SLOW LEAVES ANNOUNCES CANADIAN TOUR DATES SUPPORTING JENN GRANT + UK TOUR DATES IN 2024

NEW LP, MEANTIME, OUT NOW VIA BIRTHDAY CAKE RECORDS

BUY / STREAM MEANTIME HERE

"His folk and psych-rock stylings recall older songwriters like Nick Drake, Mickey Newbury, and Neil Young. But they also live in the world of modern classic writers like Andy Shauf, Bedouine, Big Thief, and Bill Callahan. His silky voice has been compared to Roy Orbison or Bryan Ferry." - Northern Transmissions

"a glistening, golden folk dream" - Atwood Magazine

"A meditative and deeply poetic effort, featuring a world-worn vocal performance from Davidson set against some winding fingerpicked guitar." - Under the Radar Mag (on "Nothing Really Changes")

Photo Credit : BnB Studios // DOWNLOAD HIGH-RES

Today, Slow Leaves (Grant Davidson) is announcing a run of tour dates across Canada this fall supporting Jenn Grant. While the two have performed together in the past, recently they co-wrote a song together for Jenn’s latest album, “Under The Overpass”. "Many years ago I sent Jenn a message to tell her how much I appreciated her music,” says Davidson. “Since then, I’ve had the privilege of opening some of her shows, co-writing on her new record, and calling her a friend. I’m so thrilled to be part of her upcoming tour."

Full tour dates, including a string of UK performances in early 2024, can be found below and tickets are available here.

LISTEN / SHARE SLOW LEAVES + JENN GRANT CO-WRITTEN TRACK
“UNDER THE OVERPASS”

MORE ABOUT MEANTIME
Slow Leaves’ latest album, Meantime, is about waiting for something momentous to occur in life, and how all the mundane stuff that happens during the wait actually constitutes what is meaningful. If you blink, you miss it; if you think too much, you miss it. If you’re lucky, in the meantime, there’s love and there’s death and not much less. “I see this album as a love letter, a collection of messes that fit neatly within a regular life if there is such a thing. In that sense, I guess these songs serve as a reminder for myself, since I’m forgetful, that all moments are equal in that they pass through us once only in long stretches of boredom or by bursts of love and death. In the meantime, I only hope not to let any more go by unnoticed.”

The lead single, “American Band”, is a quaint and sweet toe-tapping track with a Tom Petty flair for roots-rock impressionism. Its taut, indie-rock groove lends the song a contemporary feel, but its chorus’s lush layers of airy vocals recalls prime 1960s folk-rock. The song speaks to the glittered mythology about being in a band on the road, and here Davidson’s words are scene-setting and heartfelt. He sings: ‘I wanna see the ocean / Tell my baby I’m coming back home instead/I don’t feel good/I want my own sweet, own sweet, bed / I don’t feel so good no more / Roll the window down and turn it around’. “At some point on every tour, I feel the weight of an existential pressure to justify why I’m not somewhere else doing something more reasonable,” Davidson says. “I know reality is always grittier than the dream, but like most things worth doing, the allure is in moments that break you just enough to feel saved.”

WATCH / SHARE “AMERICAN BAND” HERE

An elegant earthiness courses through Meantime which features a collection of folk songs adorned with paisley 1960s and 70s touches. While there is a retro sensibility to music, it is offset by an immediacy to the lyrics, setting him firmly in modern times. 

The reverie of new love and open-window summer nights comes alive on “Grand Marquis”. Here, against a waltz-like groove with chiming guitars and symphonic swells strings, Davidson’s vocals have a breezy flow as he poetically details a fictional account of physical entanglement. One stunning passage reads: ‘The hair on your forearm afield / Light through the crown of a dandelion seed’. Amidst twinkling guitars, ultra-hooky folk-rock, and lushly layered vocals, Davidson waxes rhapsodic about nostalgic love on the fictionalized but emotionally resonant “Jenny”. “With this song, I feel like I’m tapping into a sentimental look into the freedom and naiveté of young love,” he reveals. The album closes majestically with the lonesome fingerpicked ballad, “Say Goodnight”, an intimate rumination on love and death. “Say Goodnight” features some of Davidson’s most literate and heartfelt words. He sings: ‘I had a nice time, I had a nice time / That’s what you said when you let me go / Then I drifted off far below / And I closed my eyes.’

WATCH / SHARE “NOTHING REALLY CHANGES” HERE

Slow Leaves is a self-contained solo project with Davidson curating every aspect of the music and its presentation, including being the multi-instrumentalist, producer, cover art designer, photographer, and videographer. He views the totality of these various aspects as being essential parts of a larger project of self-understanding through artistic methods. His folk and psych-rock stylings recall older songwriters like Nick Drake, Mickey Newbury, and Neil Young. But they also live in the world of modern classic writers like Andy Shauf, Bedouine, Big Thief, and Bill Callahan. His silky voice has been compared to Roy Orbison or Bryan Ferry. 

