YOUNG FRIEND’S DEBUT ALBUM, MOTORCYCLE SOUND EFFECTS, OUT TODAY

YOUNG FRIEND’S DEBUT ALBUM MOTORCYCLE SOUND EFFECTS OUT TODAY VIA NETTWERK

BUY / STREAM MOTORCYCLE SOUND EFFECTS HERE

HEADLINING CANADA ONLY SUMMER TOUR BEGINS JUNE 3
TICKETS ON SALE
HERE

LISTEN TO YOUNG FRIEND’S INTERVIEW WITH CBC Q’s TOM POWER

“His music breathes with the same effortless wit as his personality, laced with a conversational intimacy that mirrors the kind of ease you’d find in a late-night chat with a close friend.” – RANGE (Cover Story)

"...fuzzy, jangly and all kinds of refreshing, sauntering through glitzy indie-rock riffs and headstrong, energetic rhythms." – Paste Magazine

"...young friend has established himself as a rising act in heartfelt pop, building an expansive sonic world brimming warm nostalgia and self-reflection." – EARMILK

"young friend keeps it casual and cheeky, but can’t help but charm listeners as the chorus melts into an earnest admission." – Ones to Watch

"One remarkable aspect of songwriting is the ability to paint a picture. It’s a rare talent, being able to use words to create a visceral image within the mind of a listener. With his slow-burn acoustic pop hits, young friends has mastered this art." – V Magazine

Photo Credit: Zachary Vague // DOWNLOAD HIGH-RES

Today, Vancouver indie rocker and JUNO Award nominated artist-producer young friend is proud to release his debut album, motorcycle sound effects. The twelve-song effort feels like a culmination of everything multi-hyphenate Drew Tarves has accomplished since his 2021 breakout. He takes on the nuances of growing up (“soft light”) and builds a dynamic world full of intimate details about love (“the real deal”), lust (“boyfriend material”), bravado (“american spirit”), and anxiety (“loose”). 

Drew Tarves appeared on Q with Tom Power last week, where the host described the album as being about your 20s. “The years that you figure out who you want to be but also who you don’t want to be, and what you’re going to do about it. The songs are messy and raw and self-reflective, but they’re still sunny.”

To help tell his story and build the world of motorcycle sound effects, Tarves worked with his friend and in-demand producer David Marinelli (FINNEAS, JAWNY, Spill Tab, Wallice). Between trips to Vancouver and Los Angeles, they crafted the narrative and honed it into a dynamic, genre-bending fever dream of an album. 

young friend is also excited to embark on his first headlining Canada only tour. The tour kicks off on June 3rd in Windsor, Ontario, and wraps in Victoria, British Columbia, on July 5th. young friend will be joined by Frances Whitney and Sam Lynch for support. Find the full list of dates below and for more information visit: https://youngfriend.store/pages/tour

BUY / STREAM MOTORCYCLE SOUND EFFECTS HERE

Drew Tarves' music as young friend feels classic and immediate all at once, capturing the nostalgia of post-adolescence while diving deep into a pool of self-reflection. His next project is bursting with big feelings and perfect golden light. It feels messy and raw, like long summer nights piling into the back of a pickup truck with all your friends, sprinting to catch the last summer sunset, taking off your shoes and dancing in the grass, falling, getting back up. 

A trained dancer for most of his adolescence, the 24-year-old Vancouver native switched artistic disciplines after spending time jamming with his musician friends. "I found out very quickly that I loved it," he recalls. "It was my favorite thing to do." Armed with a guitar and a laptop, Tarves started hashing out early songwriting attempts on GarageBand as he found his own style that suited him: "It was all about experimenting while trying to find what worked for me."

WATCH / SHARE “TROUBLE” HERE
WATCH / SHARE “THE REAL DEAL” HERE

In 2022, Tarves released his indie-pop debut EP, HOW DID WE GET HERE?, and quickly followed it up with a sophomore in 2023 titled scaredy cat. 2024 brought in his first Canadian and international touring, as well as a JUNO Award nomination. Now, young friend is releasing his debut full-length motorcycle sound effects. The album pulls inspiration from a multitude of places and artists, landing in this comfy space of new and familiar while also making room for self-discovery. It will take you along for the ride of your life. “This album takes notes from a lot of different artists and bands that I really love, and as a result, it is this sort of genre-bending fever dream album.”

