PUP ANNOUNCE MEGA-CITY MADNESS TOUR OF TORONTO 

PUP TAKES OVER TORONTO WITH MEGA-CITY MADNESS, A SIX NIGHT TOUR THROUGHOUT SIX DIFFERENT TORONTO VENUES, FEATURING A NEW GUEST EVERY NIGHT - BEGINNING JULY 13

ARTIST PRESALE: APRIL 9, 10 AM ET | GENERAL ONSALE: APRIL 10, 10 AM ET   

PUP’S NEW ALBUM, WHO WILL LOOK AFTER THE DOGS?, OUT MAY 2ND
VIA LITTLE DIPPER / RISE RECORDS 

WATCH / SHARE “GET DUMBER” FT. JEFF ROSENSTOCK HERE
BUY / STREAM “GET DUMBER” FT. JEFF ROSENSTOCK HERE

PRE-SAVE WHO WILL LOOK AFTER THE DOGS? HERE

"Over roaring guitars, echoing bass and a buzzing melody PUP powers through the pain. ... a sorrowful gut-punch" CBC Music on "Hallways"

“The Toronto band Pup has long made frenetic punk-pop with neat verse-chorus-bridge structures underlying Stefan Babcock’s raucously overwrought and fully self-aware lead vocals.” - New York Times

"PUP’s fourth album, ‘The Unraveling of PUPTheBand,’ finds the quartet completely removing any of the limits left on their music, pushing things as far as possible" - The New Yorker

“Hearts on their sleeves, the group captures the rage and frustration of human fallibility with crashing drums and infectious irreverence" - NPR Music

"all the catchy, fast-paced melodies, big singalongs, and ooh-oohs and whoa-oas that you could want in a PUP record" Exclaim!

"The new songs are boisterous, catchy, and meta while also earnestly wading through the nuances of depression in a manner often reserved for “confessional” indie rock…an instant mood-booster." - Pitchfork

“transmuting life’s frustrations into unhinged visceral joy” - Stereogum (Album of the Week)

“‘The Unraveling of PUPTHEBAND’...reinforces the message that it’s okay to be yourself, no matter who you are." - Vulture 

"PUP’s winning recipe is 49% snark, 51% heart" - Bandcamp (Album of the Day)

After recently releasing 'Get Dumber" Feat. Jeff Rosenstock, the third advance single from their new record, Who Will Look After The Dogs?, Toronto punk heroes PUP - comprised of Stefan Babcock, Nestor Chumak, Zack Mykula, and Steve Sladkowski - are announcing Mega-City Madness. The six night ‘tour’ begins with a house show and continues on through landmark venues across their hometown of Toronto beginning July 13. Each evening will feature a different artist on the bill with appearances from NOBRO, Solids, Cadence Weapon, Bad Waitress, Jeff Rosenstock, and more.

“We are incredibly proud to be from Toronto,” says Babcock. “We grew up playing these venues. We started this band in friends' basements and over the past decade have grown slowly and steadily until we were lucky enough to be playing big concert halls. This ‘tour’ is a celebration of that journey, going back to the smallest, greasiest shows. We're playing all these milestone venues, each one a little bigger than the last, just like we have over the past 10 years, but this time we're doing it all in one week. We're so grateful for what this city has given us. Holy fuck we love Toronto.”

Artist pre-sale tickets for the Mega-City Madness ‘tour’ are on sale April 9 at 10 am ET and general ticket sales begin April 11 at 10 am ET. Tickets can be found HERE. Full world tour dates can be found below.

WATCH / SHARE “GET DUMBER” FT. JEFF ROSENSTOCK HERE
BUY / STREAM “GET DUMBER” FT. JEFF ROSENSTOCK HERE

PRE-SAVE WHO WILL LOOK AFTER THE DOGS? HERE

MORE ON PUP & WHO WILL LOOK AFTER THE DOGS?
Who Will Look After The Dogs?, PUP’s pummeling and cathartic fifth LP, is their most immediate, no-frills, and hard-hitting full-length yet. It was made in Los Angeles with producer John Congleton over the course of three weeks, and it’s the culmination of PUP’s past decade of constant touring and their palpable, livewire chemistry. The album evokes the lightning-in-a-bottle intensity of their self-titled debut (except they are much better at their instruments now), and finds our self-deprecating frontman Stefan Babcock at his most reflective, vulnerable and prolific. Over 12 tracks, Babcock excavates his life's relationships—romantic, with his bandmates, and most ruthlessly, his relationship to himself. There’s plenty of growth, but also plenty of unpredictable mayhem in the arrangements and an acerbic bite in the writing. And while PUP historically are at one another’s throats during the album process, this time they scrapped their tedious perfectionism and rediscovered the joy of making loud music together. 

