LOONY SHARES NEW SINGLE, “FIRST THING SMOKIN’”

LISTEN / SHARE "FIRST THING SMOKIN'" HERE
BUY / STREAM “FIRST THING SMOKIN’” HERE

"wistful and silky smooth" - The FADER

"one of the artists leading Canada’s new class of R&B singers." - Complex

"Blending retro soul inflections and moody grooves with punchy pop synths" - The Line Of Best Fit

"I Love That LOONY, this is sure to make waves" - Elton John

"taps into the restless but relatable flutters of first love." - Refinery29

Photo Credit : Dak (Daniel Kestenbaum) // DOWNLOAD HIGH-RES

LOONY, aka Toronto's Kira Huszar, today follows her 2021 debut album, soft thing, with "First Thing Smokin'", a statement of a track, blending elements of pop, RnB, and soul. 

A slow jam connoisseur, LOONY layers an always-funky base with the heart and soul that's come to be something of a signature of her generation. There is no need to be cool, but more so to be real and fully-felt. 



Of the track, LOONY shares, "I always get antsy when I’m away from home for too long. I guess I get comfort out of being in close proximity to my family and friends. The day this song was written, a close friend of mine had found out that one of his family friends had just passed away back home. We were in LA. He hadn’t even known she was sick. It was heartbreaking. He was like 'I would’ve done anything, I would’ve flown back in an instant, if I had known.. I had been meaning to go back home sometime soon just because, why didn’t I?' And there was this chill in the room, ‘cause every single person in the studio that day resonated with that.

"

“It’s like, if you’re far away from your family and friends it’s really easy to get swept up in the life you have going on right in-front of you, and just that sentiment of dropping everything you got going on to find your way back to them when they need you, is so powerful and real. And not even just if they ‘need’ you, either. If they got something going on that’s important to them, some milestone, anything. Showing up for people you love. Doesn’t matter what it is, what country, what time-zone. The first thing smokin’. That’s what I’m hopping on to get you. And I hope I’ll get there in time."

LISTEN / SHARE "FIRST THING SMOKIN'" HERE
BUY / STREAM “FIRST THING SMOKIN’” HERE

Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT LOONY
Kira Huszar knows a love of music is innately human. As LOONY, she and producers Adam Pondang and Noah ‘40’ Shebib protégée Akeel Henry (Ty Dolla $ign, Trey Songs, Roy Woods, Jeremih) meld neo-soul, jazz, gospel, hip hop and R&B to create a melodious alchemy that feels as organic as it is luscious.

Born and raised in Scarborough, from the moment she came home from the hospital, Huszar was exposed to a diverse sonic landscape by her music-loving parents. Even before she could speak, the nascent artist began to sing and develop her melodic pallet; later using summer vacations at her grandmother's [house] as an excuse to force her cousins into musical groupings.

When her high school boyfriend was unexpectedly incarcerated, Huszar turned trauma into catharsis by releasing her first home-made tracks into the world. But it wasn’t until 2018’s PART 1 EP that LOONY, as we know her, was born.

Two years later, back-to-back EPs, JOYRiDE and soft thing, which have earned the up-and-comer comparisons to Erykah Badu and Sade alongside raves from the likes of Complex, Stereogum, The Fader, Apple Music, NME, CBC and the BBC, to name but a few.

With such acclaim and talent to spare, it’s no surprise that Sir Elton John himself declared on his international radio show: “I love that LOONY.”

LOONY ON TOUR
Nov 22 - Berlin, DE - Prachtwork
Nov 24 - London, UK - Folklore SOLD OUT 
Nov 26 - Leeds, UK - Headrow House 

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MARIEL BUCKLEY ANNOUNCES CANADIAN TOUR DATES, SHARES LIVE VIDEO

WATCH / SHARE “HATE THIS TOWN” LIVE FULL BAND HERE

CANADIAN TOUR DATES BEGIN OCTOBER 7

EVERYWHERE I USED TO BE, OUT NOW VIA BIRTHDAY CAKE RECORDS

BUY / STREAM EVERYWHERE I USED TO BE HERE

" I don't know if it's Buckley's dream to be an essential new voice in Canadian music, but she is. Everywhere I Used to Be should prove that." - CBC Music

“There’s a grit to Mariel Buckley’s voice that can’t be manufactured with studio wizardry. She can hit heavenly registers, but always with a tinge of angst, like tasting a bit of coffee grounds at the bottom of a cup of velvety coffee, the mark of handcrafted majesty. …Everywhere I Used To Be is a tremendous showcase of Buckley’s talents.” The Edmonton Journal

"...her sophomore slam-dunk...a synth country masterpiece" - No Depression

It’s heart on your sleeve, uncompromising, honest stuff. An album of self-acceptance which is beautifully delivered. …Exceptional and sincere.” Americana UK