WATCH / SHARE “JENNY” HERE

Davidson began playing guitar at age 15, inspired after discovering a Led Zeppelin II cassette tape in his older brother’s room. It was a finger-picked guitar however that would eventually form the heart of his songs. After three shoe-string budget albums under his own name, Davidson debuted as Slow Leaves in 2014 with Beauty Is So Common, followed by Enough About Me (2017), Shelf Life (2020), and Holiday (2021). 

BUY / STREAM MEANTIME HERE

SLOW LEAVES TOUR DATES
*supporting Jenn Grant

Oct 4 – Nanaimo, BC @ The Queens *
Oct 5 – Victoria, BC @ Wicket Concert Hall *
Oct 6 – Cumberland, BC @ The Waverly *
Oct 7 – Vancouver, BC @ The Pearl *
Oct 11 – Saskatoon, SK @ Alt Haus
Oct 12 – Edmonton, AB @ Starlite Room
Oct 13 – Calgary, AB @ King Eddy
Oct 14 – Mission, BC @ House Show
Oct 17 – Nimmo Bay, BC @ Wilderness Resort
Oct 19 – Kelowna, BC @ Red Bird Brewing
Oct 21 – Lethbridge, AB @ Geomatic Attic
Oct 24 – Regina, SK @ The Artesian
Oct 25 – St. Catherine’s, ON @ The Warehouse *
Oct 26 – Ottawa, ON @ NAC *
Oct 27 – Kingston, ON @ The Grad Club *
Nov 9 – Toronto, ON @ Dakota Tavern
Nov 10 – Peterborough, ON @ Jethro’s
Nov 12 – Montreal, QC @ Quai des Brumes
Nov 14 – Windsor, ON @ Phog Lounge
Nov 16 – Hamilton, ON @ Into the Abyss Records
Nov 17 – London, ON @ London Brewing Co.
Nov 23 – Charlottetown, PEI @ Trailside Music Hall *
Nov 24 – Fredericton, NB @ Wilmot United Church *
Nov 25 – Halifax, NS @ Rebecca Cohn Auditorium *
Jan 24 - Bedford, UK @ The Place
Jan 25 - Cardiff, UK @ Acapella
Jan 26 - Leek, UK @ Foxlowe Arts Centre
Jan 27 - Cheltenham, UK @ Everyman Theatre
Jan 28 - Nottingham, UK @ Malt Cross
Jan 30 - Glasgow, SCT @ Cottiers
Jan 31 - Manchester, UK @ Retro
Feb 1 - Birmingham, UK @ Kitchen Garden Café
Feb 2 - Woking, UK @ The Fiery Bird
Feb 3 - Brighton, UK @ Folklore Rooms
Feb 4 - London, UK @ Green Note

SLOW LEAVES ONLINE
WEBSITE
TWITTER
FACEBOOK
INSTAGRAM
TIKTOK

CHARLIE HOUSTON REVEALS NEW TRACK, “ALL NIGHT”

LISTEN / SHARE / BUY / STREAM “ALL NIGHT” HERE

“... casts back to timeless memories of fumbling early romance—first kisses, messy breakups, and short-lived flirtations are all soundtracked by weightless indie pop and R&B stylings”
 – Under The Radar

“It’s a striking debut, an unguarded, ultra-personal tapestry—stories of heartbreak and struggle, sung in her soothing, signature voice” 
– SPIN

“‘Things’ is an unadulterated look at youthful insecurities and unrequited affection. Over a somber but punchy backdrop, she delivers an evocative performance that is ripe with honesty” – EARMILK



Photo Credit: // DOWNLOAD HIGH-RES

"All Night", the new minimalist indie pop single from singer-songwriter Charlie Houston, tells the heartfelt story of letting down your guard and showing those you love your complete vulnerability: ‘Do you recall feeling afraid or resistance? / These things they hold us back,’ sings Houston on this groovy yet emotional track. "This song is meant to capture the anxiety and excitement that comes with saying 'I love you' for the first time," she explains. "Is it too soon? How do you know you love them? Will they say it back? Or, maybe even say it at the same time?"

LISTEN / SHARE / BUY / STREAM “ALL NIGHT” HERE

Single Artwork // DOWNLOAD HIGH-RES

The single follows Houston's 2022 sophomore EP, Bad Posture, and the collaborative single "Wide Awake" with ODESZA from their Grammy-nominated album The Last Goodbye. Houston joined ODESZA on their massive North American studio tour, and supported JUNO Award-winning Artist of the Year Charlotte Cardin on tour across Canada. 