“Within days of announcing our last album, coincidentally titled The Unraveling of PUPTHEBAND, my life unexpectedly imploded. I wrote the lyrics for 'Hallways' while all that was going on. It was a weird fucking week," says Babcock. "The title of our new record, Who Will Look After The Dogs?, is what I wrote at the top of the page, the very first thing written for this album. I think it’s devastating, but in a ‘holy shit this is overdramatic’ kinda way. At least in context of the line that comes before it. That’s what makes it funny to us. That overblown stuff we all say in our dark moments can be hilarious once you've cooled off a bit. I don’t know if anyone else thinks it’s funny, but sometimes you gotta laugh at yourself. It's the only way out of the abyss. Trust me.”

Over the past decade, PUP have thrived on volatility. It's not really a joke when the Toronto punks release songs like “If This Tour Doesn’t Kill You, I Will” or put out albums called The Unraveling of PUPTHEBAND. Though its four members are all best friends, creative dysfunction and interpersonal friction make their snarling and self-deprecating songs thrilling. To their shock and occasional dismay, it’s why their four albums are critically acclaimed and the crowds at their galvanizing live shows have only grown. It hasn’t gone off the rails yet but it definitely could. The possibility it could all blow up at any second is the band’s magic.

WATCH / SHARE “HALLWAYS” HERE
BUY / STREAM “HALLWAYS” HERE

Following the release of 2022’s The Unraveling of PUPTHEBAND, their most adventurous and maximalist full-length, the band’s lives changed significantly. Guitarist Steve Sladkowski got married, bassist Nestor Chumak settled into being a dad, and drummer Zack Mykula moved to a new place in Toronto that allowed him to expand his home studio. As the others were making big decisions and getting their acts together, Babcock felt isolated. He had just ended a decade-long relationship and cut himself off from his bandmates. "We don't get along when we're making records, so I tend to retreat,” says Babcock. “In the past, I'd find comfort in another person, but this time I was at it alone. Being bored and lonely I just started writing music nonstop.” Where the older records took Babcock two to three years to get through 12 tracks, he wrote over 30 songs for Who Will Look After The Dogs? in a year.

While writing, Babcock had time to reflect and maybe even grow up. “So many early songs were about how I'm a complete fuck up,” he says. “While that remains true, I stopped hating myself as much as I did when I was younger and the people around me accepted me for who I am.” Where PUP’s previous LPs served as a window into six months of Babcock’s life, the songs here take a holistic view of his romantic partnerships, his friendships, and how he treated himself from his youth to now. In a way, writing this album served as a mirror to his emotional growth. It was hard, occasionally sucked, but was ultimately worth it. 

Babcock began to view these songs as a chronology: the first few songs were written from the perspective of his past youthful naïveté, the middle third from frequent bouts of self-loathing, and the final few cuts from the acceptance that comes with finally getting your shit together. “There's a lot of sadness in the back half of the record, but there's a lot more hope here too,” says Babcock. “I'm just coming to peace with who I am.” 

WATCH / SHARE “PARANOID” HERE
BUY / STREAM “PARANOID” HERE

When Babcock brought what he wrote to the rest of the band, they all agreed to let the songs develop as organically as possible. “We realized it should be four people in a room playing,” says Chumak. “The most important thing was trying to do the most with just us.” Historically, the band’s jam sessions are contentious affairs but here, everything fell into place for once in the most quintessential PUP way. “We straddle the line between it falling off the rails and then being totally in the pocket,” says Sladkowski. “But our four disparate personalities are what make it interesting.” 