"The first single is "Shooting at the Moon," a propulsive heartland rock/alt-country song that comes with soaring pedal steel, a War On Drugs-y rhythm section, and a hook from Mariel that you'll be humming after one listen.” - Brooklyn Vegan on “Shooting At The Moon”

"...a shimmering pop gem. It’s driving AF and gallops with country flair, but it’s low on twang. And that’s just fine – Buckley sounds very much in charge in her new sonic digs, coupled with the production styling of Marcus Paquin” - Country Queer on “Shooting At The Moon”

Mariel Buckley’s new LP, Everywhere I Used To Be, is now available everywhere courtesy of Birthday Cake Records, and today, the celebrated songwriter heading out on the road in support of the LP. Tour dates begin October 7, 2022 with stops throughout Canada. For a sneak preview of what to expect on stage, Buckley is sharing the new video of the band performing “Hate This Town” live.

“Hate This Town” is a song that “came together really quickly,” says Buckley. “It pretty obviously carries a lot of emotional weight, and also seems to act as a catharsis for folks who hear it. It’s a broad stroke of what intolerance and shame can create in a bible-belt, prairie town. Lots of imagery from my childhood, church and the bottom of a glass.”

WATCH / SHARE “HATE THIS TOWN” LIVE FULL BAND HERE

MORE ABOUT EVERYWHERE I USED TO BE
Unapologetically genuine, wry, and soft-hearted - Mariel Buckley has planted her flag firmly as a songwriter who’s in it for the long haul. She aims to find herself squarely on the fringes and exactly where she belongs: singing and writing songs for the underdog. And that’s exactly where her new album, Everywhere I Used to Be, lives.

Everywhere I Used To Be is sonically anchored by the haunting whine of pedal steel, a tastefully weighted, deep groove – rounded out by heavy synth pads and vibrant guitar parts. The resulting collection is a driving, swooning, toe-tapping catharsis; sealed and delivered by Buckley’s signature crooning brand of angst-ridden alt-folk. 

WATCH / SHARE “NEON BLUE” HERE 

“When you grow up as the town freak, you get used to hiding who you are to become more palatable for those around you,” she says. “While I've been great at speaking my mind in person, my music has often remained a vague, if not softer representation of my stuff, until now. All I said about my life in direct detail on my last record was that I was ‘kept a secret’ - and I couldn’t go any deeper.

When I wrote this record, l felt myself becoming clearer in the process. I became softer in my personal life and sharper in my songs. I finally saw the person, musician and songwriter I wanna be coming into focus, all together. Mental illness, addiction, bad choices, and abusive relationships have made that journey really fucking long and really difficult. It felt like coming home. Selfishly, this album gave me something I’d been looking for my whole life. I hope to give people a chance to hear themselves in these stories.

WATCH / SHARE “SHOOTING AT THE MOON” HERE 

I wrote this album for losers and underdogs. I want every outsider and lost soul to feel seen and safe with these songs. I wrote it for kids who do/did feel underrepresented in the mainstream media, in church, at school or at home. I wrote it for anyone who's ready to make a change, and especially for those who aren't.”

Buckley and Paquin made an intentional move towards contemporary production, and quickly found themselves in a daily rhythm of deconstructing and rebuilding each song to find its full potential. Backed by some of Canada’s finest session musicians, their collective efforts are showcased with abundant heart, and skillful flourishes while respecting the space necessary for the songs to speak. Perhaps her mysterious ambiguity around genre, traditional storytelling, and identity is what gives these new songs such an honest shine.

BUY / STREAM EVERYWHERE I USED TO BE HERE

MORE ABOUT MARIEL BUCKLEY
Born and raised on the prairies in a conservative core, Buckley spent most of her youth playing hockey, getting into trouble and writing it all down. After dabbling in guitar for near a decade, she took up some bar gigs, playing mostly traditional country music. Buckley began writing original music in her early twenties and found a natural comfort in speaking her mind through song. After several years of honing her craft on and off the stage, she began seeing larger support slots – k.d. Lang notably saying: “this kid has a big future.”

Buckley’s first official release, Driving in the Dark (2018), garnered international press and began solidifying her as part of the roots community in North America. With recognition from No Depression, CBC Music, Wide Open Country and PopMatters; she was building momentum quickly. And now after two-years forced hiatus and a new album, she’s ready to continue being a trail in her own right. With a firm grip on the steering wheel and a destination in mind - we’re just happy to be along for the ride.

