MUSTAFA ANNOUNCES DEBUT ALBUM, SHARES NEW SINGLE & VIDEO

MUSTAFA’S DEBUT ALBUM, DUNYA, SET FOR RELEASE SEPTEMBER 27, 2024 VIA ARTS & CRAFTS (CANADA) / JAGJAGUWAR (REST OF WORLD)

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Photo Credit : Jack McKain // DOWNLOAD HIGH-RES

Mustafa announces his debut album, Dunya, which is set for release on September 27 via Arts & Crafts. In conjunction with the album's announcement he shares new single "SNL", produced by his frequent collabor Simon Hessman and Rodaidh McDonald, which arrives alongside a self-directed music video. 

Speaking on the inspiration behind his latest offering Mustafa shares, “‘SNL’ is about finding charm in the gloom of the hood- to love despite the circumstance, despite the worst of us.” Dunya will feature Mustafa's 2023 single "Name of God" in addition to his 2024 singles "Imaan" and Gaza is Calling”, the former of which was cited as a prime example of Mustafa's unique ability to examine "isolation and longing, rendering them with beauty and, somehow, without anxiety" by the New York Times’ Jon Caramanica.

“SNL” and Dunya’s announcement arrive on the heels of the second edition of Mustafa’s Artists for Aid benefit concerts, the most recent of which took place on July 4 in London featuring performances by Bint Mbareh, Blood Orange, Clairo, Daniel Caesar, Earl Sweatshirt, King Krule, Nicolas Jaar, Ramy Youssef and Yasiin Bey, in addition to Mustafa himself and special guest performer FKA twigs. The event, which was presented in partnership with the aid organization War Child, raised funds to benefit Gaza and Sudan and followed the January edition that took place in New Jersey and was chronicled by British Vogue.

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“SNL” Artwork // DOWNLOAD HIGH-RES

MORE ABOUT DUNYA
Dunya, the title of Mustafa’s masterfully crafted and breathtakingly tender full-length debut, roughly translates from Arabic to “the world in all its flaws.” It’s a lofty subject for a young songwriter, but as with every theme at the heart of the Sudanese-Canadian artist’s work—from religious devotion to childhood trauma, gang violence to romantic intimacy—he approaches it through a personal lens. “This record encapsulates so much of my life,” he explains of the expansive 12-song album. Blending genres and moods, weaving novelistic details into instantly memorable folk songs, he has crafted a record that feels like a series of personal breakthroughs, arriving one after the other.

The first thing that strikes you about Mustafa’s music has always been his writing: a simple, piercing tone that can make any story feel as raw and earnest as the words to a love song. With a hushed delivery that can silence his surroundings, Mustafa evolved swiftly from a child prodigy reciting poems throughout his native Toronto to a behind-the-scenes songwriting force for artists like the Weeknd, Camila Cabello, and Justin Bieber. On Dunya, he is a full-on auteur in his own right, and he is once again in incomparable company. The collaborators on his debut full-length include Aaron Dessner, Rosalía, Clairo, Nicolas Jaar, and more, alongside Mustafa’s longtime creative partner Simon Hessmann and his friend and confidant, Ramy Yousef, who served as a creative director for some of its striking visuals.

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“I’m trying to preserve and celebrate the ordinary life in the hood,” Mustafa notes of his inspiration. Exploring his upbringing and trajectory onward, these songs are equally disarming in their simplicity and multilayered in their emotional breadth. In the highlight “SNL,” an acronym for “Street N*gga Lullaby,” Mustafa sings in heart-wrenching verse over what sounds like a campfire singalong, exposing the singular voice of a writer who cites both Future and Big Thief’s Adrianne Lenker among his chief influences. “Yelling ‘gang gang gang‘ in my room,” he sings in the chorus, “you sprayed me with perfume.” Many of his songs blend these tones with a fluidity that comes second nature to him: You can smell the perfume, imagine the scenery outside the window, breathlessly anticipate what happens next.

