BRADEN LAM SHARES “HURRICANE SEASON” FROM UPCOMING LP

BRADEN LAM’S DEBUT LP, THE CLOUDMAKER’S CRY, OUT APRIL 11, 2025

WATCH / SHARE “HURRICANE SEASON” HERE
BUY / STREAM “HURRICANE SEASON” HERE

PRE-SAVE / ORDER THE CLOUDMAKER’S CRY HERE

“Welcoming Vancouver-based singer Michaela Slinger onto the track for an old-fashioned duet, the two sing about heartbreak and reconciliation while pushing through the toughest of times and coming out strong on the other end.The two soft-spoken vocalists prove to be a great match for each other, blending their tones together as they tentatively venture requests to start taking the slow steps to fully opening back up emotionally.” RANGE on “Wide Open”

“Wide Open" has a classic country feel reinforced by haunting pedal steel and the harmony singing of Vancouver’s Michaela Slinger, who co-wrote the tune with Lam in Nashville. Lyrically it digs deep, probing a challenging time in a relationship and the warm and poignant vocals of Lam deliver the message skillfully.” Billboard on “Wide Open”

"Braden Lam's inviting voice rings out over gentle guitar and vibraphone on ‘Beautiful Neighbourhoods’, a timeless single that vibrates with warmth and longing." - CBC MUSIC

"Crafts an expansive but intimate sonic world for us to lose ourselves in" - Earmilk

"Calling to mind the happiest takes by Ben Howard or Tim Baker" - The Coast Halifax

Ferociously bowed fiddle lurks underneath anxious climate fears in the urgent, driving “Hurricane Season”, the fourth and final single from Braden Lam's debut LP The Cloudmaker's Cry, due April 11, 2025. The new track follows album singles “Beautiful Neighbourhoods”, which climbed to #7 on the CBC Music Top 20, “Highway Jesus”, and “Wide Open”, a duet with Vancouver’s Michaela Slinger. The celebrated Nova Scotia songwriter has also been recently named as one of 8 semi-finalists in SiriusXM’s 2025 ‘Top of the Country’.

Showcasing new depths to his roots-Americana sound and a knack for expressing observations universally, Lam takes his lived experience through a natural disaster and closely examines the human nature of desire and envy in “Hurricane Season”.

“This song was born during Hurricane Fiona, an intense post-tropical cyclone that hit the East coast of Canada in September of 2022. I was on tour in Europe and following closely with the news and social media buzz back home. First the toilet paper and chip aisles get cleared out at the grocery stores, then school and work gets cancelled, then the power goes out and everyone’s collective anxieties feed into each other online until the last phones die and the internet quietly waits for the storm to pass.”

“I’ve experienced my share of hurricane seasons in the past decade of living in Halifax, they’re no joke, and being away from my loved ones during this one gave me a new perspective to explore comparisons between the hurricane and the internal struggles we all face. The song begins by recognizing how connected we all are to each other, to the universe, to nature and all of its mood swings. No one at birth is marked safe from dealing with their mental health, or addiction, or a search for meaning, and at the same time no one is ever alone through these storms of life.”

In another collaboration with director Griffin O’Toole, the pair continue to build on a world of nostalgia and surrealism viewers have come to expect from previous music videos such as “Wide Open” that features a larger-than-life cowboy hat riding on a pickup truck. Not an easy act to follow, yet “Hurricane Season” plays perfectly into this primary vision, bringing us from Atlantic Canada to the most unlikely of places - the middle of the Arizona desert.

 “I’m running from a hurricane that has destroyed my home in the beginning, but no matter where I go, destruction still follows in my path. I slowly realize that this is my own doing, the storm I am trying to outrun is inside of me, and in order to heal and find what I’m longing for, I have to go back and face it.”

“If we took better care of ourselves and our environment, maybe the world would be less angry at us all the time”

WATCH / SHARE “HURRICANE SEASON” HERE
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MORE ABOUT THE CLOUDMAKER’S CRY
The Cloudmaker’s Cry is Lam’s debut full-length album, and he means album in the classic sense: 10 considered and thoughtful folk songs, meticulously arranged and painstakingly sequenced, meant to be played on a turntable in a single sitting, whiskey optional. Though barely 27, he has lived the life of a much older man—with years of touring, entrepreneurship, and marriage already accounted for—and this collection of songs reflects lessons learned earlier than most, about time and love and the world.

