JULIANNA RIOLINO SHARES “SEED” FROM UPCOMING LP

JULIANNA RIOLINO’S SOPHOMORE ALBUM, ECHO IN THE DUST, OUT OCTOBER 24, 2025 VIA MOONWHISTLE RECORDS

WATCH / SHARE “SEED” HERE
BUY / STREAM “SEED” HERE

PRE-SAVE ECHO IN THE DUST HERE

SUMMER TOUR DATES CONTINUE THIS WEEK

“Over a boisterous mix of guitar, banjo, organ, tambourines and more, Riolino's voice soars like a sun rising on a hot summer day. The track is a celebration of growth, acknowledging the good and bad that have led you to become who you are today. That freedom of letting go of the past and moving forward is marked by Riolino's punchy songwriting, as she almost shouts, ‘And we will reap what we sow/ To grow is to be the fruit of our lowest lows!’”
CBC Music, 'Songs You Need To Hear' on "On A Bluebird's Wing”

"twangy, deliriously catchy blast of power-pop" – The New York Times on All Blue

"Channels Judee, Dolly and Emmylou on a lustrous, emotional country-rock set"
Uncut on All Blue

“All Blue strikes near-universal chords through simplicity and clear sentiment…a shining reminder that blue comes in radiant hues” – Exclaim!

Photo Credit : Colin Medley // DOWNLOAD HIGH-RES

The songs on Julianna Riolino’s upcoming record, Echo In The Dust, consider relationships of all sorts as the foundation for her awakening into a different creative self and person in this world; working through loss, grief, habits, and decisions she once made, seeking clarity in the past before leaving it to move forward. The adage “you don’t know where you’re going until you know where you’ve been” rings especially true on this album. 

Today, the southern Ontario artist is sharing another song from sophomore record, “Seed” is the “unfurling of spiritual awakening, like a bud taking to its soil and beginning to grow on its own,” says Riolino. “Roots latched and unfettered in the earth, no duty to retreat. This song is for the ones who realize they deserve better, this song is for the ones who learn how to love themselves beyond measure, this song is for the ones who wanna cut loose! For the ones who start seeing the obtuse. Stand your own ground, and call it like you see it. Destruction and rebirth is the cycle and if so, so be it! So long to the ones who want to siphon your gusts, be your own seed and let it echo in the dust!”

WATCH / SHARE “SEED” HERE
BUY / STREAM “SEED” HERE

“Seed” Single Art // DOWNLOAD HIGH-RES

MORE ABOUT ECHO IN THE DUST
By Riolino’s own admission, Echo In The Dust is different from her debut, All Blue. She breathes new confidence into her work. The celebrated songwriter is soft as she is tough on these songs; seeing the benefit of laying down armour and splitting her heart open so that we may get a glimpse of our own. 

“What I'm talking about on Echo In The Dust are universally felt: you can have a romantic relationship, friendship, or professional relationship and start to identify as you grow and learn the toxic parts that can exist in all of those,” Riolino explains. “You think, ‘why do I feel bad? Why is this happening again?’ But I'm allowing this to happen because I haven't told myself I deserve better. This record helped me learn to accept and love myself. To put myself first and stand on my own two feet.”

After non-stop touring for other projects she has since left, and wrapping up live promotion for All Blue, Riolino began recording for this new album in 2024 at Gold Standard Recorders in Toronto. While she played guitar, she also tapped her regular collaborators, Matthew “Roddy” Kuester to play bass and guitar, Peter Landi on drums, Thomas Hammerton on piano and synth, and producer of the album Aaron Goldstein on pedal steel. On top of that, a whole host of other instrumentalists rounded out the sound of the album including Alex Edkins (Weird Nightmare, Metz) on guitar for “Full Moon”, “Like a Rembrandt”, and “The Less I Know”,  and Nashville’s Sean Thompson on guitar for “On A Bluebird’s Wing”.