They decamped to Los Angeles to work with producer John Congleton (St. Vincent, Death Cab For Cutie, Mannequin Pussy). In the studio, he helped the band work through their nagging tendency to overthink things. When they’d like how a take sounded, he’d remind them that they didn’t have to try it again. He’d tell them when songs felt overwritten and to trust each other in the moment. “If we can't solve an arrangement or songwriting problem in the room between the four of us in a few minutes, then it's not really worth solving because we’d just get into a hole and lose perspective,” says Mykula. “Thanks to John, getting out of our heads made it fun.”

They recorded the entire album in three weeks—less than half the time it took to make The Unraveling of PUPTHEBAND. “When I first started writing the lyrics for this record, everything felt really heavy,” says Babcock. “By the time we recorded it, even those dark songs felt light and fun. We didn't even really fight while making this record. It all just felt fucking awesome.”  

Compared to the rest of their catalog, Who Will Look After The Dogs? evokes the early days of PUP – except they are much better at their instruments now, as they’re well out of their reckless twenties and have played nearly a thousand shows since then. “Because we were less precious with everything this time, it felt like we were capturing the feeling of being in a band for the first time when you finally hear everything clicking,” says Babcock. There’s even a newfound optimism and hope here. Even when things seem irrevocably fraught and you slip back into stupid old habits, being around your closest friends can get you through. Or, at the very least, they can tell you to get over yourself. 

“With the band, I have such an intense, personal connection with those three guys that I don't have with anybody else in my life,” says Babcock. “Sometimes you have to really go through the shit to have that big high of creating something with your best friends that you could never do alone.” 

PRE-SAVE WHO WILL LOOK AFTER THE DOGS? HERE

Photo Credit: Vanessa Heins // DOWNLOAD HIGH-RES

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WHO WILL LOOK AFTER THE DOGS? TRACKLIST
01 No Hope 
02 Olive Garden 
03 Concrete 
04 Get Dumber 
05 Hunger For Death 
06 Needed To Hear It 
07 Paranoid 
08 Falling Outta Love 
09 Hallways 
10 Cruel 
11 Best Revenge 
12 Shut Up

TOUR DATES
05/07/25 - Birmingham, UK @ XOYO Birmingham*&
05/08/25 - Leeds, UK @ Project House*&
05/10/25 - Manchester, UK @ O2 Ritz*&
05/11/25 - Glasgow, UK @ SWG3 (TV Studio)*&
05/12/25 - Newcastle, UK @ Newcastle University*&
05/13/25 - Bristol, UK @ Marble Factory*&
05/15/25 - Southampton, UK @ Engine Rooms*&
05/16/25 - London, UK @ O2 Forum Kentish Town*&
05/18/25 - Amsterdam, NL @ Melkweg*
05/20/25 - Cologne, DE @ Club Volta*
05/21/25 - Hamburg, DE @ Logo*
05/22/25 - Berlin, DE @ Hole44*
05/23/25 - Munich, DE @ Strom*
05/25/25 - Paris, FR @ Bellevilloise*
05/27/25 - Madrid, ES @ Sala Mon
05/28/25 - Barcelona, ES @ Upload
05/29/25 - València, ES @ Loco Club
05/30/25 - San Sebastian, ES @ Dabadaba
07/13/25 - Toronto, ON - House Show
07/14/25 - Toronto, ON - Sneaky Dees’s w/ Bad Waitress
07/15/25 - Toronto, ON - Lee’s Palace w/ Solids
07/17/25 - Toronto, ON - The Concert Hall w/ Jeff Rosenstock (solo)
07/18/25 - Toronto, ON - Danforth Music Hall w/ Cadence Weapon
07/19/25 - Toronto, ON - History w/ NOBRO
8/5/25 - Auckland, NZ @ Tuning Fork
8/6/25 - Wellington, NZ @ San Fran
8/8/25 - Brisbane, QLD @ Princess Theatre
8/9/25 - Sydney, NSW @ Metro Theatre
8/10/25 - Melbourne, VIC @ Northcote Theatre
8/12/25 - Adelaide, SA @ Hindley St. Music Hall
8/14/25 - Perth, WA @ Magnet House
9/3/25 - Minneapolis, MN @ Palace Theatre ^
9/4/25 - Madison, WI @ The Sylvee ^
9/5/25 - Chicago, IL @ The Salt Shed^
9/6/25 - Detroit, MI @ Russell Industrial Center ^
9/8/25 - Pittsburgh, PA @ Stage AE ^
9/9/25 - Columbus, OH @ KEMBA Live! ^
9/10/25 - Cleveland, OH @ Agora Theatre ^
9/12/25 - Washington, DC @ The Anthem ^ 
9/13/25 - Brooklyn, NY @ Brooklyn Paramount ^
9/15/25 - Boston, MA @ Roadrunner ^
9/17/25 - Philadelphia, PA @ The Fillmore Philadelphia ^
9/19/25 - Raleigh, NC @ The Ritz ^
9/20/25 - Charlotte, NC @ The Fillmore Charlotte ^
9/22/25 - Atlanta, GA @ The Eastern ^
9/24/25 - Houston, TX @ White Oak Music Hall ^
9/25/25 - Dallas, TX @ House of Blues Dallas ^
9/26/25 - San Antonio, TX @ Paper Tiger ^
9/27/25 - Austin, TX @ Radio East ^
9/30/25 - Phoenix, AZ @ The Van Buren ^
10/1/25 - San Diego, CA @ The Sound ^
10/2/25 - Los Angeles, CA @ Hollywood Palladium ^
10/4/25 - Oakland, CA @ Fox Theater ^
10/6/25 - Portland, OR @ McMenamins Crystal Ballroom ^
10/7/25 - Seattle, WA @ Showbox SoDo ^
10/9/25 - Salt Lake City, UT @ Rockwell at The Complex ^
10/11/25 - Denver, CO @ Mission Ballroom ^