WATCH / SHARE “BEAUTIFUL NEIGHBOURHOODS” (MUSIC VIDEO) HERE
BUY / STREAM “BEAUTIFUL NEIGHBOURHOODS” HERE

WATCH / SHARE “WIDE OPEN” FT. MICHAELA SLINGER HERE
BUY / STREAM “WIDE OPEN” FT. MICHAELA SLINGER HERE

It was produced in Toronto by Eli Browning, a new approach for Lam, who made his previous three EPs with a host of producers across Atlantic Canada. The pair’s touchstones as they worked through a city springtime in a converted church studio were George Harrison, Neil Young, and other sounds from the 1960s and 70s: music that is lyric-forward and performed with folk instrumentation in analogue tones, resulting in a timeless singer-songwriter record.

This vibe carries through the entire package, from the tintype photographs of Lam to the images wrought in 35mm in the liner notes, to his charming video collaborations with Griffin O’Toole that combine nostalgia, surrealism, and camp into a distinct style of film. Each particular piece fits perfectly into the primary vision, creating something grand in its authenticity and comforting in its warmth.

Braden Lam is also preparing to hit the road in the US ahead of the album’s release. All dates are listed below and can be found HERE.

WATCH / SHARE “HIGHWAY JESUS” (MUSIC VIDEO) HERE
BUY / STREAM “HIGHWAY JESUS” HERE

Photo Credit : Paul Atwood // DOWNLOAD HIGH-RES

Album Art // DOWNLOAD HIGH-RES

THE CLOUDMAKER’S CRY TRACKLIST
01 The Hold
02 In The Narrows
03 Hurricane Season
04 Cowboy Boots ft. Lassie Fai
05 HighwayJesus
06 Beautiful Neighbourhoods
07 Wide Open ft. Michaela Slinger
08 Bigger Flame
09 Obsolete
10 Sore

BRADEN LAM PERFORMANCE DATES
February 28, Portland ME, Geno's Rock Club
March 02, Portsmouth NH, The Press Room
March 04, Cambridge MA, Cantab Underground
March 05, New York NY, Pianos Upstairs | New Colossus Festival
March 06, New York NY, Sour Mouse | New Colossus Festival

BRADEN LAM ONLINE
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PIERRE KWENDERS RELEASES NEW EP, SHARES VIDEO FOR “WE LIKE”

PIERRE KWENDERS’ TEARS ON THE DANCEFLOOR EP OUT TODAY ON MOONSHINE

WATCH / SHARE “WE LIKE” FT. POTÉ (MUSIC VIDEO)

BUY / STREAM TEARS ON THE DANCEFLOOR HERE

“Kinshasa-born, Canadian-based artist Pierre Kwenders has made a career of fusing Congolese rumba with R&B and a medley of pop and dance styles from both sides of the equator and prime meridian” The Fader

“The singer, whose beats call upon both Congolese sounds and electro-pop” The New Yorker

“It’s a fluid, immersive work, vast but cohesive, elusive of genre, border, or trend. And it makes a case for the potential for anyone — and possibly everyone — to embody a more open, enlightened way to live.” Rolling Stone

"In turbulent times like this, Kwenders reminds us that we mustn't succumb to the darkness. … an important act of joyful resistance” CBC Music on “We Like” (feat Poté)

“An infectious house groove.” — Brooklyn Vegan on “We Like” (feat. Poté)

Photo Credit : Saffron Da'van // DOWNLOAD HIGH-RES

Today, Pierre Kwenders, the Congolese-born, Montreal-based musician, songwriter, and DJ releases his new EP, Tears On The Dancefloor via Moonshine, and unveils the video for its lead single, “We Like”, featuring St. Lucia-born, Paris-based electronic artist Poté. Directed by Stephen Trivieri with cinematography by Bryan Beltránd, the “We Like” video captures a vivacious scene in Barrio Pablo Escobar in Medellín, Colombia. In keeping with the song’s rallying cry for unity, connection, and celebration, the video features dancers Anny Atehortúa, Kathe Villa P, Santiago Murillo Lopez dancing in the streets and restaurants throughout the neighborhood.

WATCH / SHARE “WE LIKE” FT. POTÉ (MUSIC VIDEO)

On Tears On The Dancefloor, Kwenders’ first new project since his widely praised Polaris Music Prize-winning album José Louis And The Paradox Of Love, Kwenders delivers a heartfelt ode to the club, intimately exploring themes of love, vulnerability, and self-discovery. The tracks across the EP are a reflection of the personal and collective experiences we all share as we navigate love, joy, fear, and growth, inviting listeners to immerse themselves in the emotions that arise when we connect with others and with ourselves, creating a space where emotional depth and freedom collide. 