WATCH / SHARE “ON A BLUEBIRD’S WING” HERE
BUY / STREAM “ON A BLUEBIRD’S WING” HERE

The songs on All Blue, Riolino says, had the privilege of being played and workshopped in front of a crowd but the songs that make up Echo In The Dust were written before, during, and after her debut in moments of confusion and clarity. These songs are like journal entries; attempts at deciphering what she wants out of her relationships and creative life in music. She transports us into big feelings layered with guitar twangs, vivid pedal steel and walloping horns, anchored by her tender vocals as though she embodies Dolly Parton and Linda Ronstadt in one person. 

Echo In The Dust builds on the alt-country elements of All Blue. Yet, no algorithm can contain Riolino or what moved her this time around. She cites Roy Orbison, The Roches, Tom Petty and the Heartbreakers, John Lennon’s “Beautiful Boy (Darling Boy),” and doom metal bands like Om as influences on the album. 

“It's kind of punk, it's rock n’ roll, it's still kind of country. It's more rocking than All Blue. It's an amalgamation of everything going on in my mind.”

What makes Riolino a compelling performer and songwriter on this record, and in her career, is how she inhabits past sensations and feelings, reliving and reviving them again to release. While a lot of these experiences are composites and memories, stitched together into 11 tracks, the impressions are of a real, vivid journey through an immense experience of rediscovery toward intuitive knowing. 

Riolino needed to unravel before she could clarify who she is now and who she’ll be next, and the result is Echo In the Dust, a beautiful sonic result of what it’s like to stay out of one’s own way. 

PRE-SAVE ECHO IN THE DUST HERE

TOUR DATES
July 18-20 - Dawson City, YK - Dawson City Music Festival
July 25-26 - Richards Landing, ON - Go North Music Festival
Aug 8-10 - Edmonton, AB - Edmonton Folk Festival
Sept 20 - Cambridge, ON - Fest2Fall

DOWNLOAD HIGH-RES

ECHO IN THE DUST TRACKLIST
01 Like A Rembrandt
02 Smile
03 Full Moon Feat. Weird Nightmare
04 Seed
05 Be Good To Your Mother
06 It’s A Shakedown
07 Running
08 Let Me Dream
09 On A Bluebird’s Wing
10 I Wonder
11 The Less I Know

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GEORGIA HARMER SHARES NEW SINGLE FROM UPCOMING LP

LISTEN / SHARE /BUY / STREAM “FARMHOUSE” HERE

GEORGIA HARMER’S NEW ALBUM, EYE OF THE STORM,
OUT AUGUST 15, 2025 VIA ARTS & CRAFTS

NORTH AMERICAN TOUR DATES BEGIN OCTOBER 30

PRE-SAVE EYE OF THE STORM HERE

“It’s a record of little epiphanies, across the entire thing, just coming to the realization that life hits in these little, soft ways.” NPR, All Songs Considered

“A songwriter with a sharp eye for detail, Harmer has continued to hone her attention to relationships — including with herself — for her sophomore album, 'Eye of the Storm' is an album to take your time with, which is perfect for the latter half of August, a fallow period before September's burst of energy arrives.” CBC Music 

Photo Credit : Matt Kelly // DOWNLOAD HIGH-RES

Today, Georgia Harmer is sharing the new single, “Farmhouse”, from her upcoming album, Eye Of The Storm. Carried by her tender and luminous voice, "Farmhouse" is a heartfelt ode to the evolving nature of love and friendship.

“I wrote ‘Farmhouse’ as an apology love-letter to an old friend at a time when we were out of touch,” says Harmer. “It's about wanting to feel as close as we did when we were younger, when time together was abundant and uninterrupted. I wrote it to remind her of the importance of our friendship, and also to understand and translate the natural ebb and flow of a long-term relationship, weathering time and distance.”

LISTEN / SHARE / BUY / STREAM “FARMHOUSE” HERE

MORE ABOUT EYE OF THE STORM
Eye of the Storm
is an empathetic exchange between past and future selves, and a deep breath of life into the veins of relationships over time. Where Harmer’s 2022 debut, Stay In Touch, chronicled introspection and growth, the heart of Eye of the Storm lies in the deeper matter of self-realization and understanding. It seeks to answer questions of what to carry, what to leave behind, and what to follow forward.