Expanding the boundaries of his autobiographical storytelling, Mustafa describes Dunya as a loving interrogation of his lifelong practice of Islam, which he refers to as “the longest, most peculiar relationship in my life.” In “I’ll Go Anywhere”, which features striking vocal accompaniment from Rosalía—an artist Mustafa admires for her own ability to blend various cultures and traditions into her forward-thinking pop music—he interpolates a melody his parents sang to him as a child. “God and faith are a bridge to my brother, to my family,” he says, alluding to the tragic death of his older brother, Mohamed Ahmed, in 2023. The arrangement also prominently features the oud, a Middle Eastern string instrument that folds seamlessly into the record’s unique, rich atmosphere.

WATCH / SHARE “IMAAN” HERE
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Mustafa notes that “I’ll Go Anywhere” was among the first songs he wrote for the record, during a pivotal trip to Egypt in 2021. He describes the experience as a “microcosm of what I wanted to explore” on the record, addressing faith and family, home and departure. Many of the songs emerged in the form of conversations with friends and family, relationships he maintained through the years and others he lost. The latter subject is exemplified tragically by “Gaza Is Calling,” a sweeping ballad about a childhood friend in the occupied territory. “Every time I say your name/There’s a war that’s in the way,” he sings, before closing with a verse sung entirely in Arabic.

For Mustafa, these person-to-person connections are the core of his mission. Despite his ascent in mainstream and indie circles, he describes his deepest sense of accomplishment when he’s approached by young people for whom his work made a personal, spiritual impact. He understands it is precisely his vulnerability that allows listeners to connect. “Faith is a journey and the record is a journey—its incompleteness is intentional,” he explains, noting the moments of profound quiet and lingering questions that circle standouts like “Old Life”. From the heartfelt words of encouragement in “Imaan” to the haunting religious inquiries throughout “Name of God,” each song reveals a confident, distinctive voice that’s never sounded more poised for the masses. “I’m genuinely not trying to be a pop star,” he confesses with a laugh. “But I believe in the music, and I believe in the story I am telling.” Even when it sounds like he’s taking on the world, Mustafa is speaking only for himself: a story that he knows is just getting started. 

PRE-SAVE DUNYA HERE

Dunya Album Artwork //  DOWNLOAD HIGH-RES

DUNYA TRACKLIST
1. Name of God
2. What Happened, Mohamed?
3. Imaan
4. What good is a heart?
5. SNL
6. I'll Go Anywhere
7. Beauty, end
8. Old Life
9. Gaza is Calling
10. Leaving Toronto
11. Hope is a Knife
12. Nouri

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OMBIIGIZI SHARE NEW SINGLE “ZIIBI”, NEW ALBUM COMING LATER THIS YEAR

JUNO AWARD NOMINATED & POLARIS MUSIC PRIZE SHORTLISTED COLLABORATION OF ZOON & STATUS / NON-STATUS RELEASE NEW SINGLE FROM UPCOMING ALBUM, SHAME, DUE OUT LATER THIS YEAR VIA ARTS & CRAFTS

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Photo Credit : Natasha Roberts // DOWNLOAD HIGH-RES

Last month, OMBIIGIZI, the project of Canadian duo Adam Sturgeon (Status/Non-Status) and Daniel Monkman (Zoon), shared their first single of 2024, "Connecting." Today, they share their newest electrifying single, "Ziibi."

"Ziibi" is the apex of the raw, exultant harmony in the DNA of OMBIIGIZI, moccasin gaze band featuring Zoon and Status/Non-Status. Translating to ‘river’ in Anishinaabe, "Ziibi" pays homage to the power of the elements. “Scared to leave / what is a reservation,” they sing over layered acoustic guitars that accrue to electric, emotional heights in a timeless chorus. A cultural expression through noise, OMBIIGIZI explores the idea that Indigenous people have not been given a choice in how to define themselves.

Daniel Monkman (Zoon) discusses how they wrote “Ziibi” about the Red River that flows through Manitoba. “It’s a very long river all the way from the Mississippi. I grew up along the shore of that river looking into it. Watching as it would swallow up all our bikes and skateboards. My first realization of how powerful the elements are," adding that, "The river teaches us.”

