JERRY LEGER NEW LP OUT TODAY , SHARES NEW VIDEO, ANNOUNCES TOUR DATES

WATCH / SHARE “KILL IT WITH KINDNESS” HERE
NOTHING PRESSING OUT TODAY VIA LATENT RECORDINGS

CANADIAN + EUROPEAN TOUR DATES BEGIN MARCH 31

BUY/STREAM NOTHING PRESSING HERE

Photo Credit : Laura Proctor  // DOWNLOAD HIGH-RES

Today, Jerry Leger’s new album, Nothing Pressing, will be available to buy or stream everywhere courtesy of Latent Recordings. In celebration, the acclaimed songwriter is sharing the video for album cut, “Kill It With Kindness”. “Like a lot of our recordings, we recorded this pretty much live in the studio,” says Leger. “It has a great rock 'n' roll energy that's to the point. Lyrically, it's a bit about the power of the mind.”

For the video, Leger says he thought “something like those old Laserium shows that were popular in the 70s would be cool for the song. I brought the idea to Brittany Brooks, she ran with it and incorporated the band and I into the laser show she created. I really dig what Brittany came up with. They would say, ‘Laserium IS music for your eyes’.”

WATCH / SHARE “KILL IT WITH KINDNESS” HERE

MORE ABOUT NOTHING PRESSING
Written during the pandemic, Nothing Pressing isn’t the only thing has kept Leger busy while off the road. In 2020 Leger published his first book of poetry Just the Night Birds, made a film for his mailing list subscribers The Apartment Show He Never Gave, while releasing what he terms a “surprise” album, Songs from the Apartment

Songs from the Apartment was a stripped-down lo-fi affair recorded in his home using a cheap tape recorder with an internal microphone. Two songs from the current album, “Underground Blues” and “Sinking In”, were also recorded in Leger’s home, this time using two SM58 microphones fed into his vintage 1981 Tascam 4-track tape recorder. The remaining nine tracks included on Nothing Pressing present Leger’s work in two starkly contrasting soundscapes. “Nothing Pressing”, “Protector”, and “Still Patience”, are solo acoustic recordings cut live in the studio with little embellishment save Dan Mock’s overdubbed harmony vocals and, on the title track, producer Michael Timmins’ ukulele. The other six tracks are prime roots rock and roll featuring his long-time band The Situation (drummer Kyle Sullivan and bass player Dan Mock). Among the latter songs, “Kill It With Kindness” and “Have You Ever Been Happy?” have the kind of drive, energy and spirit that  are sure to make them highlights of his future live shows.

Leger often times finds himself at a loss as to explain the source of his songs. He feels his  songwriting, while clearly drawing on experiences filtered through a panoply of influences, often verges on being a supernatural experience. Over the course of the eleven songs on Nothing Pressing, the songwriter’s songwriter engages with questions of existence, mortality, hope, trust, and heartbreak while simultaneously conjuring feelings of isolation, reflection, longing, and gratitude.  

WATCH / SHARE “HAVE YOU EVER BEEN HAPPY?” HERE
BUY / STREAM “HAVE YOU EVER BEEN HAPPY?” HERE

Paired with such evocative lyrics are wonderfully crafted melodies, soulful vocals, and the spirit and energy of a mature songwriter, comfortable in his skin and growing as an artist with every release. Nothing Pressing serves a wonderfully refreshing tonic in troubling times.

Born in the mid-80s, singer-songwriter Jerry Leger came of age in the Upper Beaches area of  Toronto. Surrounded by music from a young age, his grandfather first turned him onto Hank  Williams, constantly playing the youngster a plethora of the honky tonk master’s great  recordings. Although Williams’ voice came from another world in terms of time, geography,  and class, Leger was intrigued by the ways that Williams’ songs told a story and often conjured up mysterious images in his head. Other seminal influences were slowly added including John Lennon (and the Beatles), Bob Dylan, Lightnin' Hopkins, Leonard Cohen, Elvis Costello, Neil Young, the Everly Brothers, Tom Waits, and Gordon Lightfoot. 

WATCH / SHARE “UNDERGROUND BLUES” HERE
BUY / STREAM “UNDERGROUND BLUES” HERE

In 2005 as Leger turned nineteen he cut his first independently released album. In the sixteen  years since then the multi-talented singer-songwriter has recorded nine additional studio  albums as well as one live compilation under his own name. In 2014 he was signed to the  Cowboy Junkies’ label, Latent Recordings, releasing the critically acclaimed Early Riser that  same year. His second Latent release, Nonsense and Heartache, followed in 2017. A year  later the two-album set was picked up by Proper Records for distribution in the U.K and  Europe, leading to extensive touring throughout the continent, in the process opening up a  whole new audience for Leger’s finely crafted songs. With his next Latent album, 2019’s Time Out for Tomorrow, Leger began to receive positive notices in such high-profile music  magazines as Uncut and Rolling Stone. 

