GEORGIA HARMER’S NEW ALBUM, EYE OF THE STORM, OUT TODAY

GEORGIA HARMER’S NEW ALBUM, EYE OF THE STORM,
OUT TODAY VIA ARTS & CRAFTS

WATCH / SHARE “SLOW DOWN” HERE

BUY / STREAM EYE OF THE STORM HERE

NORTH AMERICAN TOUR DATES BEGIN OCTOBER 30

“It’s a record of little epiphanies, across the entire thing, just coming to the realization that life hits in these little, soft ways.” NPR, All Songs Considered

“A songwriter with a sharp eye for detail, Harmer has continued to hone her attention to relationships — including with herself — for her sophomore album, 'Eye of the Storm' is an album to take your time with, which is perfect for the latter half of August, a fallow period before September's burst of energy arrives.” CBC Music 

Photo Credit : Matt Kelly // DOWNLOAD HIGH-RES

Today, Georgia Harmer unveils her new album Eye of the Storm, an empathetic exchange between past and future selves, and a deep breath of life into the veins of relationships over time. Where Harmer’s 2022 debut, Stay In Touch, chronicled introspection and growth, the heart of Eye of the Storm lies in the deeper matter of self-realization and understanding. It seeks to answer questions of what to carry, what to leave behind, and what to follow forward.

In addition to the album’s release, Harmer is also sharing a video for the album track “Slow Down” – a song written when she was “yearning for a moment of stillness to really understand and experience the present,” Georgia says. “I was sort of astral-projecting myself into the perspective of my relatives over time, when they were the age I am now, experiencing time flying by just as rapidly. It’s about the realization that everyone feels the same way about time, as if they’ve been running to catch up with its pace, only to blink and find themselves where they are now, over and over again."

WATCH / SHARE “SLOW DOWN” HERE
BUY / STREAM EYE OF THE STORM HERE

MORE ABOUT EYE OF THE STORM
Self-produced by Georgia’s steady hand, the songs of Eye of the Storm are raw, real, vulnerable and detailed. The title track joins the idyllic “Can We Be Still,” the delicate and tender “Little Light,” and the deeply introspective “Take it On” singles that subtly piece together the holistic vision that Georgia has for this record. Listen throughout for the creaks of living room chairs, the soft echoes of a back alley garage, or the earliest seeds of ideas, brought to life on front porches and in backyard studios. Eye of the Storm captures the way music sounds when made with one’s most trusted confidantes, when ideas are given space to breathe, with precise intention and a naturally evolving vision coming to fruition.

WATCH / SHARE “EYE OF THE STORM” HERE

An older sister to her debut Stay In Touch, which chronicled periods of introspection and growth, Eye of the Storm distills memories and dreams, arriving at a place of self-awareness. 

Like an older sister, it contains the insight of someone who has learned that the weight of the world doesn't have to fall directly on her shoulders. It captures first-time feelings in the rearview mirror, with the depth of understanding and intuition of someone who’s spent years paying close attention. “I wrote this album over the course of a number of years, so there’s a lot of growth captured between songs,” says Harmer.

She started writing the title track when she was only 18, rediscovering and finishing it years later. Now 26, the result is both reflection and resolution, a shedding of past heaviness and a turn to lightness. “Take it On” continues the conversation, confronting Georgia’s own feelings about her past; it’s an exploration of her closest relationships. “I get very caught up in the emotional world of others, sucked into the vortex of trying to navigate their inner landscapes, through empathy, the impulse to fix and heal, the desire to be let in,” Georgia says.

Relationships of all kinds are at the heart of the record, elemental to Georgia’s music and the songwriter and person she is on the whole. “My songs tend to use my relationships with other people to uncover truths about my own experience, or to communicate something unspoken to them.”

WATCH / SHARE “TAKE IT ON” HERE

“Hazel vs The Coyote” grieves the loss of her aunt's two cats through dream-like scenes that shift in perspective. “Last Love” explores how devotion and uncertainty about forever can coexist in a romantic relationship. “Farmhouse” weaves shared memories into an apology love-letter to a friend. “Slow Down” travels through memories of her mother’s childhood, searching for stillness. We find that theme of stillness throughout the album. The first track envisions a lifetime of closeness, asking “Can We Be Still”? The guidance of “Little Light” shows us that we can. By the end of the album, “Time to Move On” leads us out of the past, and forward into the present. We find a soft place to land on “Memory Lullaby”, a final reflection on movement and time.

Eye Of The Storm was recorded live off the floor in various locations that felt comfortable and homey to Georgia – friends’ backyard garage studios and living rooms. Days and months were spent layering texture and character into the songs. The result is stripped down, exposed and vulnerable. There’s thought in every movement and sound. “I know every corner of it, every vocal imperfection and creak in the background, because everything that made it to this final form was very much intended to be there.” 

WATCH / SHARE “CAN WE BE STILL” HERE

Georgia’s songs are inlaid into a lush world, where every sound is a character, and every arrangement is a house built to last. You can hear the dedication and effort of a group of people who took tremendous care to bring it to life; the depths of the personal relationships behind this album in the intuitiveness of its sound. Recorded and arranged with Dylan Burchell, Julian Psihogios, Ben Whiteley, Oliver LaMantia, Jasper Smith, Gavin Gardiner and Matt Kelly, Georgia has created a work that simultaneously recalls the setting it was captured in, and creates an entirely new world with a history of its own.

