterranea is anchored in strange realities from our times. This new effort from Evan Resnik and Mathieu Blanchard (the pair behind Sunglaciers) is also laced with a certain optimism, perhaps the work of well-calculated psychedelic elements and headbanging rhythms, making for a most-rewarding listening experience.

Like their name might suggest, Sunglaciers’ music blurs the boundaries between dazzling indie-rock melodicism and icy post-punk experimentation. On the Calgary quartet’s sophomore album, Subterranea, co-produced by hometown hero Chad VanGaalen and mixed by acclaimed engineer Mark Lawson (Arcade Fire, Yves Jarvis, The Unicorns), they carve out new sonic spaces with laser focus. While past releases found the band exploring a maximalist approach, these 13 songs emerge and vanish in rapid succession, never outstaying their welcome.

“We tried to write vertically instead of horizontally,” explains multi-instrumentalist Blanchard. “Our last album Foreign Bodies and the EPs that came before it had lots of long songs with different parts drifting back and forth. For this album, we decided to strip our songs down to two or three minutes with only a few ideas in each of them.”

WATCH / SHARE “AVOIDANCE” HERE
BUY / STREAM “AVOIDANCE” HERE

Sunglaciers initially came together in 2017 as a collaboration between Blanchard and lead vocalist Resnik, both of whom handle an array of instruments and co-production duties on Subterranea. As Blanchard completed his studies to become a doctor working in family medicine and addiction, and Resnik returned from a hitchhiking trip through France, the duo decided to form a new musical project. The past five years have found them steadily growing in popularity, sharing stages with acts such as Omni, Preoccupations, and Daniel Romano, while topping the charts of campus radio stations in Western Canada.

When COVID-19 put Sunglaciers’ tour plans on pause, they shifted their focus to songwriting, dedicating 40-plus hours per week to music in the early months of 2020. Subterranea was recorded in the unusual location of On Air Studios, a professional voiceover studio owned by former member Bruce Crews. This extended timeframe taught them skills in engineering, while also allowing for experiments such as swapping the instruments that each member typically plays (an oblique strategy used on Portishead’s Third and David Bowie’s “Boys Keep Swinging”). Chad VanGaalen fleshed out the songs further with vocal and instrumental contributions, while the band welcomed other guests such as harpist Jennifer Crighton (Hermitess) and hip-hop / black metal vocalist Louis Cza (Roman66, The Black Greek God).

The result is an urgent and cohesive full-length statement, drawing on influences from the high drama indie-rock of Deerhunter, Total Control’s post-punk tenacity, and the woozy grooves of BEAK>

WATCH AND SHARE “DRAW ME IN” HERE
BUY / STREAM “DRAW ME IN” HERE


The ‘90s rock sound of “Glue” shows off an entirely different side of Sunglaciers’ sonic personality, merging triumphant Walkmen-esque trumpets with a ripping guitar solo from VanGaalen. “Draw Me In” toys with the formula to the greatest degree, as a sputtering Of Montreal-inspired dance beat propels Resnik’s vulnerable lyrics about untying the noose of depression during his darkest days

“The bulk of this album came together during the pandemic and the changing of gears that we had to do,” says Resnik. “I was out of work and Mathieu was working half as much as usual, so we had lots of time on our hands. We flipped a switch and started playing music everyday. It’s a good indicator of how we were writing at the time while we wrapped our heads around some new gear and saw what came out of it. Essentially, we took all of our favourite musical tendencies and put them together. We were listening to a lot of McCartney II at the time and loved how eclectic it was, which led to us mirroring that vibe.”

PRE-SAVE SUBTERRANEA HERE

TOUR DATES
Mar 3 - Toronto, ON - The Baby G
Mar 4 - Montreal, QC - L’Esco

Mar 7 - Saratoga, NY - Desperate Annie’s
Mar 8 - Troy, NY - No Fun
Mar 9-12 - New York, NY - New Colossus Festival
Mar 13 - Washington, DC - Pie Shop
Mar 15 - Pittsburgh, PA - Mr. Roboto Project
Mar 16 - Cincinnati, OH - TBD
Mar 17 - Indianapolis, IN - Healer
Mar 19 - Windsor, ON - Phog Lounge
Mar 26 - Calgary, AB - Palomino
Apr 8 - Edmonton, AB - Aviary


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SUBTERRANEA TRACKLIST
1. Negative Ways
2. Avoidance
3. Out of my Skull
4. Order
5. Subterranea
6. Thought Maps
7. Stayed
8. Glue
9. Draw Me In
10. Best Years
11. No Horizon
12. Cause/Effect
13. Roundabout

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