BUSTY AND THE BASS SHARE NEW TRACK FROM UPCOMING LP, FEAT. KATIE TUPPER

BUSTY AND THE BASS’ NEW LP, FOREVER NEVER CARES, OUT NOVEMBER 17, 2023 VIA ARTS & CRAFTS

LISTEN / SHARE “NEVER GET ENOUGH” FT. KATIE TUPPER HERE
BUY / STREAM “NEVER GET ENOUGH” FT. KATIE TUPPER HERE

PRE-SAVE FOREVER NEVER CARES HERE

CANADIAN TOUR DATES BEGIN DECEMBER 2

Photo Credit : Kane Ocean // DOWNLOAD HIGH-RES

Jazz-funk collective Busty and the Bass follow Forever Never Care’s lead single, "Give Me A Smile" ft. Son Little, with the new track "Never Get Enough", led by the smokey vocals of ascendant soul singer Katie Tupper. The sensual R&B single is an emphatic ballad about the conditional longing and desire for the one you love: ‘We got less time than you think we do / Forever ain’t long enough’ Katie’s sultry voice soars throughout the song, while building budding tension until the band swoops in with an anthemic coda.

“The words and vocal melodies came relatively quickly to me once I heard the track the guys had made,” says Tupper. “I knew I wanted a lot of vocal layers and harmonies to hold their own against the lush production that comes with a busty song. I wanted the lyrics to be classic and soulful and the idea of never getting enough of someone even if you could spend forever with them seemed right.”

“For me, I'm playing off of Katie's theme of 'forever ain't long enough',” says founding member Alistair Blu. “While her theme is referencing a lover who's eternal presence isn't enough, my lyrical themes relate to the broader concepts of eternity and forever-ness (hence where the album gets its name, Forever Never Cares) and the desire to let go of clinging and attachment.”

LISTEN / SHARE “NEVER GET ENOUGH” FT. KATIE TUPPER HERE
BUY / STREAM “NEVER GET ENOUGH” FT. KATIE TUPPER HERE

MORE ABOUT FOREVER NEVER CARES
Busty and the Bass upcoming LP, Forever Never Cares, is a record which sounds, at once, of a bygone era and completely modern, featuring dynamic live performances, expansive arrangements, and a wide array of vocal approaches including the heartfelt expressiveness of Alistair Blu, the otherworldly falsetto of Jordan Brown, the soul of Katie Tupper, the power of Son Little, and the playfulness of Magi Merlin. The moment you think you know which direction the album is going, it takes another unexpected turn, but you are always delighted by the eventual destination.

“Forever Never Cares is a gentle reminder to let go of attachment,” explains vocalist Alistair Blu. “The album is about leaving behind the small things in life that we obsess over. It’s about embracing uncertainty.” And for a group of musicians entering a period of change, it’s a testament to their creative connection that they were able to produce their most cohesive and adventurous album to date.

“This album is the culmination of 10 years as a band,” says Christopher Vincent. “All the ups and downs, members coming and going. But it’s also a crystallization of what we’ve been trying to achieve for years.” 

LISTEN / SHARE “GIVE ME A SMILE” FT. SON LITTLE HERE
BUY / STREAM “GIVE ME A SMILE” FT. SON LITTLE HERE

MORE ABOUT BUSTY AND THE BASS
For the Canadian-American soul-jazz collective Busty and the Bass, collaboration has always been at the forefront of their music. Formed at McGill University in Montreal over a decade ago, the group is now scattered across four North American cities from coast to coast. Yet, with a collaborative spirit at the heart of their third studio album, Forever Never Cares, the members have never been more connected.

Over the years, the group has collaborated with legendary artists George Clinton, Macy Gray, Earth Wind & Fire, Slum Village, and exciting new voices like Polaris Music Prize winners Cadence Weapon and Pierre Kwenders. Most recently, the group dropped a mini-album with Philadelphia poet and rapper STS. Despite such a strong history of partnerships, Forever Never Cares reshaped the band’s creative formula and redefined how they worked together a decade into their career.

After a founding member and primary songwriter left the band in 2022, the collective used the opportunity to re-approach their creative process for the first time in years. Songs would be brought to the group from individual members or smaller formations of two or three members writing together. Interestingly, more voices involved in the songwriting resulted in the group’s most refined output to date. 

LISTEN / SHARE “WANDERING LIES” HERE
BUY / STREAM “WANDERING LIES” HERE

Two previous studio albums, Uncommon Good (2017) and Eddie (2020), saw the band experiment with genres effortlessly changing styles song to song, from soul to funk to pop. 

