BROKEN SOCIAL SCENE’S ICONIC LP REWORKED, SHARES COVER BY MAGGIE ROGERS & SYLVAN ESSO

BROKEN SOCIAL SCENE’S ICONIC BREAKTHROUGH ALBUM GETS REWORKED WITH ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People 

ALBUM OF COVER SONGS BY MAGGIE ROGERS & SYLVAN ESSO, THE WEATHER STATION, HOVVDY, TORO Y MOI, SERPENTWITHFEET, AND MORE

OUT JUNE 6, 2025 VIA ARTS & CRAFTS - PREORDER NOW

LISTEN TO MAGGIE ROGERS & SYLVAN ESSO’S COVER OF “ANTHEMS FOR A SEVENTEEN YEAR-OLD GIRL” HERE

Album Artwork // DOWNLOAD HIGH-RES

Over the last two plus decades, Broken Social Scene’s breakthrough album You Forgot It In People has cemented its place amongst indie rock's greatest – through its collective energy pushing the genre far beyond its noisy ’90s slacker roots to a more tirelessly collaborative, sonically expansive, emotionally expressive vision. This vision is set to see new heights with the release of ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People – a front-to-back tribute to the hallowed Toronto band's 2003 masterpiece.  

The album, out June 6 via Arts & Crafts, reimagines You Forgot It In People with cover versions from today’s indie music icons, including Toro y Moi, The Weather Station, serpentwithfeet, and more (full tracklisting below). With today’s album announcement, Maggie Rogers and Sylvan Esso’s stirring rendition of the iconic “Anthems For A Seventeen Year-Old Girl” is available now. The song takes on a newfangled pop energy with Sylvan Esso's exultant production laying the groundwork for Maggie’s soaring “Dream about me” chorus. 

“‘Anthems’ is one of those songs that fundamentally changed my life,” Rogers reflected on the Broken Social Scene song’s impact. “There’s something about the lyrical repetition that functions as a sort of mantra within the song and it made me understand at a very early point in my creative life that music could be a form of meditation. Broken Social Scene has long been one of my all-time favorite bands and covering it with my dear friends Nick and Amelia from Sylvan Esso was an absolute joy beam dream.” 

Sylvan Esso added, “It was a joy to cover this beautiful song with Maggie- we all grew up loving this record- to be asked to cover ’Anthems…’ together was an honor and led to a truly lovely time.”

Photo Credit (Maggie Rogers) : Maddy Rotman | Photo Credit (Sylvan Esso) : Graham Tolbert  DOWNLOAD HIGH-RES

CLICK HERE TO PRE-SAVE ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People

CLICK HERE TO LISTEN TO “ANTHEMS FOR A SEVENTEEN YEAR-OLD GIRL” BY MAGGIE ROGERS AND SYLVAN ESSO

The album is available for pre-order now on limited edition vinyl via Arts & Crafts. Bundle option includes a You Forgot It In People graphic novel by Z2, and You Forgot It In People songbook. A newly released documentary film, It’s All Gonna Break, revisiting Broken Social Scene’s early days, is screening throughout the USA in May and June– see cities and dates here.

ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People Tracklisting: 
1. Capture The Flag - Ouri 
2. KC Accidental - Hovvdy
3. Stars And Sons - Toro y Moi
4. Almost Crimes - Miya Folick & Hand Habits
5. Looks Just Like The Sun - The Weather Station
6. Pacific Theme - Mdou Moctar, Mikey Coltun
7. Anthems For A Seventeen Year-Old Girl - Maggie Rogers & Sylvan Esso
8. Cause = Time - Middle Kids
9. Late Nineties Bedroom Rock For The Missionaries - Benny Sings
10. Shampoo Suicide - SPIRIT OF THE BEEHIVE
11. Lover's Spit - serpentwithfeet
12. Ainda Sou Seu Moleque - Sessa
13. Pitter Patter Goes My Heart - Babygirl

PRAISE FOR BROKEN SOCIAL SCENE’S YOU FORGOT IT IN PEOPLE

“a powerful and affecting album… they've made just exactly the kind of pop record that stands the test of time” - Pitchfork 

“BSS set the mold for some incalculable hybrid of post-rock-meets-stadium-rock-meets-folk-pop” - Stereogum 

“You Forgot It in People was a critical smash, paving the way for the great musical invasion from the north that’s still going strong today” - The New Yorker