Self-produced by Georgia’s steady hand, the songs of Eye of the Storm are raw, real, vulnerable and detailed. The title track joins the idyllic “Can We Be Still,” the delicate and tender “Little Light,” and the deeply introspective “Take it On” singles that subtly piece together the holistic vision that Georgia has for this record. Listen throughout for the creaks of living room chairs, the soft echoes of a back alley garage, or the earliest seeds of ideas, brought to life on front porches and in backyard studios. Eye of the Storm captures the way music sounds when made with one’s most trusted confidantes, when ideas are given space to breathe, with precise intention and a naturally evolving vision coming to fruition.

WATCH / SHARE “EYE OF THE STORM” HERE
BUY / STREAM “EYE OF THE STORM” HERE

An older sister to her debut Stay In Touch, which chronicled periods of introspection and growth, Eye of the Storm distills memories and dreams, arriving at a place of self-awareness. 

Like an older sister, it contains the insight of someone who has learned that the weight of the world doesn't have to fall directly on her shoulders. It captures first-time feelings in the rearview mirror, with the depth of understanding and intuition of someone who’s spent years paying close attention. “I wrote this album over the course of a number of years, so there’s a lot of growth captured between songs,” says Harmer.

She started writing the title track when she was only 18, rediscovering and finishing it years later. Now 26, the result is both reflection and resolution, a shedding of past heaviness and a turn to lightness. “Take it On” continues the conversation, confronting Georgia’s own feelings about her past; it’s an exploration of her closest relationships. “I get very caught up in the emotional world of others, sucked into the vortex of trying to navigate their inner landscapes, through empathy, the impulse to fix and heal, the desire to be let in,” Georgia says.

WATCH / SHARE “TAKE IT ON” HERE
BUY / STREAM “TAKE IT ON” HERE

Relationships of all kinds are at the heart of the record, elemental to Georgia’s music and the songwriter and person she is on the whole. “My songs tend to use my relationships with other people to uncover truths about my own experience, or to communicate something unspoken to them.”

“Hazel vs The Coyote” grieves the loss of her aunt's two cats through dream-like scenes that shift in perspective. “Last Love” explores how devotion and uncertainty about forever can coexist in a romantic relationship. “Farmhouse” weaves shared memories into an apology love-letter to a friend. “Slow Down” travels through memories of her mother’s childhood, searching for stillness. We find that theme of stillness throughout the album. The first track envisions a lifetime of closeness, asking “Can We Be Still”? The guidance of “Little Light” shows us that we can. By the end of the album, “Time to Move On” leads us out of the past, and forward into the present. We find a soft place to land on “Memory Lullaby”, a final reflection on movement and time.

LISTEN / SHARE “LITTLE LIGHT” HERE
BUY / STREAM “LITTLE LIGHT” HERE

Eye Of The Storm was recorded live off the floor in various locations that felt comfortable and homey to Georgia – friends’ backyard garage studios and living rooms. Days and months were spent layering texture and character into the songs. The result is stripped down, exposed and vulnerable. There’s thought in every movement and sound. “I know every corner of it, every vocal imperfection and creak in the background, because everything that made it to this final form was very much intended to be there.” 

WATCH / SHARE “CAN WE BE STILL” HERE
BUY / STREAM “CAN WE BE STILL” HERE

Georgia’s songs are inlaid into a lush world, where every sound is a character, and every arrangement is a house built to last. You can hear the dedication and effort of a group of people who took tremendous care to bring it to life; the depths of the personal relationships behind this album in the intuitiveness of its sound. Recorded and arranged with Dylan Burchell, Julian Psihogios, Ben Whiteley, Oliver LaMantia, Jasper Smith, Gavin Gardiner and Matt Kelly, Georgia has created a work that simultaneously recalls the setting it was captured in, and creates an entirely new world with a history of its own.