WATCH / SHARE “SOFT LIGHT” LYRIC VIDEO
WATCH / SHARE “I LIKE GIRLS” HERE

motorcycle sound effects is really just about growing up. It’s about the people you encounter and the experiences that make you into the person that you are,” explains Tarves. “I really wanted to capture all the sides of the coin; the shitty sides, the side where I was wrong, the side where I did the right thing, and it still didn't work out, the side where something is new and exciting and it's all you can think about, all of it.”

WATCH / SHARE “GOLDEN RULE” HERE

YOUNG FRIEND 2025 SUMMER TOUR DATES
Jun 03 – Windsor, ON @ Meteor*
Jun 04 – Guelph, ON @ Sonic Hall*
Jun 05 – Toronto, ON @ The Drake Underground*
Jun 06 – Hamilton, ON @ Bridgeworks*
Jun 07 – Kingston, ON @ Something in the Water
Jun 08 – Montreal, QC @ L’Escogriff*
Jun 12 – Penticton, BC @ Dream Café^ 
Jun 13 – Kelowna, BC @ Red Bird Brewing^
Jun 14 – Kamloops, BC @ The Night Shift on 5th^
Jun 17 – Calgary, AB @ Modern Love*
Jun 18 – Fernie, BC @ The Northern*
Jun 19 – Red Deer, AB @ Bo’s Bar and Stage*
Jun 21 – Swift Current, SK @ Long Day’s Night Music Festival
Jun 25 – Regina, SK @ The Exchange*
Jun 26 – Winnipeg, AB @ Sidestage*
Jun 27 – Saskatoon, SK @ The Capital Music Club*
Jun 28 – Edmonton, AB @ Double Dragon*
Jul 05 – Victoria, BC @ Phillips Brewing & Malting Co

*supported by Frances Whitney
^supported by Sam Lynch

   

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MOTORCYCLE SOUND EFFECTS TRACKLIST
1. golden rule
2. loose
3. american spirit
4. eye to eye
5. thank you for the ride
6. sweet tooth
7. stranger
8. the real deal
9. trouble
10. soft light
11. i like girls
12. boyfriend material

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KEN YATES ANNOUNCES NEW LP, TOTAL CINEMA, OUT JUNE 6, SHARES TITLE TRACK

KEN YATES ANNOUNCES NEW LP, TOTAL CINEMA, SET FOR RELEASE JUNE 6, 2025
ANNOUNCES NEW DATES THIS MONTH SUPPORTING ROSE COUSINS

WATCH / SHARE “TOTAL CINEMA” VIDEO HERE
BUY / STREAM “TOTAL CINEMA” HERE

PRE-SAVE TOTAL CINEMA HERE

SPECIAL ‘IN CONVERSATION’ EVENT AND PERFORMANCE WITH THE TORONTO STAR’S RICHIE ASSALY ON MAY 28

KEN YATES FOLLOWS UP TOUR DATES WITH MADISON CUNNINGHAM & KATHLEEN EDWARDS WITH MORE U.S. DATES IN JUNE

“...I’m obsessed with this song by Canadian troubadour Ken Yates” - Ann Powers, NPR Music on “Cataclysmic End”

Photo Credit : Brittany Farhat  // DOWNLOAD HIGH-RES

After being recently featured on Spotify's Fresh Folk, Apple Music's Morning Coffee, Today's Acoustic, and New in Singer-Songwriter, as well as a co-sign on socials by Sam Fender for his latest single “Perennials”, Ken Yates is now ready to announce his new album.

"I feel like there are songs on this record that I had to live my whole life so far to write," reflects Yates on Total Cinema, set for release on June 6, 2025. "That's a cool feeling after doing this for a while—to have songs that still surprise you and feel like you had to earn them."

This atmospheric depth permeates Total Cinema, an album that captures an artist who has found clarity in making "the exact record I wanted to make." After years of determined evolution and a creative breakthrough with 2022's Cerulean, Yates has crafted his most immersive and dynamic work to date—a widescreen vision that embraces both the shadows and light of human experience.

"I don't think I found my 'sound' until Cerulean," Yates acknowledges. "It took me a decade to figure out the kind of music I wanted to make." This recognition of being a self-described "late bloomer" belies the strength of his earlier work, but carries the characteristic modesty and wisdom of an artist who understands that authentic creative identity emerges on its own timeline. 

With Total Cinema, Yates widens the frame. His work, marked by precision, emotional depth, and a quiet kind of intensity, now takes on new dimensions. Where Cerulean was a study in restraint—hypnotic, meditative, deeply introspective—Total Cinema expands the lens, embracing electric textures, dynamic shifts, and an unshakable pulse that feels urgent, alive.