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ABOUT MAGGIE ROGERS:
Originally from Maryland, multi-platinum, GRAMMY® Award-nominated producer/ songwriter/ performer Maggie Rogers released her breakthrough EP Now That The Light Is Fading in 2017.  Widely hailed as an artist to watch, Rogers shared her critically acclaimed Capitol Records debut album Heard It In A Past Life in 2019 and immediately found tremendous success: entering Billboard’s Top Album Sales chart at No. 1 and debuting at No. 2 on the Billboard 200. The album earned raves from the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, Vogue, and many more. Heard It In A Past Life also landed Rogers a Best New Artist nomination at the 62nd GRAMMY® Awards.  The album, which contains the Platinum hits “Light On” and “Alaska,” has amassed over 1 billion streams globally and is certified Gold in the U.S. In 2022, Rogers released her follow up album, Surrender to widespread acclaim and embarked on two sold-out headline tours across Europe and North America.  Rogers’ new album, Don’t Forget Me is out now.  Pitchfork said, “the singer-songwriter’s third album is her strongest yet, the sound of a wise, clear-eyed, melodious prodigy coming into her own voice,” while SPIN praised her “transcendent songwriting.” The New Yorker deemed Rogers’ Don’t Forget Me as “the loosest and most elemental music she’s made…burly, coltish, tender, fun,” and Rolling Stone named Don’t Forget Me as one of their “100 Best Albums of 2024.” Rogers recently wrapped “The Don’t Forget Me Tour, Part II” —her first-ever arena outing — which included two sold out shows at New York City’s Madison Square Garden and the Kia Forum in Inglewood, CA. Her television performances include “Saturday Night Live,” “The Tonight Show Starring Jimmy Fallon,” “The Late Show with Stephen Colbert,” “Austin City Limits,” “Today” and “CBS Sunday Morning.”

ABOUT SYLVAN ESSO:
Sylvan Esso is a band comprised of Amelia Meath and Nick Sanborn, based in Durham, North Carolina. During the last decade plus of their career, Sylvan Esso earned multiple GRAMMY nominations, sold out legendary venues, launched an independent record label and cultivated a vast, ever-growing community of collaborators, all while forming their “own niche of electro-pop,” says The New York Times. From their respective pasts in bands like Mountain Man and Megafaun, to the serendipitous formation of Sylvan Esso, musicians Meath and Sanborn are two puzzle pieces that fit together with indescribable ease. A shot-in-the-dark of musical chemistry gone right; since the 2014 release of their self-titled debut the pair has delivered “countless different ways of grabbing and inviting attention,” as NPR Music said upon its release. They are also the co-founders of both the artist-forward independent Psychic Hotline, as well as Betty’s, a recording studio based in Chapel Hill.

CJ WILEY REVEALS NEW LIVE VIDEO FOR “DON’T DIE CHARLIE”

SLACK ROCKER CJ WILEY’S DEBUT LP, SO BRAND NEW, OUT NOW
VIA TINY KINGDOM MUSIC

WATCH / SHARE “DON’T DIE CHARLIE” LIVE PERFORMANCE HERE

BUY / STREAM SO BRAND NEW HERE
BUY SO BRAND NEW VINYL HERE

TOUR DATES CONTINUE IN MAY

“CJ Wiley keeps things simple in order to get complex. Warm guitars, steady drums and lively bass — sometimes that's all you need to start a fire. Wiley's Boy Golden-produced debut lights all kinds of fires, an ever-shifting document of change and renewal” Exclaim!

Video Still

Following the release of their debut LP, So Brand New, Toronto slack rocker CJ Wiley is sharing the live performance video of “Don’t Die Charlie”. The live video was shot and edited by Katja De Bourbon with audio recorded and mixed by Calvin Hartwick at Dreamhouse Studios. The band features Kate Palumbo on bass, Madelyn Kirby on rhythm guitar, Julia Wittmann on lead guitar, and Nick McKinlay on drums.

“Don’t Die Charlie” is about “my decade-long battle with addiction and the grief I still carry for the friends I lost along the way,” says Wiley. “It holds vivid memories, taking me back to high school when everything felt so chaotic, though I didn’t fully realize how dark things really were at the time. It’s for anyone who lost someone and still feels their presence, wishing you could spend just a few more moments with them.”