A restless hungry spirit, when not performing and recording under his own name, Leger stays busy with a plethora of side projects including The Del Fi’s (loose improvisatory rock and  roll) and the Bop Fi’s (Leger reciting his poetry over jazz accompaniment). He has also been known to work under the pseudonym Hank Holly (bonus points go to those who can figure out where that name came from!). 

BUY/STREAM NOTHING PRESSING HERE

2022 TOUR DATES
Mar 31 – Toronto, ON, Paradise Theatre %
Apr 1 – Bracebridge, ON, Bracebridge Hall * 
Apr 16 – Norderstedt, DE, Music Star
Apr 19 – Malmo, SWE, Medley
Apr 20 – Orebro, SWE, STA Pintxos & Vanner
Apr 21 – Oslo, NO, Krosset
Apr 22 – Ringebu, NO, Arnemoen Gard
Apr 23 – Trondheim, NO, Moskus
Apr 24 – Stockholm, SWE, Melodybox
Apr 26 – Norderstedt, DE, Music Star
Apr 27 – Deventer, NL, Des Konings Fest at Burgerweeshuis
Apr 29 – Groningen, NL, Der Aa Theatre
May 1 – Utrecht, NL, Cafe de Stad
May 3 – Birkenhead, UK, Future Yard
May 4 – Winchester, UK, The Railway Inn
May 5 – London, UK, The Green Note
May 6 – Nottingham, UK, The Chapel at Angel Microbrewery
May 7 – Glasgow, UK, Broadcast
May 10 – Saint Feliu de Guixols, ES, Las Vegas Music Hall
May 11 – Valencia, ES, Loco Club
May 12 – Zaragoza, ES, Rock & Blues
May 13 – Hondarribia, ES, Psilocybenea
May 14 - Madrid, ES, Fun House
Jun 2 – New Glasgow, NS, The Monarch Marina *
Jun 3 – Berwick, NS, Union Street *
Jun 4 – Dartmouth, NS, New Scotland Brewing *
Jun 10 – Fredericton, NB, The Tipsy Muse *
Jun 11 – Montague, PEI, Copper Bottom Brewing *^
Jun 12 – Kingston, NB, House Show * 
Jun 24 – Trenton, ON, Old Church Theatre * 
 
& Nothing Pressing hometown release show
* acoustic duo shows with Dan Mock on upright bass
^ also with Aaron Comeau on guitar

 MORE INFO AND TICKET LINKS : http://jerryleger.com/tour/


DOWNLOAD HIGH-RES

NOTHING PRESSING TRACKLIST
Nothing Pressing
Kill It With Kindness
Recluse Revisions
Wait A Little Longer
Still Patience
Underground Blues
Have You Ever Been Happy?
With Only You
Sinking In
A Page You've Turned
Protector

JERRY LEGER ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM

GEORGIA HARMER REVEALS “TALAMANCA” FROM UPCOMING LP

LISTEN / SHARE “TALAMANCA” HERE
BUY / STREAM “TALAMANCA” HERE

DEBUT LP, STAY IN TOUCH, OUT APRIL 22, 2022 VIA ARTS & CRAFTS

PRE-SAVE STAY IN TOUCH HERE

"one song in, it's clear that she possesses the kind of effortless musical ability that comes from a life surrounded by great art. ...a Big Thief and Phoebe Bridgers-sounding reflection on youthful abandon and the incomparable presence that accompanies it." - CBC Music on "Headrush"

“For Georgia Harmer, it’s a matter of when, not if. The Toronto songwriter’s serene debut single, ‘Headrush,’ displays a rare skill for wrestling obvious emotion — in this case, naked nostalgia — into sound.” - SPIN, 22 Artists to Watch in 2022

“With her recent singles ‘Headrush' and ‘Austin,' the Toronto singer-songwriter Georgia Harmer established herself as a noteworthy talent.” - Stereogum

“[‘Austin’] recalls Feist or Land of Talk with extra rootsy guitar twang.” - Brooklyn Vegan

"Harmer gets grittier on “Austin”, and this side of her is awesome. A grizzled guitar opens the track before a steel guitar and rhythms join the fray. This is the sound of a world that is dark and full of mystery and uncertainty." - The Revue on "Austin"