Today, Yates releases the album’s title track, a poignant meditation on truth, self-reflection, and the tension between illusion and authenticity. For Yates, the phrase “Total Cinema” transcends its filmic origins, becoming a lens through which he interrogates his own existence. "What is real is beautiful," he explains. "Film aspires to represent reality perfectly—it’s about capturing something wholly, undeniably real." It’s a fitting metaphor for Yates’ mid-thirties reckoning, a time of self-assessment and introspection. "I’m calling out my own bullshit," he says. "I’m looking at my life, embracing my reality, and asking—what do I really want? And what do I want life to look like from here on out?"

WATCH / SHARE “TOTAL CINEMA” VIDEO HERE
BUY / STREAM “TOTAL CINEMA” HERE

MORE ABOUT TOTAL CINEMA
Working with producer Dan Ledwell in his Halifax backyard studio, Yates builds upon the atmospheric foundation of his previous work but adds new colors: sharper contrasts, broader instrumentation, a rawer sense of motion. "I wanted Total Cinema to be a lot more dynamic, different tempos, different vibes, different colors," Yates explains. This expansion of his sonic palette represents the natural progression of an artist no longer constrained by necessity or expectation.

The shift is more than sonic—it's thematic. If Cerulean was steeped in grief and introspection, Total Cinema is a reckoning with gratitude, self-awareness, and the absurdity of it all. The turning point came with "Under the Cover of Light", an uncharacteristically buoyant song that signaled a creative shift. "I was getting tired of playing the role of the brooding, tortured artist all the time," Yates explains. "I found myself starting to call out my own bullshit in the things I was writing."

That realization unlocks something across the album's ten tracks—a newfound willingness to explore joy alongside cynicism, to let the light in without losing the weight of experience. Tracks like "Perennials" sit beside the punchy, pop-forward "Greatest of All Time", proving Yates is unafraid to push his own boundaries.

WATCH / SHARE “PERENNIALS” LYRIC VIDEO HERE
BUY / STREAM “PERENNIALS” HERE

The recording process itself was marked by both collaboration and restraint. Joshua Van Tassel provides the rhythmic backbone, while Ledwell layers bass, piano, synths, and horns. Guest appearances from Jenn Grant, Breagh Isabel, and Kinley Dowling add warmth and texture, grounding the album in a shared creative energy.

Yates arrives at Total Cinema riding a wave of growing recognition. Recently selected as an Official Showcasing Artist at both SXSW and Americanafest 2024, he's been opening for acclaimed artists like Madison Cunningham and Kathleen Edwards while expanding his collaborative reach through songwriting with artists including with Katie Pruitt, Lori McKenna, Tiny Habits, Trousdale, Jenn Grant, and John Mark Nelson. His previous work has garnered robust support across streaming platforms, landing on playlists like Your Favorite Coffeehouse, Infinite Indie-Folk, Fresh Folk, Breaking Singer-Songwriter, and "New Music Friday Canada," with Apple Music already championing his latest singles.

Total Cinema is exactly that: a complete picture of Ken Yates in 2024—an artist embracing his evolution in real-time, crafting songs that celebrate this moment. For listeners who have followed his journey, it's the culmination of a path worth taking. For newcomers, it's an ideal entry point into the work of an artist who has learned that the most compelling stories are often those that take time to fully develop.

LISTEN / SHARE “CATACLYSMIC END” HERE
LISTEN / SHARE “MY LOVE FOR YOU IS A STRAIGHT LINE” HERE

PRE-SAVE TOTAL CINEMA HERE

TOUR DATES
4/9/25 - Peterborough ON - Market Hall | supporting Rose Cousins
4/13/25 - Ottawa, ON - National Arts Centre | supporting Rose Cousins
5/28/25 - Toronto, ON - The Cameron House | In Conversation with Toronto Star’s Richie Assaly
6/1/25: Chicago, IL - The Hideout
6/3/25: New York, NY - Nightclub 101
6/4/25: Wayne, PA - 118 North
6/5/25 - Boston, MA - Lizard Lounge

PAST PRAISE FOR KEN YATES

"It’s another lyrical vessel of yearning and emotional reckoning matched up with strummed acoustic guitar, further setting the scene for what Cerulean has in store." - FLOOD

"Cerulean is more astral than backroads, a soundscape that gives Yates room to ruminate, approaching the concert hall atmospherics of The War on Drugs, Andy Shauf, and Big Thief." - The Creek 100.9