WATCH / SHARE “DON’T DIE CHARLIE” LIVE PERFORMANCE HERE

MORE ABOUT SO BRAND NEW
A groundswell of gripping slacker rock, non-binary singer-songwriter CJ Wiley doesn’t waste any time. Twirling guitars, a steady drum beat, crunchy bass; ballads twanged slightly country, anthems skewed slightly grunge; a message of love and anger, healing and rancour; all of which are found on their debut LP, So Brand New.

Produced by Boy Golden, So Brand New is a journey through the ever-shifting landscapes of identity and self-acceptance. This album explores embracing change and finding comfort in the continuous evolution of who we are. It delves into themes of grief, nostalgia, queer love, struggles with drug addiction, and the rejection of gender performance, while also addressing the absurdity of how expensive it is just to be alive these days. At its core, the album reflects the idea that no one is ever just one thing; we are all fluid, constantly adapting through the various stages of our lives.

So Brand New is a journey through the ever-shifting landscapes of identity and self-acceptance, embracing change and finding comfort in the continuous evolution of who we are. The album reflects on the feeling of having lived multiple lives within a single lifetime and confronts the irresistible urge to reinvent and start again. It delves into themes of grief, nostalgia, queer love, struggles with drug addiction, and the rejection of gender performance, while also addressing the absurdity of how expensive it is just to be alive these days. At its core, it captures the idea that no one is ever just one thing; we are all fluid, constantly adapting through the various stages of our lives.

LISTEN / SHARE “DON’T DIE CHARLIE” (OFFICIAL VIDEO) HERE

WATCH / SHARE “GET PAID” HERE

WATCH / SHARE “SO BRAND NEW” HERE

Growing Out My Hair" marks "a pivotal moment in embracing my non-binary identity and breaking away from societal expectations of androgyny," says Wiley. "In "People Please," I challenge the music industry’s ideals of who I should be and what will make me successful, reflecting on my attempts to fit that mold before realizing I’d rather create art that truly represents me. Meanwhile, "Adelaide" is a heartfelt tribute to chosen family and the conscious choice to love and grow together instead of growing apart. The title track, "So Brand New," captures the seductive essence of finding ourselves within others, discovering parts of our identity through alluring new perspectives.”

WATCH / SHARE “NO ONE LIKE U” (OFFICIAL VIDEO) HERE

WATCH / SHARE “ADELAIDE” HERE

So Brand New blends deeply emotional and uplifting tracks with a slacker rock vibe, seamlessly marrying introspective singer-songwriter elements with a polished, radio-friendly sound. Featuring ballads with a hint of country twang and anthems that skew slightly grunge, it creates a unique experience characterized by rich, textured arrangements and candid lyricism. This collection serves as a musical reflection on identity and the courage it takes to let go of who others think we should be, embracing the full range of who we’re becoming. The result is a set of songs that feel both intimately personal and universally relatable, celebrating the transformative journey of self-discovery and the acceptance of our ever-changing selves.

WATCH / SHARE “CHEAP THERAPY” (OFFICIAL VIDEO) HERE

MORE ABOUT CJ WILEY
Performing alongside artists like Tokyo Police Club, Shannon and the Clams, or Haley Blais, and already a mainstay in the city’s queer music scene as the host of the Big Gay Night concert series, Wiley introduces themselves in songs as categorical and entrancing as the sold-out shows they organize. Aflame in a stirring spectrum of soulful Sheryl Crow Americana and the electric grumblings of Garbage or Hole, sometimes in the space of a single song, Wiley’s distinct voice carries their project with the wit, candour, and excitement of an artist with a striking perspective and a heart that demands to be heard. 

BUY / STREAM SO BRAND NEW HERE
BUY SO BRAND NEW VINYL HERE

PERFORMANCE DATES
May 7-10 - Focus Wales, Wrexham UK
May 12 - London UK
May 14-17 - The Great Escape, Brighton UK
May 29 - The Drake, Toronto ON
May 31 - Spring Reverb, Kingston ON
Jun 1 - La Sotterenea, Montreal QC

CJ WILEY ONLINE
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BRADEN LAM SHARES NEW VIDEO FOR “THE HOLD” FROM DEBUT LP

WATCH / SHARE “THE HOLD” HERE

BRADEN LAM’S DEBUT LP, THE CLOUDMAKER’S CRY, OUT NOW

SPRING TOUR DATES BEGIN APRIL 25 - TICKETS HERE

BUY / STREAM THE CLOUDMAKER’S CRY HERE

“Welcoming Vancouver-based singer Michaela Slinger onto the track for an old-fashioned duet, the two sing about heartbreak and reconciliation while pushing through the toughest of times and coming out strong on the other end.The two soft-spoken vocalists prove to be a great match for each other, blending their tones together as they tentatively venture requests to start taking the slow steps to fully opening back up emotionally.” RANGE on “Wide Open”