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OMBIIGIZI (pronounced om-BEE-ga-ZAY, meaning this is noisy) is an amalgam of the unique heritages and musical architectures that Daniel and Adam, Anishnaabe artists that imbue their impassioned and incisive art rock with the storytelling of their families. Of their resounding debut album Sewn Back Together, author Waubgeshig Rice wrote that OMBIIGIZI has "come together in the spirit of making noise in a good way for our people." Using the unbridled palette and energy of modern rock, in concert with the ancient melodies and rhythms of their ancestry, OMBIIGIZI "exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world." The Anishnaabe revival is accelerating, and OMBIIGIZI is vital to the growing volume of Indigenous voices.

OMBIIGIZI's sophomore album is anticipated to arrive in late 2024.

WATCH / SHARE “CONNECTING” HERE
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MORE ABOUT OMBIIGIZI
The Anishinaabe revival is accelerating. Our artists are becoming more resurgent in all realms: telling the stories, singing the songs, and creating the imagery to further solidify our everlasting presence on this land. The soundtrack to this movement is diverse, profound, and beautiful. The Anishinaabe sonic revolution is richly layered and wide-reaching, inspiring and influencing all generations to gather, sing, and speak, as we’ve always done. And at the core of this renewal are artists like Ombiigizi.

Adam Sturgeon and Daniel Monkman have come together in the spirit of making noise in a good way for our people. They have documented this moment in time while paying homage to the ancestors who kept our language and stories alive. There is a deep respect and love for Anishinaabe sounds and voices. They proudly tell family and community stories, and they exquisitely conjure a hopeful future that will result from our current collective efforts to share our realities with each other and the world. - Waubgeshig Rice

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COLD SPECKS RETURNS WITH “HOW IT FEELS”, FIRST NEW RELEASE IN SEVEN YEARS

COLD SPECKS RETURNS WITH A NEW TRACK, “HOW IT FEELS”, HER FIRST RELEASE IN SEVEN YEARS, OUT TODAY VIA SECRET CITY RECORDS

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Today, singer, songwriter, and producer Cold Specks (aka Al Spx) returns with a new track, “How It Feels”, her first release in seven years. “How It Feels” is a raw and intimate reminder of Al Spx’ powerful voice, and finds the artist assuredly looking back on a difficult period in her life, with a clarity that time often brings to events.

Written with Chantal Kreviazuk (Drake / Kendrick Lamar), Spx explains, “‘How It Feels’ was written in 2019 at a time when I was struggling with money. I was struggling with my mind as well, and I was reflecting on my experiences. It was written one magical night in the dead of winter in a studio around midnight. It came together quite easily and Chantal is a gem.”

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The potent new track was written as she contemplated a difficult period in her mental health which resulted in some time in hospital before a bipolar diagnosis. The track was produced and performed by Al Spx, recorded by Graham Walsh (of Holy Fuck) and features piano by Johnny Spence, strings by composer Owen Pallett and brass by long-time collaborator Terry Edwards.

“How It Feels” is the first new music from Cold Specks since 2017’s Fool’s Paradise, and a confident reminder of her electrifying vocal, first glimpsed on an unforgettable a capella performance on Later… with Jools Holland in 2011. 

Since 2011, Cold Specks has mixed crackling, pared-down guitar blues, gothic soul, gospel, and warm electronics in three albums which received Polaris Music Prize and JUNO Award nominations; I Predict A Graceful Expulsion (2012), Neuroplasticity (2014) and Fool’s Paradise. Spx has worked with Swans, Massive Attack, Moby and performed at Joni Mitchell’s birthday concert.

PREVIOUS PRAISE FOR COLD SPECKS

“Compelling and timeless” - The Observer

“(Cold Specks) at her rawest, most individual form yet -
and the result is stunning” - CBC Music

“Haunting and healing in equal measures” - The Guardian

“Striking a balance between sinister and comforting…
(her) voice is as strong as ever” - Exclaim!

“… peerless” – Pitchfork

“Haunting doom-laden soul” - Vogue

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