RADAR PEAK’S DEBUT LP OUT TODAY, SHARE NEW VIDEO

WATCH / SHARE “SNIPER’S MUSE” VIDEO HERE

RADAR PEAK - PUP’S NESTOR CHUMAK AND ZACK MYKULA TOGETHER WITH MATT ALDRED OF MODERN SUPERSTITIONS, MICHAEL RAULT, + NYSSA - DEBUT SELF-TITLED LP, OUT TODAY

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Photo Credit : Elissa Pearl Matthews  // DOWNLOAD HIGH-RES

Today, Radar Peak, comprised of Nestor Chumak and Zack Mykula (PUP) and Matt Aldred (Modern Superstitions), are sharing the final single and video before the release of their self-titled debut album. "What can we say about the video for Sniper's Muse,” says Mykula. “Well, for one: if you don't like this video, a video full of footage of our cute dogs, and therefore by extension you don't like the song itself, you're heartless. Suffice it to say, we're grateful we have the cinematic eye of our own Nestor Chumak, a modern Francis Ford Coppola, to thank for putting this together. His Apocalypse Now. Oh, and in spite of the title, no animals were harmed during the making of this movie."

WATCH / SHARE “SNIPER’S MUSE” VIDEO HERE

MORE ABOUT RADAR PEAK
Radar Peak is the ‘not-so-new’ project from Chumak and Mykula, who spend most of their time on the road with the JUNO Award winning and Polaris Music Prize nominated outfit PUP, and Aldred, the much sought after musician and collaborator know for his work with Modern Superstitions, Michael Rault, and Nyssa. While they may be announcing their debut record today, the band itself sees its roots formed almost 20 years ago. “The three of us have been entertaining each other’s musical curiosity, in one way or another, for twenty years,” says Mykula. “From highschool - a time when bands made their homes in garages - through to all of life’s intentions.” Though their ‘garage’ band broke up in 2006, through a miracle in scheduling, when all three musicians were both not on tour somewhere and back home in Toronto in 2016, the three re-ignited that curiosity and found themselves together again, and back in a garage.

It’s the early 2000s. That ‘garage’ band the three formed in high-school, the Vibrosonics, had been a space to pursue ambitious compositions, with each member pushing the others to become more technically proficient and to surprise the others with heterodox progressions and harmonies. They pushed each other to grow quickly as musicians, but they also grew apart as collaborators, and the Vibrosonics disbanded in 2006. Shortly after, Aldred formed the Toronto rock group Modern Superstitions (Last Gang) with NYSSA, collaborating with Brian Borcherdt (Holy Fuck), Ben Cook (Fucked Up), Patrick Pentland (Sloan) and John Critchley on the band’s production — he has since become a sought-after collaborator and session player. Chumak and Mykula pursued individual projects before reconvening in 2011 to form the band PUP who have released four records to widespread critical acclaim.

WATCH / SHARE “HEAVEN’S GATE” LYRIC VIDEO HERE

Fast forward a decade to the West End of Toronto. Aldred was home from a global tour in Michael Rault’s band, opening for Chicago’s Whitney and Australia’s King Gizzard & The Lizard Wizard, while Chumak and Mykula were recovering from playing over 100 shows across North America, Europe and Australia with Modern Baseball, Jeff Rosenstock, Charly Bliss and others. Coming home after a party in their old neighbourhood, the three started talking - not about the new places they’d seen and exciting people they’d met, but about what they’d missed, including playing with each other.

“When we first started, we were just kids — green as can be,” Aldred reflects. “It wasn't until after we'd split up that we learned how to make the music we loved.” Mykula adds that “that spark of connectivity seemed always enough to lead us back together. Afterall, nurturing each other’s wherewithal has, to date, always provided.”

For the next four years, they sent each other ideas, giving themselves permission to explore and to develop the kinds of deep textures that their other commitments would never allow. “None of us had ever steadily built songs from the ground up, one by one, in order to create a whole, cohesive record,” Mykula says. “We were able to discover new directions, but were sometimes paralyzed by options and potential. Thankfully, we were able to rely on Marcel Ramagnano to ‘edit’ the madness into something palatable.”

WATCH / SHARE “BUTANE GLOW” VIDEO HERE

That madness that accompanies touring, separation, and exploration became a kind of power pop that reflects both the yearning and the self-deprecation of a self-aware person living a modern, dislocated life. And in those deeper, darker boxes in the garage were the kinds of stories that this madness deserved: of a late-night Kafka dependent on free WiFi and Farfisa to feel whole, of a sniper’s target who realizes that that deadly attention is a form of love, of living a life so cautious and sensible the world passes you by entirely, of a musician who has been on tour so long that his body has lost its sense of home and his soul has become restless for a trial separation. Each song feels exuberant yet meticulously written, simultaneously fresh and remembered. When it came time to name the project, they were drawn to the grieving physicist in Liu Cixin’s The Three-Body Problem, who sends the message that seals humanity’s fate from her lab atop the Radar Peak to which she has been banished. 

The result is their self-titled debut record - songs built through trust and curiosity. A dense thrum of guitars and drums. A lush and noisy record about the isolation of modern connectivity. But also, it’s rock and roll.