“Wide Open" has a classic country feel reinforced by haunting pedal steel and the harmony singing of Vancouver’s Michaela Slinger, who co-wrote the tune with Lam in Nashville. Lyrically it digs deep, probing a challenging time in a relationship and the warm and poignant vocals of Lam deliver the message skillfully.” Billboard on “Wide Open”

"Braden Lam's inviting voice rings out over gentle guitar and vibraphone on ‘Beautiful Neighbourhoods’, a timeless single that vibrates with warmth and longing." - CBC MUSIC

"Crafts an expansive but intimate sonic world for us to lose ourselves in" - Earmilk

"Calling to mind the happiest takes by Ben Howard or Tim Baker" - The Coast Halifax

“The Hold” Video Still

Today, Braden Lam is following up the release of his debut album, The Cloudmaker’s Cry, with the new video for “The Hold”, a song which “has all the ingredients for this record in it, like a little appetizer to open The Cloudmaker's Cry and give you a taste of the sonic and lyrical themes,” says Lam. “It's a love song in the purest form where I've done my best to articulate the feeling of longing for someone or someplace in a new and timeless way. ‘You're an island of everyone I missed / I'll never go back over that bridge’ is a reference to the bridges that span the harbour between the Halifax peninsula and my home in Dartmouth. And just like a bridge, the music video directed by Tim Mombourquette takes us from a depressing and lonely game of bingo to a more colourful and pleasant reality where anything is possible. Like when you find your person and it feels like from that point on your lives or timelines are inextricably linked.”

WATCH / SHARE “THE HOLD” HERE

MORE ABOUT THE CLOUDMAKER’S CRY
The Cloudmaker’s Cry is Lam’s debut full-length album, and he means album in the classic sense: 10 considered and thoughtful folk songs, meticulously arranged and painstakingly sequenced, meant to be played on a turntable in a single sitting, whiskey optional. Though barely 27, he has lived the life of a much older man—with years of touring, entrepreneurship, and marriage already accounted for—and this collection of songs reflects lessons learned earlier than most, about time and love and the world.

WATCH / SHARE “COWBOY BOOTS” HERE

WATCH / SHARE “BEAUTIFUL NEIGHBOURHOODS” (MUSIC VIDEO) HERE

WATCH / SHARE “WIDE OPEN” FT. MICHAELA SLINGER HERE

It was produced in Toronto by Eli Browning, a new approach for Lam, who made his previous three EPs with a host of producers across Atlantic Canada. The pair’s touchstones as they worked through a city springtime in a converted church studio were George Harrison, Neil Young, and other sounds from the 1960s and 70s: music that is lyric-forward and performed with folk instrumentation in analogue tones, resulting in a timeless singer-songwriter record.

This vibe carries through the entire package, from the tintype photographs of Lam to the images wrought in 35mm in the liner notes, to his charming video collaborations with Griffin O’Toole that combine nostalgia, surrealism, and camp into a distinct style of film. Each particular piece fits perfectly into the primary vision, creating something grand in its authenticity and comforting in its warmth.

The album features singles, “Beautiful Neighbourhoods”, which climbed to #7 on the CBC Music Top 20, “Highway Jesus”, “Hurricane Season”, and “Wide Open”, a duet with Vancouver’s Michaela Slinger. Lam was also named as one of 8 semi-finalists in SiriusXM’s 2025 ‘Top of the Country’

WATCH / SHARE “HURRICANE SEASON” HERE

WATCH / SHARE “HIGHWAY JESUS” (MUSIC VIDEO) HERE

TOUR DATES
Apr 25, Dartmouth NS, Sanctuary Arts Centre *album release show
May 4, Toronto ON, Adelaide Hall *supporting The Franklin Electric
May 5, Peterborough ON, Sadleir House
May 7, Ottawa ON, First Baptist Church *supporting The Franklin Electric
May 10, Fredericton NB, The Abbey
May 15, St. Andrews NB, Paddlefest 
May 17, Belfast ME, All Roads Music Festival
May 18, Portland ME, TBA
June 12, St. Catharine, ON - Warehouse Concert Hall
June 14, Uxbridge ON, Springtide Fest

BRADEN LAM ONLINE
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