Forever Never Cares finds the collective both broadening and distilling their influences into a unified sound that is entirely their own. This is due in large part to founding member Christopher Vincent who engineered and mixed the album. Vincent found a sonic language that would compliment all of the ​​disparate genres being stacked atop one another.

With soul and R&B as the album’s cornerstone, the record is sprinkled with cross-genre explorations. From the indie rock-inflected uptempo singles “All The Things I Couldn’t Say To You” and “Wandering Lies,” to slow-burn ballads like “Give Me A Smile” and “Never Get Enough,” to the celebratory pop-funk of “Starstruck” and “No Angels,” a touch of 70s singer-songwriter on “Smoke and the Pine” and “Holiday Drive,” and the psychedelic jazz explorations of “Far From Here” and “No Self Control” featuring saxophonist Terrace Martin, a frequent collaborator of Kamasi Washington and Robert Glasper.

PRE-SAVE FOREVER NEVER CARES HERE

TOUR DATES
Nov 24, 2023 l USA l Los Angeles, CA l Lodge Room
Nov 25, 2023 l USA l San Francisco, CA l Rickshaw Stop
Nov 29, 2023 l USA l Portland, OR l Mississippi Studios
Nov 30, 2023 l USA l Seattle, WA l Barboza
Dec 2, 2023 l CAN l Vancouver, BC  l Rickshaw Theatre
Dec 3, 2023 l CAN l Victoria, BC l Wicket Hall
Dec 7, 2023 l CAN l Toronto, ON l The Concert Hall
Dec 8, 2023 l CAN l Montreal, QC l Corona Theatre FR link / EN link  


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FOREVER NEVER CARES TRACKLIST
01 All The Things I Couldn’t Say To You
02 Starstruck (ft. Jordan Brown)
03 Never Get Enough (ft. Katie Tupper)
04 Smoke And The Pine
05 Wandering Lies
06 Holiday Drive (ft. Clerel)
07 Far From Here (ft. Magi Merlin)
08 No Angels
09 Give Me A Smile (ft. Son Little)
10 No Self Control (ft. Terrace Martin)

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LOONY SHARES HARD HITTING NEW SINGLE, “COUNTING THUNDER”

WATCH / SHARE “COUNTING THUNDER” HERE
BUY / STREAM “COUNTING THUNDER” HERE

“I’m a huge fan, as I am of LOONY, a fantastic artist, I love her” - Elton John (Rocket Hour - Sep 30, 23)

"wistful and silky smooth" - The FADER

"one of the artists leading Canada’s new class of R&B singers." - Complex

"Blending retro soul inflections and moody grooves with punchy pop synths" - The Line Of Best Fit

"taps into the restless but relatable flutters of first love." - Refinery29

Photo Credit : Bryan Luna // DOWNLOAD HIGH-RES

Today, LOONY is sharing the new single, “Counting Thunder”, possibly her most outright experimental track to date, also happens to be the most hard hitting. Written together with Grammy Award nominated collaborators Akeel Henry (Jasmine Sullivan, John Legend) and Adam Pondang, and Dan Farber, “‘Counting Thunder’ is waiting for the storm to hit,” says LOONY. “You feel it coming before you even see it, because you’re always expecting it, constantly trying to calculate its proximity to you. You’re trying to control it, get it over with, and prevent yourself from getting hurt. 

“I have a lot of anxiety, especially in relationships, and I think especially once you go through trauma you’re just waiting for the next bad thing to happen. But that’s just in all of life, in general. Things are always happening, and we apply meaning to it - it’s all random chaos and we all try to act so big and tough but we’re literally all afraid, all the time, and working so hard to try to control things. And I don’t know, it’s kind of funny, and tragic, and at the time I was writing it, it felt like such a personal song but now I don’t think it is. I think it’s one of my favourites, though.”

WATCH / SHARE “COUNTING THUNDER” HERE
BUY / STREAM “COUNTING THUNDER” HERE

“Counting Thunder” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT LOONY
LOONY has already gained fans at FADER, Complex, Line of Best Fit and more for her lush, earnest voice; she's also been featured on lauded Apple and Spotify curated playlists alike. There's a method to Kira Huszar’s madness. From the outset of her 2018 debut EP, PART 1, through the 25 million+ streamed JOYRiDE and most recent, soft thing, LOONY has been offering listeners revelatory, neo-soul-inflected pieces of her reality.