TOUR DATES
Oct 07 - Vancouver, BC - The Heatley
Oct 11 - Rossland, BC - The Flying Steamshovel
Oct 12 - Penticton, BC - Dream Cafe
Oct 13 - Lethbridge, AB - The Owl
Oct 15 - Calgary, AB - No. 1 Legion Downtown
Oct 17 - Red Deer, AB - Bo’s Bar
Oct 20 - Regina, SK - The Artesian
Oct 21 - Saskatoon, SK - Amigos Cantina
Oct 22 - Winnipeg, MB - Times Change(d)
Oct 26 - Ottawa, ON - Club SAW
Oct 27 - Toronto, ON - The Horseshoe Tavern
Nov 05 - Edmonton, AB - The Starlite Room
Nov 08 - Uppsala, SE - Katalin
Nov 09 - Åland, SE - Pub Ettan
Nov 10 - Tranås, SE - Plan B
Nov 11 - Falkenberg, SE - Tryckhallen
Nov 12 - Malmö, SE - Folk â Rock
Nov 15 - Örebro, SE - Schreiber's Garage
Nov 16 - Norrtälje, SE - Café Smedjan
Nov 17 - Kristinehamn, SE - Mastmagasinet
Nov 18 - Göteborg, SE - Vega
Nov 23 - Trondheim, SE - Moskus
Nov 24 - Östersund, SE - Captain Cook
Nov 25 - Piteå, SE - PiteFolk
Nov 26 - Sundsvall, SE - Q-Bar 

Photo Credit : Sebastian Buzzalino // DOWNLOAD HIGH-RES

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BIGMCENROE JOINS ALVARO ROJAS FOR NEW ALBUM, OUT ON PEANUTS & CORN

LISTEN / SHARE “SOMEONE ELSE’S MONEY” HERE
BUY / STREAM “SOMEONE ELSE’S MONEY” HERE

NEW COLLABORATION ALBUM FROM BIGMCENROE AND ALVARO ROJAS, NOODLES, OUT OCTOBER 21, 2022 VIA PEANUTS & CORN

Photo Credit : Marcie Effler Bailey // DOWNLOAD HIGH-RES

bigmcenroe (Rod Bailey) and Alvaro Rojas met when their kids went to the same school and their wives forced them to hang out together. It didn’t take long to establish their mutual love of music and next thing you know they were in the bigmcenroe’s home studio, trying a few riffs and having some fun. 

Alvaro is a classically trained musician specializing in jazz and avant garde, while bigmcenroe has been writing and producing hip hop for his entire adult life. Over the pandemic, the pair collaborated remotely on Noodles, the new LP out via Peanuts & Corn on October 21, 2022.

Today, they share the first single, “Someone Else’s Money”, for your enjoyment. The track is “kind of slow burner, a multi drummed progression that is a fusion of prog rock guitar and video game start screen," says Bailey.

LISTEN / SHARE “SOMEONE ELSE’S MONEY” HERE
BUY / STREAM “SOMEONE ELSE’S MONEY” HERE

“Someone Else’s Money” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT ALVARO ROJAS
Alvaro Rojas is an award winning guitarist and composer based in Vancouver B.C. As a guitarist he performs regularly with his trio, as well with other local artists in the pop, rock, jazz and improvised music communities. As a composer, Alvaro has had works performed by many of Canada’s finest new music groups, including the Turning Point Ensemble, Aventa Ensemble and the Microcosmos String Quartet. He has written music for choir, big band, orchestra, various chamber groups and small ensembles, and has scored numerous short films. 

MORE ABOUT BIGMCENROE
bigmcenroe (Rod Bailey, formerly known as mcenroe) has been a mainstay of the Canadian underground hip-hop scene since the early nineties. Since forming Peanuts & Corn Records and releasing cassettes starting in 1994, he has been writing and producing quality hip-hop for nearly 30 years. He has produced highly acclaimed acts such as farm fresh, mood ruff, different shades of black, fermented reptile, Park-Like Setting (of which mcenroe is a member), Hip-Hop Wieners, Gruf, John Smith aka Bazooka Joe 204, Yy, Birdapres, Nestor Wynrush, and Pip Skid. As a writer he has released critically acclaimed rap albums and EPs such as the ethics EP, the convenience EP, disenfranchised, the Paper Champion, burnt orange, and 2021’s Brandon.

NOODLES TRACKLIST
01 - Unsubscribe
02 - Supermedium
03 - Spare Keys
04 - Unadventure
05 - Writer's Block
06 - Apercu mono
07 - Someone Else’s Money
08 - Fanboy Panic
09 - Serious Business, This
10 - Yesterday’s Fresh
11 - Loss Leaders

BIGMCENROE ONLINE
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BANDCAMP

ALVARO ROJAS ONLINE
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PEANUTS & CORN ONLINE
BANDCAMP