LISTEN TO GEORGIA HARMER CHAT WITH TOM POWER
ABOUT “CAN WE BE STILL” HERE

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EYE OF THE STORM TRACKLIST
01 Can We Be Still
02 Eye of the Storm
03 Little Light
04 Slow Down
05 Last Love
06 Hazel vs the Coyote
07 Take It On
08 Farmhouse
09 Time to Move On
10 Memory Lullaby

THE EYE OF THE STORM TOUR - DATES
Oct 30 - Hamilton ON - Bridgeworks
Nov 01 - Windsor ON - The Meteor
Nov 02 - Guelph ON - Sonic Hall
Nov 05 - Toronto ON - The Great Hall
Nov 06 - Montreal QC - La Sala Rossa
Nov 07 - Ottawa ON - NAC 4th Stage
Nov 08 - Kingston ON - Broom Factory
Nov 12 - New York NY - Baby’s All Right
Nov 19 - Los Angeles CA - Zebulon
Nov 21 - Victoria BC - Lucky Bar
Nov 22 - Vancouver BC - Biltmore Cabaret
Nov 23 - Penticton BC - Dream Cafe
Nov 25 - Calgary AB - Festival Hall
Nov 27 - Saskatoon SK - Capitol Music Club
Nov 28 - Regina SK - The Artesian
Nov 29 - Winnipeg MB - Park Theatre

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YAWN SHARES NEW LYRIC VIDEO FOR “YOU & I”

YAWN’S (JULIA MCDOUGALL) DEBUT LP, WISH I COULD’VE, OUT NOW

WATCH / SHARE “YOU & I” (LYRIC VIDEO) HERE

BUY / STREAM WISH I COULD’VE HERE

 Photo Credit : Myriam Strong // DOWNLOAD HIGH-RES

Today, Yawn (Julia McDougall) follows up her debut record, wish i could’ve, with the lyric video for album track “you & i”. Directed by media artist Colby Richardson (Feist, Alvvays, Naomi Klein), the video features the experimental filmmaker using a video mixer while listening to the song at half-speed and ‘playing’ along to the song intuitively, altering the shapes and colours throughout the song. The colours make a shift to black and white at the climax of the song, reflecting the tension that has built up in the lyrics throughout.  

“I asked Colby to choose a song and after a bit of discussion and direction gave him full liberty to do as he pleased with this one,” says McDougall. “He’s a true creative and I wanted him to work with the song he connected the most with, our meetings were hilarious and fun because they were centred around colour palettes and deciding what had or didn’t have ‘Yawn’ energy.”

WATCH / SHARE “YOU & I” (LYRIC VIDEO) HERE

MORE ABOUT YAWN + WISH I COULD’VE
For the past several years, Julia McDougall has been holed away working on her debut record as Yawn, uniting her far-ranging sensibilities into a supercharged core of misty dream-pop and electronic haze. What’s come out of the clouds are twelve carefully crafted songs that have been developed as inspiration struck from all around her. With a composition degree from Simon Fraser University and a mainstay presence in underground venues and festivals across Western Canada, McDougall’s intricately-layered pop stylings emerge in stories of longing, nostalgia, loss, and hope. 

WATCH / SHARE “BROKEN BABY” HERE

Primarily produced by Jo Hirabayashi (Jo Passed), wish i could’ve is a record about getting older, about losing track of dreams, and being met with feelings of futility and failure. It’s a record about wanting more but not getting it, about loving and losing people, how we move forward, how some feelings never leave us, and how more often than not in life there is no tidy resolution. “I like to write songs that pin down all the feelings that are left floating around, the ones that, even years later, we can’t really make sense of,” McDougall writes. And while many of the songs touch on heavier subject matters, there is still room for lightness and humour in her work. 

WATCH / SHARE “HELP MYSELF” HERE
LISTEN / SHARE “COLOURED LIGHTS” HERE

wish i could’ve is a record that was made to make you simultaneously laugh, cry, sway and dance and it holds a universality that reaches out and holds the listener’s hand. Amongst this panorama of emotion is McDougall’s distinct voice, laid out across Yawn’s spectrum of melodies as the melancholic heart of the project. With cues from Beach House, Haim, Mitski and Caroline Polacheck, Yawn’s sound and vision will linger with you like fog on a spring morning, lifting with the heat of the sun to reveal the buds finally opening.

BUY / STREAM WISH I COULD’VE HERE

YAWN ONLINE
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