* support from Illuminati Hotties
& support from Goo 
^ support from Ekko Astral

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LAUREN DILLEN SHARES NEW SINGLE / VIDEO, “ONE MORE TIME FOR THE ROAD”

LAUREN DILLEN SHARES “ONE MORE TIME FOR THE ROAD” VIA VICTORY POOL RECORDS

WATCH / SHARE “ONE MORE TIME FOR THE ROAD” HERE
BUY / STREAM “ONE MORE TIME FOR THE ROAD” HERE

Photo Credit : Heather Saitz // DOWNLOAD HIGH-RES

Lauren Dillen is a Toronto-based tattoo artist and musician. As a member of the band Burs, Dillen is one of four musicians cultivating an ecosystem of expansive psych-folk and rock. When it comes to her solo music, Dillen’s approach is simpler. She distills the weighty chaos of being alive into quiet moments using the soft vibrations of an acoustic guitar and her warmly affecting voice. This is the sound of a sunset after a storm.

Today, she shares the new single “One More Time for the Road”, which poses a seemingly simple nonetheless unshakable question: "Can the circle ever be broken?" It’s a song for those who will spend their lives longing for someone, unable to keep themselves from turning over the past like river stones. ‘One more time with the wheel, we drive in circles 'cause that's how it feels,’ she sings, her subtly stirring voice carrying the ache of nostalgia for something that almost was. Recorded in Calgary at the National Music Centre with Burs bandmate Ray Goudy while on tour and done live off the floor in a single take, the song’s raw emotion flowing unfiltered.  

A Trojan horse of a song, “One More Time for the Road” sneaks its weighty emotional core into something deceptively simple. Echoes of artists like Big Thief, Laura Marling, and Haley Heynderickx ripple through her work, but Dillen’s voice remains entirely her own, a thread of light unfurling like tangled vines, reaching for the light.

WATCH / SHARE “ONE MORE TIME FOR THE ROAD” HERE
BUY / STREAM “ONE MORE TIME FOR THE ROAD” HERE

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MORE ABOUT LAUREN DILLEN
In August 2024, Dillen released her first solo offering via Victory Pool Records, every-woman sore, a breathtaking meditation on kinship and the quiet ways we hold one another up. 

Her love of music runs deep, tracing back to summer camp nights in her early teens, when she first picked up a guitar and started writing songs. Later, while studying jazz at Humber College, she found kindred spirits in her future Burs bandmates, playing together in a Joni Mitchell ensemble. Since 2019, Dillen has released a handful of songs under her own name and in collaboration with other Toronto-based musicians.   