Photo Credit: Gemma Warren // DOWNLOAD HIGH-RES

Twenty-two year-old Toronto-based musician Georgia Harmer presents a gorgeous new single, “Talamanca”, from her debut album, Stay in Touch, out April 22 on Arts & Crafts. For Harmer, music has always been a way “to process what was going on under the surface of a moment, a way for me to understand in retrospect what something meant.” The tone is set with album opener “Talamanca”, a song that begins with a story about a trip to Mexico and expands to encompass the communion that can occur between close friends— ‘Speaking without words/ Languages of seeing and being seen.’ The arrangement is built around Harmer’s evocative voice and bass harmonics contributed by Ben Whiteley (The Weather Station, Julia Jacklin) with reverb giving the song a dream-like texture to reflect Harmer lyrically moving through her memories. A counterpoint to the electricity of her earlier singles, "Talamanca" hones in on the roots of Georgia's music and her striking voice. 

LISTEN / SHARE “TALAMANCA” HERE
BUY / STREAM “TALAMANCA” HERE

Harmer elaborates: “This song came out of me in a day in Costa Rica, and voice memos named it ‘Talamanca’ because that’s where we were staying. I loved the name partly because it was one of the few places I'd had time to think that year. I was on the road with Alessia Cara, nearing what I didn't yet know would be the end of that chapter, and missing my ‘old life.’ I went back to a memory of being in Mexico with two of my close friends. Every morning we’d sit on the roof of the neighboring house as the sun rose and drink our coffee, eat our breakfast, and bask in the rising light. We were very connected at the time and had a telepathic quality to our communication. This song is essentially about the telepathy and mind-reading that goes on between close friends.”

WATCH / SHARE “ALL IN MY MIND” HERE
BUY / STREAM “ALL IN MY MIND” HERE

MORE ABOUT STAY IN TOUCH

Across Stay in Touch, Harmer captures ineffable moments with expressive detail: the euphoric memory of a summer’s day so perfect you want to live inside it forever, the dusty heat of a Texas afternoon, a tingle of melancholy on a solo walk home after a party. With a wisdom and poise that belies her youthful age, Harmer has penned an emotionally resonant collection of songs that articulate the ways in which even the most fleeting experiences can forge bonds between strangers, create families out of friends, and one by one form the joys and sorrows that make up a life.

WATCH / SHARE “HEADRUSH” HERE
BUY / STREAM “HEADRUSH” HERE

Harmer has been making music since childhood, recording her own songs since age 10. She hails from an artistic family, including her aunt and labelmate Sarah Harmer (Georgia’s parents, both professional musicians, met while playing in Sarah’s band). While still a teenager, she hit the road as a backing vocalist for Alessia Cara, touring and playing late night TV for many months. But when it came time to make her own album, Harmer knew she needed to find her own people. After dropping out of university to pursue music full-time, Harmer began jamming with jazz students at Humber College in Toronto; guitarist Dylan Burchell, drummer Julian Psihogios, and bassist David Maclean, and engineer/producer Jasper Smith assembled to record at ArtHaus in Dufferin Grove. “It was nice because we could just play how we’re used to playing, crammed in a room together, and capture the natural feeling of that.” Smith didn’t tell Harmer that he had never engineered a record before until after it was complete.

LISTEN / SHARE “AUSTIN” HERE
BUY / STREAM “AUSTIN” HERE

Stay in Touch spans everything from intimate folk and strummy country to sophisticated jazz and pop-kissed rock. Harmer and her band created musical landscapes that live up to the lyrical richness of the songs. The record sparkles with the lightning in a bottle feel of a band in thrall to their musical chemistry, adding more depth to the record’s themes. Stay in Touch is inspired both by the relationships of Harmer’s past and the joy of finding your people in the here and now. It’s an unforgettable statement from a new artist with a heartbreakingly simple message: when you stay in touch with the experiences that have shaped you, you stay in touch with yourself. 

PRE-SAVE STAY IN TOUCH HERE

DOWNLOAD HIGH-RES

STAY IN TOUCH TRACKLIST
1. Talamanca
2. Headrush
3. Know You Forever
4. Austin
5. All in My Mind
6. Be Here
7. Homes
8. Top Down
9. Go Soft
10. Strongest Person
11. Just the Feeling

GEORGIA HARMER ONLINE
INSTAGRAM
FACEBOOK 
WEBSITE

EDWIN RAPHAEL RETURNS WITH NEW SINGLE / VIDEO

WATCH / SHARE “HAVE YOU BEEN TOLD” HERE
BUY / STREAM “HAVE YOU BEEN TOLD” HERE

"Raphael's languid instrumentals are all too easy to melt into." - Exclaim!