With mixing and mastering by Pascal Shefteshy (Moonshine, Kroy, Vanyfox, Sébastien Tellier), Tears On The Dancefloor features collaborations with heavyweights of the Afro-electronic music scene, including Gafacci, Poté, Vanyfox, NegoO, and Dogzout. “I’m honored to have collaborated with some of my favorite DJs and producers who have graced countless dance floors,” Kwenders says. “Additionally, the incredible vocals of Pierre Lapointe, Lady Donli, Mopao Mumu, and Pony bring life and depth to this project. Together, we embark on a journey through the dance floor, exploring our innermost selves and emotions until we ultimately reach a place of freedom.” 

LISTEN / SHARE “EVERYDAY" (FT. LADY DONLI, GAFACCI) HERE

Born José Louis Modabi in Kinshasa, Democratic Republic of Congo, Kwenders borrows his stage name from his late grandfather, a widely respected businessman and community figure. Following his mother’s footsteps, Kwenders immigrated from Congo to Montreal in 2001. His debut album, Le Dernier Empereur Bantou, was released in 2014, followed by MAKANDA at the End of Space, the Beginning of Time in 2017. Both albums garnered acclaim and earned Kwenders nominations for the coveted Polaris Music Prize. In 2022, Kwenders returned with José Louis and the Paradox of Love, a culmination of the personal growth and musical dexterity he’d honed over the years, converging his strong songwriting capabilities with the bravado he possesses as a DJ. The album was met with widespread praise from the likes of The New York Times, New Yorker, NPR’s All Things Considered, Rolling Stone, The FADER, MOJO, The Guardian, Bandcamp, and beyond.

BUY / STREAM TEARS ON THE DANCEFLOOR HERE

TOUR DATES
Sat. Mar. 1 – Montreal, QC  @ MTELUS
Fri. Apr. 11 – Amsterdam, NL *
Sat. Apr. 12 – Brussels, BE @ Les Halles de Schaerbeek
Fri. Apr. 18 – London, UK *
Fri. Apr. 25 – Athens, GR *
Fri. May 2 – Lisbon, PT *
Sat. May 3 – Barcelona, ES *
Sun. June 8– Réunion, FR @ Sakifo Musik Festival
* secret location shows

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TEARS ON THE DANCEFLOOR TRACKLIST
01 Everyday ft. Donli, Gafacci
02 Clair de Lune ft. Pierre Lapointe, NegoO
03 It’s Pony! ft. Pony
04 Tears on the Dancefloor ft. Dogzout
05 Merci, Beaucoup!
06 Ambriance (Ndombolo) ft. NegoO
07 We Like ft. Poté
08 Endless Night ft. Mopao Mumu, Vanyfox

PIERRE KWENDERS ONLINE
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TWO HOURS TRAFFIC RETURN WITH NEW EP, SHARE NEW VIDEO

TWO HOURS TRAFFIC RETURN WITH THEIR FIRST NEW SET OF SONGS IN A DECADE

I NEVER SEE YOU ANYMORE EP SET FOR RELEASE MAY 23, 2025

WATCH / SHARE “ON THE SPOT” HERE
BUY / STREAM “ON THE SPOT” HERE

PRE-SAVE I NEVER SEE YOU ANYMORE HERE

Photo Credit : Robert Georgeoff // DOWNLOAD HIGH-RES

After more than a decade spent carving out their place in the Canadian indie rock landscape, Two Hours Traffic took their final bow in 2013. Their hook-laden melodies and sharp lyricism had earned them a dedicated following, a Polaris Music Prize shortlist nomination for 2007’s Little Jabs, and inclusion on the soundtracks of iconic TV shows of the era (The Office and The O.C.), but as priorities shifted and the live music landscape grew increasingly challenging, they decided to step back and shift their attention elsewhere. 

But bands seem to have a way of calling you back. After a quiet reunion in 2018, the Charlottetown group, comprised of Liam Corcoran, Andy MacDonald, Nick Doneff, and Derek Ellis, soon found themselves playing together again, first occasionally, then more often, until new songs began to emerge naturally. Now, twelve years since their last release, Two Hours Traffic make an unexpected but welcome return with their new EP, I Never See You Anymore. 

The six-song EP blends the experiences and influences of their early years with the maturity and clarity of a band shaped by another decade of life. The title, I Never See You Anymore, is reflective of encountering the bittersweet realities of no longer being a touring band, as bassist and producer Andy MacDonald explains. “Every time we made our way across Canada, and even on our trips to Europe, Australia, and the US, we’d run into friends and musicians we couldn’t wait to see,” he recalls. “Once we split up, it slowly dawned on us that we wouldn’t be seeing most of these people regularly again.” 