READ THE FULL BIO FROM DAVID HOBBS HERE

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RADAR PEAK TRACKLIST
01 Heaven’s Gate
02 Butane Glow
03 Sniper’s Muse
04 Counterfeit
05 Stepping Stone
06 Longtime Caller
07 Girl On Bike
08 Index Of Tears
09 Maggie & Pete

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DONOVAN WOODS RETURNS WITH NEW SINGLE / VIDEO, “I’M AROUND”

WATCH / SHARE “I’M AROUND” HERE
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U.S. TOUR DATES WITH DREW HOLCOMB BEGIN APRIL 2024

Photo Credit : Brittany Farhat // DOWNLOAD HIGH-RES

Donovan Woods was in on the joke when he named his previous release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That trend continues on with his latest single, “I’m Around”. Serving a preview of new music to come, Woods continues with the luminous production touches that has defined his recent work. The song is deeply personal, and universally relatable. At its surface, it is about a breakup, but with Woods’ layered songwriting, there’s so much more to it.

“It’s about how we sometimes don’t stop loving even when we’re not in love anymore,” he explains. “I wanted it to be practical and unsentimental, without subtext. (I am useful, if you need me. I don’t want to but I will.)”

Co-written with David Hodges (Ed Sheeran, Ben Rector, Carrie Underwood), Woods recorded “I’m Around” with Mike Sonier (Maggie Rogers, Noah Cyrus, Julia Michaels) in Los Angeles earlier this year. “It’s a song encompassing nearly everything I’m trying to do with songwriting,” Woods says. “Explaining what the day feels like while giving latent sadness and regret an elegant push out of my mind, into the air. “

WATCH / SHARE “I’M AROUND” HERE
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“I’m Around” Single Cover // DOWNLOAD HIGH-RES

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Woods' featured vocals on Dabin & Nurko’s “When This Is Over” veered into anthemic dance pop, and yet he still sounded right at home. On “IOWA,” Woods found a kindred spirit in Grammy Award-winning singer-songwriter Aoife O’Donovan for a pastoral meditation on dreaming of a place you know doesn’t exist.

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

2024 TOUR DATES
4/3 - Lexington, KY - Manchester Music Hall w/ Drew Holcomb
4/4 - Knoxville, TN - The Mill & Mine w/ Drew Holcomb
4/5  - Atlanta, GA - The Eastern w/ Drew Holcomb
4/6 - Charlotte, NC - The Fillmore w/ Drew Holcomb
4/9 - Wilmington, NC - Greenfield Amphitheater w/ Drew Holcomb
4/10 - Washington, DC - The 9:30 Club w/ Drew Holcomb
4/11 - Fairfield, CT - The Warehouse at FTC w/ Drew Holcomb
4/12 - New York, NY - The Bowery w/ Drew Holcomb
4/14 - Bethlehem, PA - Musikfest Cafe w/ Drew Holcomb
4/16 - Milwaukee, WI - Turner Ballroom w/ Drew Holcomb
4/18 - Chicago, IL - House of Blues w/ Drew Holcomb
4/25 - Austin, TX - Scoot Inn w/ Drew Holcomb
4/26 - Houston, TX - White Oak Music Hall w/ Drew Holcomb
4/27 - Dallas, TX - Longhorn Ballroom w/ Drew Holcomb
4/30 - Kansas City, MO - Knuckleheads Saloon w/ Drew Holcomb
5/4 - Salt Lake City, UT - The Commonwealth w/ Drew Holcomb
5/6 - Portland, OR - Revolution Hall w/ Drew Holcomb
5/7- Seattle, WA - Neptune Theater w/ Drew Holcomb
5/9 - San Francisco, CA - The Fillmore w/ Drew Holcomb
5/11 - Los Angeles, CA - The Fonda Theater w/ Drew Holcomb
5/12 - Solana Beach, CA - Belly Up Tavern w/ Drew Holcomb
5/14 - Tucson, AZ - Rialto Theater w/ Drew Holcomb

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NIA NADURATA REVEALS NEW TRACK, “CARSICK” FT. SEAGO

NIA NADURATA, FOLLOWS SINGLES “DRIVE FASTER” AND “I THINK I LIKE YOUR GIRLFRIEND” WITH “CARSICK” FT. SEAGO. OUT NOW ON ARTS & CRAFTS

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Rising Toronto-based 22-year old artist NIA NADURATA returns with new single, "carSick" featuring indie pop artist Seago. “carSick” is an ode to the over-thinker, exploring the feeling of spiraling out of control within the confined space of your own mind. Reflecting on the track, NIA writes, "When put in a situation where all you can do is twiddle your thumbs and analyze every moment and mistake, you're left with a sense of emotional motion sickness and simply want to be let out". Collaborator and featured artist Seago reflects, "’carSick’ is a take on how you can drive yourself crazy, both literally and figuratively. In a confined space with no choice but to think, you can go everywhere and nowhere at the same time".

LISTEN / BUY / STREAM “CARSICK” FT. SEAGO HERE

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WATCH / SHARE “I THINK I LIKE YOUR GIRLFRIEND” (VISALIZER) HERE
BUY / STREAM “I THINK I LIKE YOUR GIRLFRIEND” HERE

MORE ABOUT NIA NADURATA
NIA NADURATA has had a performance mindset since childhood. NIA has been cultivating her soulful, indie, Pop and R&B sound to make you fall in love with your most vulnerable years. Her music captures a time when the world and our thoughts tortured us or soothed us, creating songs for her future audiences. While working behind the scenes as a songwriter and vocalist alongside artists such as Russ, Nonso Amadi, Amaal, Boslen, and Isaiah Peck, NIA has been preparing her very own debut EP. Set for release in 2023, the EP showcases the depth and maturity of her sound. Highlighting her upbringing and coming of age, the project mirrors the sounds of Amy Winehouse, Alaiyah, Taylor Swift, Carol King, Dijon and Billie Eilish. 

WATCH / SHARE “DRIVE FASTER” (VISUALIZER) HERE
BUY / STREAM “DRIVE FASTER” HERE

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