“Yates has now asserted himself as one of Canada’s most unique folk artists with a true knack for effective songwriting.” - Canadian Beats

"An enchanting song of acceptance and resolve, Ken Yates’ “The Big One” is a soothing and stirring apocalyptic lullaby that finds refuge in the face of life’s fragility." - Atwood Magazine

"Ken has earned a strong reputation as a bona-fide composer who combines his emotionally charged storytelling with some incredible and unforgettable melodies.” - Great Dark Wonder

"Welcome to my obsession in life. The single greatest, most played artist in my car, house, office in the last 3 years. When I’m not listening to That Station, I’m listening to Ken."
- Chris Edge, WRAL

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TOTAL CINEMA TRACKLIST
01 Sidewinder
02 Greatest Of All Time
03 Under The Cover Of Light
04 Total Cinema
05 Cataclysmic End
06 Superimposed
07 Perennials
08 Paincaving
09 My Love For You Is A Straight Line
10 The Great Resolution
11 The Master

KEN YATES ONLINE
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YAWN ANNOUNCES DEBUT LP, WISH I COULD’VE, SHARES NEW SINGLE

YAWN (JULIA MCDOUGALL) ANNOUNCES DEBUT LP, WISH I COULD’VE
OUT JUNE 13, 2025 

WATCH / SHARE “HELP MYSELF” HERE
BUY / STREAM “HELP MYSELF” HERE

Photo Credit : Eleni Nikoletsos // DOWNLOAD HIGH-RES

Julia McDougall’s project Yawn unites her far-ranging sensibilities into a supercharged core of misty dream-pop and electronic haze. For the past several years, McDougall has been holed away working on her debut record for Yawn; what’s come out of the clouds are twelve carefully crafted songs that have been developed as inspiration struck from all around her. With a composition degree from Simon Fraser University and a mainstay presence in underground venues and festivals across Western Canada, McDougall’s intricately-layered pop stylings emerge in stories of longing, nostalgia, loss, and hope. 

Primarily produced by Jo Hirabayashi (Jo Passed), wish i could’ve is a record about getting older, about losing track of dreams, and being met with feelings of futility and failure. It’s a record about wanting more but not getting it, about loving and losing people, how we move forward, how some feelings never leave us, and how more often than not in life there is no tidy resolution. “I like to write songs that pin down all the feelings that are left floating around, the ones that, even years later, we can’t really make sense of,” McDougall writes. And while many of the songs touch on heavier subject matters, there is still room for lightness and humour in her work. 

Today, the Vancouver artist is following up recent single, “broken baby”, with the new track, “help myself”, a song that challenges toxic positivity and the pressure to be the “best version” of ourselves. “It’s about the various kinds of doubt and darkness that we face, and how the constant noise of social media and mainstream culture dulls our ability to love ourselves,” explains McDougall. “It was inspired by social media ads I was served during the early, frantic days of COVID isolation that were promising me that now was the time to finally ‘get ripped’. It seemed detached from our lived reality that in the middle of a global pandemic, we were being force-fed so-called wellness ads that completely overlooked the psychological and emotional impact we were all facing. The song is about our relationship to ourselves, and how our media consumption habits make it easy to go about our lives without truly connecting to who we are. It’s also about the struggle to find meaning in the mundanity of everyday life – standing in grocery store lines, going to work, going to a work out class, scrolling all the while – and how sometimes it’s impossible to make sense of how the sum of all of these things add up to a life.”

WATCH / SHARE “HELP MYSELF” HERE
BUY / STREAM “HELP MYSELF” HERE

wish i could’ve is a record that was made to make you simultaneously laugh, cry, sway and dance and it holds a universality that reaches out and holds the listener’s hand. Amongst this panorama of emotion is McDougall’s distinct voice, laid out across Yawn’s spectrum of melodies as the melancholic heart of the project. With cues from Beach House, Haim, Mitski and Caroline Polacheck, Yawn’s sound and vision will linger with you like fog on a spring morning, lifting with the heat of the sun to reveal the buds finally opening.

LISTEN / SHARE “BROKEN BABY” HERE
BUY / STREAM “BROKEN BABY” HERE

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WISH I COULD’VE TRACKLIST
01 help myself
02 broken baby
03 coloured light
04 wish i could’ve
05 you & i
06 let it all go
07 i deserve better
08 wading in the water
09 back in my head
10 world is burning
11 wasting time
12 take your time

YAWN ONLINE
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