BUY / STREAM BAD POSTURE HERE

LISTEN / SHARE / BUY / STREAM “BUBBLY” HERE

WATCH / SHARE “BITCHES IN THE BATHROOM” HERE


CHARLIE HOUSTON ONLINE
WEBSITE
TWITTER
INSTAGRAM
TIKTOK

HAYDEN ANNOUNCES CANADIAN TOUR DATES IN SUPPORT OF NEW LP, ARE WE GOOD

FULL BAND CANADIAN PERFORMANCES BEGIN NOVEMBER 15 // TICKETS HERE

NEW LP, ARE WE GOOD, OUT NOW VIA ARTS & CRAFTS

Photo Credit: Robert Georgeff // DOWNLOAD HIGH-RES

Legendary and heavily influential indie-folk rock artist Hayden recently released Are We Good, his hotly anticipated first new album in 8 years, today on Arts & Crafts. Introduced by “East Coast”, “Miss Fort Erie”, and "On A Beach (feat Feist)", which earned acclaim spanning Stereogum, SPIN, Cool Hunting, Under The Radar, The Line Of Best Fit, BrooklynVegan and more, Hayden’s triumphant ninth studio album is a crowning achievement in his well-deep catalog of carefully hewn indie rock, dating back to his debut album Everything I Long For in 1996. 

"On A Beach (feat Feist)" was released alongside a cinematic, star-studded official video, also featuring the inimitable Leslie Feist with cameos by Matt Berninger of The National and beloved actor Steve Buscemi (who Hayden last worked with on the music for Trees Lounge, Buscemi’s 1997 directorial debut). Today, Hayden reveals the stirring love song and album title track “Are We Good” which was co-written with Berninger.

“This song was hanging around for a while with a bunch of mumbled lyrics I had as place-setters,” recalls Hayden. “The only line that stuck was the refrain ‘are we good.’ I sent it over to Matt [Berninger of The National] and he came up with the rest. When I read the lines ‘Are you worried about the past, coming back to you too fast, Are you worried about the sea, And what’s going on underneath,’ I knew I’d sent the song to the right guy.” 

WATCH / SHARE “ON A BEACH (FT. FEIST)” (MUSIC VIDEO)  HERE

A meditative and electric tune, “Are We Good” is quintessential Hayden, with unabashed nods to the fluidity of Leonard Cohen and the buzz of Crazy Horse. As the album’s namesake, “Are We Good” posits Hayden Desser, peppered and grizzled (by the pandemic or parenting), in an attic studio stand-off with writer’s block during early lockdown. The album’s eleven songs were written, produced, and mixed predominantly by Hayden at Skyscraper National Park, the attic studio of his Toronto home. A perfect combination of complex family life – he and his wife are parents to a child with developmental disabilities – coupled with the grinding halt of creative inertia, Hayden found himself trying to balance the album on an unachievable ledge of perfection. Breaking from these confines – and a decades-long career defined by his staunchly DIY approach – Hayden made an album richly inspired by collaboration, including the likes of Feist,  Aaron Dessner and Matt Berninger of The National, drummer James Krivchenia of Big Thief, and engineer Jonathan Low (Taylor Swift, Big Red Machine).

WATCH / SHARE THE MUSIC VIDEO FOR THE ALBUM’S TITLE TRACK, “ARE WE GOOD”, HERE
WATCH / SHARE “MISS FORT ERIE” (MUSIC VIDEO) HERE
WATCH / SHARE “EAST COAST” (MUSIC VIDEO) HERE

Eight years in the making, Are We Good is an album dedicated to relationships, and the deep personal entanglements that help define our sense of selves. On Are We Good – an evolutionary album, “the sound of an artist who’s been learning how to challenge an aesthetic they’ve been exploring for 30 years” (sometimes past the point of perfection) – Hayden opened up to new approaches to awaken his storytelling. A statement of permanence that chases the most fleeting of emotions, on Are We Good Hayden proves that reinvention is the greatest reminder of the essence of who you are.

On November 15, Hayden and his band will bring his new album out on the road for a string of Canadian dates that promise to be as magical as the album itself. All tour dates are listed below and tickets can be found HERE.

TOUR DATES:
(Solo)
September. 21 - Niagara on the Lake, ON - Ravine 
September 22 - Meaford, ON  - Meaford Hall  (Four Winds Music Fest series)

(Full Band)
November 15 -  Victoria, BC - Capital Ballroom
November 16 - Vancouver, BC - Hollywood Theatre
November 19 - Sherwood Park, AB - Festival Place
November 20 - Calgary, AB - Grand Theatre
November 21 - Regina, SK - The Exchange
November 22 - Winnipeg, MB - West End Cultural Centre
November 29 - Waterloo, ON - Maxwell's Concerts & Events
November 30 - London, ON - London Music Hall
December 2 - Hamilton, ON  - Bridgeworks
December 3 - Oshawa, ON - Biltmore Theatre

BUY / STREAM ARE WE GOOD HERE