LISTEN TO LOONY CHAT WITH CBC q ABOUT PREVIOUS SINGLE “OLD FRIENDS” HERE

WATCH / SHARE “OLD FRIENDS” VISUALIZER HERE
BUY / STREAM “OLD FRIENDS” HERE

LOONY has come a long way from skipping musical theatre classes in high school to make mixtapes in her basement: Working with Adam Pondang and Noah ‘40’ Shebib protege Akeel Henry (Ty Dolla $ign, Jeremih, Jazmine Sullivan) on soft thing, LOONY summons musical shades of gospel, jazz, hip hop, and R&B, as on “faceless” and “raw,” which recall early Erykah Badu, The Roots and peak-era D’Angelo in both their enigmatic funkiness and Huszar’s poignant mastery of vocal inflection. At its core, the quarantine-made EP was a diligent exploration of love in many forms, from the euphoric expectation of flirtation to the inextricable hope for a grandparent to stay safe in the midst of a global pandemic. With the release of "Old Friends" we enter into a new chapter of her inextinguishable spirit and verve for finding the beauty in being vulnerable. There's much more on the horizon for LOONY this year. 

LISTEN / SHARE "FIRST THING SMOKIN'" HERE
BUY / STREAM “FIRST THING SMOKIN’” HERE

WATCH / SHARE “A GOOD NIGHT” HERE
BUY / STREAM “A GOOD NIGHT” HERE

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JASON COLLETT ANNOUNCES THE 2023 BASEMENT REVUE

JASON COLLETT’S BASEMENT REVUE RETURNS FOR ITS 15TH SEASON TO THE PARADISE ON BLOOR, EVERY THURSDAY IN DECEMBER FOR A HALF-MUSIC, HALF-LITERARY VARIETY SHOW

TICKETS ON SALE NOW

"Part variety show, part vaudeville theatre, part improv act and part poetry slam, the Basement Revue is a cross-disciplinary carnival where anything can happen, and often does" - The Globe And Mail

For 15 years now, The Basement Revue has been a half-music, half-literary variety show with a rock-’n’-roll sensibility and a unique Canadian voice, hosted and curated by singer/songwriter Jason Collett and celebrated writer Emma Healey. From its inception on a wintry night in 2007 at Toronto’s Dakota Tavern, The Basement Revue has explored what happens when artists of different disciplines share the stage together. This has made for exciting collaborations, such as Feist backing up Michael Ondaatje or Margaret Atwood stepping up to the mic in front of one of Toronto’s most celebrated bands and saying, with her characteristic deadpan wit, “hit it Sadies.” Combining a compelling mix of musicians, storytellers, and poets with the improvisational spirit of a kitchen party, The Basement Revue has blossomed into one of Canada’s most dynamic live event series.

This year it returns once again to The Paradise on Bloor, every Thursday in December beginning on the 7th and running until the 28th. 

TICKETS ON SALE NOW

MORE ABOUT THE BASEMENT REVUE
The Basement Revue presents the best emerging and established literary and musical talent of the country on stage in curated multi-disciplinary evenings. This kind of cross-pollinating is a one-of-a-kind format. The Globe and Mail said of its eighth season, “Part variety show, part vaudeville theatre, part improv act and part poetry slam, the Basement Revue is a cross-disciplinary carnival where anything can happen, and often does. The list of past participants reads like a who’s who of CanRock and CanLit, from Broken Social Scene to Sheila Heti and Cadence Weapon to Vincent Lam.”  

In 2017, The Basement Revue partnered with Revolutions Per Minute (RPM) and New Constellations was born – a nation(s)wide tour celebrating Next Wave Indigenous music and writing. Bringing together Indigenous and non-Indigenous artists alike and featuring contributions from Polaris Music Prize winners Jeremy Dutcher and Lido Pimienta, as well as July Talk, Feist, Sam Roberts, Stars, Weaves, Billy Ray Belcourt, Naomi Klein and Leanne Betasamosake Simpson.

As is tradition for the Basement Revue, each night’s performers remain a surprise to the audience until they step on stage. Even the performers themselves are kept in the dark, adding an extra element of surprise to the evening. Past Basement Revues have boasted an impressive roster featuring Anne Waldman, Canisia Lubrin, Daniel Lanois, Tanya Tagac, Gord Downie, Rufus Wainwright, Marina Abromovic, Lee Maracle, Bahamas, Shad, Dennis Lee, Hal Wilner, CA Conrad, Weaves, Miriam Toews, Tanya Talaga, K-OS and more.

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