Today, they share another single from the EP, “On The Spot”, which “was one of the first songs we started to work on once we decided that we'd write some new material,” says Corcoran. “I wanted to go back to basics and write a high-energy song that would have fit into our sets back in the early 2000s. The acoustic guitar off the top, the driving rhythm section, lots of electric guitar hooks...as the song started to come together, it reminded us of the old days in an exciting way."

MacDonald adds, "Liam and I routinely exchange demos of songs we are working on, and when I first heard his demo for 'On The Spot' it reminded me, in a great way, of something that could have fit on the first Two Hours Traffic (self-titled) album. Once the full band started playing around with the song and Nick added the main guitar riff, it came together really quickly, which is often the sign of something special."

WATCH / SHARE “ON THE SPOT” HERE
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MORE ABOUT TWO HOURS TRAFFIC + I NEVER SEE YOU ANYMORE
Recording the EP was a collaborative and organic process that unfolded naturally throughout 2024. Sessions took place at various friends’ studios on PEI, as well as at Fang Recording, Joel Plaskett’s studio, in Dartmouth, Nova Scotia. “Writing and recording this EP was such a pleasure because we weren’t beholden to any timelines,” MacDonald reflects. “We were able to slowly pick away at the songs and refine them.” 

“It takes a village to make a Two Hours Traffic record,” says Corcoran, referring to a village seemingly populated by some of Eastern Canada’s most acclaimed musicians. The process began with sessions at Greg Alsop’s (Tokyo Police Club) studio in Charlottetown. From there, bass and guitar were tracked at Plaskett’s studio in Dartmouth, followed by vocal recording in Hope River, PEI, at Mark Geddes’ studio, The Hold. Outside of these sessions, longtime collaborator Dan Griffin contributed synths and keys that subtly tied the songs together. 

The newest member of the band, Nick Doneff, played a key role in the process, adding layers, working on rough mixes, and keeping things organized. “When we decided to record the sixth song, ‘Andy Magoffin’, Nick was in the engineer’s chair,” Corcoran notes. Reflecting on the band’s democratic approach, Corcoran praises MacDonald for stepping up to produce the project and guide them through the long and winding process. “Andy took on the task of making the executive decisions, ensuring that we retained our identity while also creating something fresh,” Corcoran says. 

WATCH / SHARE “KEEP IT COMING” HERE
BUY / STREAM “KEEP IT COMING” HERE

The new songs seem to embrace the ethos that first brought them together: direct, melody-driven songwriting with an emotional core, but now with a refined maturity. While I Never

See You Anymore carries echoes of Little Jabs’ infectious hooks and Foolish Blood’s polished confidence, it also leans into a warmer, more dynamic sound shaped by the band’s years apart. There’s a looseness in the arrangements, a sense of ease that comes from playing without expectation. Lead single, “Keep It Coming”, reflects this spirit. Written during a challenging year, the song became a mantra about staying present and trusting in resilience. “A reminder not to worry about every little thing in the future,” says MacDonald. 

For Two Hours Traffic, “the old days” seemed to be a time of constant evolution, navigating lineup changes and shifting priorities, both creatively and personally. Their 2009 album Territory saw them stepping into a more expansive, textured sound, pushing beyond the bright immediacy of Little Jabs. By 2013’s Foolish Blood, they had refined their songwriting even further, balancing their knack for hooks with a newfound confidence. Those years that followed were full of all the growing pains, joys, and struggles that come naturally to a young band under a spotlight. Reflecting on that time, Corcoran says, “I get the feeling that we were still trying to prove ourselves.” 

Now, with I Never See You Anymore, Two Hours Traffic are less focused on proving themselves and more on staying connected to the music they love. As MacDonald puts it, “Everyone in the band is ultimately in love with the process of writing and recording music. It’s been a part of our lives since we were teenagers, and we’re all still at it. Whether it’s Two Hours Traffic, Liam and Nick’s solo work, or Golden Cinema, we’re all still picking away. I don’t see it stopping anytime soon. We’re hooked.” 

PRE-SAVE I NEVER SEE YOU ANYMORE HERE

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I NEVER SEE YOU ANYMORE TRACKLIST
01 Keep It Coming
02 Leave Tonight
03 On The Spot
04 Moon Baby
05 Not A Day Goes By
06 Andy Magoffin

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