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AMBRE CIEL ANNOUNCES DEBUT LP, SHARES FIRST SINGLE

AMBRE CIEL’S DEBUT ALBUM, STILL, THERE IS THE SEA, OUT JUNE 6, 2025 VIA GONDWANA RECORDS

LISTEN / SHARE “THE SUN, THE SKY” HERE
BUY / STREAM “THE SUN, THE SKY” HERE

PRE–SAVE STILL, THERE IS THE SEA HERE

Photo Credit : Lawrence Farfard // DOWNLOAD HIGH-RES

Ambre Ciel is a composer, violinist, pianist and singer who hails from Montreal and is a purveyor of dreamy, expansive, spacious pop music. Ambre, who sings in both French and English, hails from a family of singers and artists. “I started my journey learning violin at six and began experimenting with pedal effects and looping melodies later on,” says Ciel. University followed with a focus on composition and recording. “That’s when I started exploring composing and songwriting more deeply—both the world of sounds in itself and songs built mostly with layers of violin and voice. It was also during this time that I returned to my ‘first’ instrument, the piano, which opened more harmonic possibilities.” 

For Ambre, her debut album, still, there is the sea, represents a beginning, a first and she says imperfect attempt to create this other world that was living in her mind. She has crafted a beautifully refined ‘pop album’ making a lot of space for strings arrangements and other acoustic instruments, as well as her own beautiful voice. “On a personal level, I was searching for silence. I had just finally moved to a quiet apartment in Montreal and for the first time, I had all the time and space to hear silence and create, being solitary and living in the intangible world of possibilities”. 

Today, she shares the album’s first single, “the sun, the sky”, a song about “returning to a familiar place but feeling like our perception has shifted, that we’ve changed, grown in some way,” says Ciel. “The sun and the sky are at the same time metaphors of this dynamic state and constant figures as the narrative around them evolves. The whole structure of the song reflects this cyclical journey, embodied by the first four chords on the piano — they go somewhere but return to their original point, like a sort of paradigm. On a larger scale, the album also starts and ends with this theme of four chords, mirroring a cycle in itself.”

LISTEN / SHARE “THE SUN, THE SKY” HERE
BUY / STREAM “THE SUN, THE SKY” HERE

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MORE ABOUT STILL, THERE IS THE SEA
The enigmatic title of the album, still, there is the sea, came to Ambre when she realised that water was a subconscious but recurring theme throughout the album in terms of melodies and lyrics; “eau miroir” refers to how the water can be some kind of mirror, “cycle” embodies a cyclical, perpetual movement, “atlantis” refers to this inward looking quest and distancing from the world, “sometimes” has sounds from rain and storm, and refers to a storm happening inside someone’s thoughts. “The water element can be very thin, fragile, but it’s always in movement and can resemble a larger and massive current, expansive, and I wanted to move between instrumental and song with this fluidity and was interested in finding ways to create something that could still feel cohesive. It also reflects this entire season of solitude and silence, how to me creating music represents this access to an underworld closer to the realm of dreams, that can be deep, surreal, rich and very grounding too.”

The songs and compositions on still, there is the sea also aim to offer a way of coping with what is going on in the world, an escape from the horrors of war and climate change. An attempt to create beauty and hopefully offer escapism and to engage with the world in a way that is meaningful and authentic. “Music is mysterious and powerful,” explains Ciel. “You don’t always know how you feel and then just by improvising at the piano there’s a transfer operating and the opaqueness of your emotions translate in a music that can be as emotionally complex and inherently constructive.” 

While still, there is the sea is very much Ambre’s own personal statement and artistic vision as a composer, arranger and producer, Pietro Amato (Bell Orchestre, The Luyas, Patrick Watson, Arcade Fire) offered support and experience (and an extra pair of ears) as co-producer and Owen Pallett (Final Fantasy, Arcade Fire) gave assistance with the orchestral arrangements Ambre wrote for the FAMES Skopje Studio Orchestra conducted by Sasho Tatarchevski. And deeply sensitive musicians such as percussionist Stefan Schneider (Bell Orchestre, The Luyas), clarinettist Guillaume Bourque and a string trio made of Marilou Lepage, Sebastian Gonzalez Mora, and Julien Siino all brought their unique voices to the record.

PRE–SAVE STILL, THERE IS THE SEA HERE

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STILL, THERE IS THE SEA TRACKLIST
01 the sun, the sky
02 eau miroir
03 cycle
04 atlantis
05 dream - mirage
06 sometimes
07 pièce no. 8
08 fragment of

AMBRE CIEL ONLINE
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