"Raphael indulges by opening up that affecting guitar-vocal pairing to a lush bridge with added horn, guitar and drums." - CBC Music

"The track seemingly blooms from a spacious and rustic folk sound into something far more lavish." - Under The Radar

"Tranquil melodies flow over electronic and acoustic instrumentation." - American Songwriter

Video Still

Today, Dubai-born, Montreal-based songwriter Edwin Raphael shares his first single and video of 2022. “Have You Been Told” is a track that “steers through the fixation of constant repetitive cycles from a place that is ‘all blown up’ to ‘all so bare’,” says Edwin. “It’s the conflicting pursuit of stimulation vs stability. The phrase ‘have you been told’ suggests the idea of keeping the devil on your shoulder at ease by satisfying it in small doses as well as constantly sort of reminding yourself to check yourself. Essentially the song explores a medium ground where there is a balance between the two.”

The single arrives today complete with a video directed by Raphael, Jonathan Frydman, and Ben Del Vasto. “The music video matches both the spiraling instrumentation of the song and Raphael’s lyrical vision, showing him navigating between two different worlds,” notes Complex

“The vision for the music video was to find a visual language that expressed what I felt when I heard the song,” says Bel Vasto. “As production went along the vision changed slightly but what remained and what was later found in the editing room was the story of our protagonist existing in two different settings/worlds, with fragments from each informing the other.  A mix between a dream and a journey.”

Frydman adds, “Edwin and I really tried to put forward a strong narrative for the song and with the song being this hypnotic loop, it was essential to flow in tandem with the various melodies on display. What we came up with was a storyline where the protagonist finds himself in between two places connected through a portal (the painting), where he realizes neither world is quite right as much as he'd like to believe it. The balance has to be found within oneself.”

WATCH / SHARE “HAVE YOU BEEN TOLD” HERE
BUY / STREAM “HAVE YOU BEEN TOLD” HERE

“Have You Been Told” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT EDWIN RAPHAEL
How do you anchor yourself when occupying multiple geographic identities at once? For Edwin Raphael, it requires an intentional and intensive form of world-building. By developing an unmistakable style of folk that merges Eastern scales with the Western pop canon, Raphael reimagines his music as a exploratory tool that allows him to construct an interior and sacred home to retreat into. 

Growing up in Dubai, as the son of parents who immigrated from the city of Cochin in India’s coastal Kerala state, Raphael studied classical guitar before deciding on the keys. As he developed an affinity for John Mayer and Ben Howard, he felt at odds with Dubai’s distinct sense of “placelessness” — and the bewildering feeling of being immersed in a culture where everyone claimed an alternate homeland. It wasn’t until he moved to Montreal to pursue a business degree that he felt a sense of stability, and became deeply entangled with the city’s indie bedroom pop scene.

His debut EP Ocean’s Walk (2015) paired stirring, melancholic instrumentals with a fierce self-reckoning. It would set the stage for a string of releases that would dive deeper into the psyche; like confronting the aftershocks following a significant heartbreak, or relearning your emotional baseline as you mature. Subsequent releases, Cold Nights (2017), his acclaimed debut Will You Think of Me Later? (2019), and its follow up Staring at Ceilings (2021), reveal an artist devoted to sharpening his ability to translate his experiences into ubiquitous statements, and saw him open for Hollow Coves, JP Saxe, Noah Kahan. 

Subscribe to Edwin Raphael’s Newsletter HERE.

BUY / STREAM STARING AT CEILINGS EP HERE

WATCH EDWIN RAPHAEL PERFORM LIVE ON CBC MUSIC’S ‘THE INTRO’ HERE

MORE PRAISE FOR STARING AT CEILINGS

“'Sea of Things' feels primal, mimicking the ocean with cyclical, crashing movements, patiently building itself up and washing itself back out." - FLAUNT

"Calming ambience and angelic vocals." - Lyrical Lemonade

"Chill pop with a touch of folk." - EARMILK

"Weightless and ethereal" - Indie Shuffle

"The instrumental and harmonic components provide the same floating-in-space feeling we love from Fleet Foxes." - Culture Collide

"Offers an escape from anxiety." - Kajal

"Incredibly raw and emotional." - C-Heads 

"A gently addictive soundscape, all wistful energy and patient." - Beats Per Minute

"Notes of Bon Iver and Frank Ocean come to a glorious head to create something moving, exciting and fresh." - The Rodeo


EDWIN RAPHAEL ONLINE
INSTAGRAM
FACEBOOK
TWITTER
WEBSITE