LISTEN TO GEORGIA HARMER CHAT WITH TOM POWER
ABOUT “CAN WE BE STILL” HERE

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EYE OF THE STORM TRACKLIST
01 Can We Be Still
02 Eye of the Storm
03 Little Light
04 Slow Down
05 Last Love
06 Hazel vs the Coyote
07 Take It On
08 Farmhouse
09 Time to Move On
10 Memory Lullaby

THE EYE OF THE STORM TOUR - DATES
Oct 30 - Hamilton ON - Bridgeworks
Nov 01 - Windsor ON - The Meteor
Nov 02 - Guelph ON - Sonic Hall
Nov 05 - Toronto ON - The Great Hall
Nov 06 - Montreal QC - La Sala Rossa
Nov 07 - Ottawa ON - NAC 4th Stage
Nov 08 - Kingston ON - Broom Factory
Nov 12 - New York NY - Baby’s All Right
Nov 19 - Los Angeles CA - Zebulon
Nov 21 - Victoria BC - Lucky Bar
Nov 22 - Vancouver BC - Biltmore Cabaret
Nov 23 - Penticton BC - Dream Cafe
Nov 25 - Calgary AB - Festival Hall
Nov 26 - Edmonton, AB - The Aviary
Nov 27 - Saskatoon SK - Capitol Music Club
Nov 28 - Regina SK - The Artesian
Nov 29 - Winnipeg MB - Park Theatre

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EVAN REDSKY ANNOUNCES NEW LP, THE LANGUAGE OF FISHERMEN, SHARES NEW SINGLE

EVAN REDSKY TO RELEASE NEW ALBUM, THE LANGUAGE OF FISHERMEN, OUT OCTOBER 29, 2025 VIA VICTORY POOL RECORDS

LISTEN / SHARE “ARE WE FEELING OKAY?” HERE
BUY / STREAM “ARE WE FEELING OKAY?” HERE

PRE-SAVE THE LANGUAGE OF FISHERMEN HERE

Photo Credit : Colin Medley // DOWNLOAD HIGH-RES

On The Language of Fishermen, punk-rocker / folk storyteller Evan Redsky embodies and relays an array of Indigenous stories and perspectives in order to better understand his own. Out October 29, 2025 via Victory Pool Records, this steady-footed and thoughtful record sees Redsky reclaiming the music of his childhood—the country heroes playing on his grandma’s car radio, like Patsy Cline, Hank Williams, and Blue Rodeo—to tell vulnerable stories of longing and resilience.

Following the release of previous single, “Cosmic Carousel”, today Redsky shares another album track, “Are We Feeling Okay?”. The new single is about “taking inventory on a relationship that’s falling apart in real time,” says Redsky. “It’s about checking in with your loved one and knowing that the end is coming and trying your best to make sure it hurts as little as possible on the way down. It was a song written relatively recently in light of the harsh realization that there’s still so much work I need to do on myself to be a functional contributor and receiver of love.”

LISTEN / SHARE “ARE WE FEELING OKAY?” HERE
BUY / STREAM “ARE WE FEELING OKAY?” HERE

Single Art // DOWNLOAD HIGH-RES

MORE ABOUT EVAN REDSKY + THE LANGUAGE OF FISHERMEN
Growing up on the Mississaugi First Nation reserve of Blind River, Ontario, Redksy was often compelled to hitchhike to Toronto to immerse himself in the city’s burgeoning punk and hardcore music scene. Redsky recalls sleeping under bridges and on construction sites, dedicated to making music happen. At 19 years old, Redsky started performing with punk outfit Single Mothers, going on to perform with the JUNO Award-nominated group everywhere from local clubs to Primavera Sound to the Pitchfork Music Festival. However, as the group saw increasing success, Redsky felt more and more empowered to explore other musical paths and tell his own stories.

These days, it’s tough to keep up with all of Redsky’s eclectic projects. He’s a member of “Turtle Island Hardcore” band Indian Giver; he performs with folk-rock duo Altameda and singer-songwriter Wyatt C. Lewis; he plays bass with groups like country ensemble Nicolette and the Nobodies. A stalwart of the Toronto scene, Redsky’s commitment to collaboration is evident in his impressive musicianship and impassioned songwriting, as he showcased on his debut solo album, 2022’s Oblivion.

Seeking inspiration for this new record, Redsky happened upon the works of celebrated Ojibwe author Richard Wagamese. Many of the songs on The Language of Fishermen were inspired by Wagamese’s stories, especially those from his autobiographical book One Native Life

Redsky, like Wagamese, is Anishinabek, and the two share the experience of growing up in the bush, on reserve, and navigating between cultural worlds. Between honouring Wagamese’s words and sharing his own reflections, Redsky’s The Language of Fishermen contains a lifetime of feeling—including honouring the often overlooked positive moments of simplicity and fulfillment.

“Contemporary Indigenous life experience doesn’t have to be rooted in trauma,” Redsky explains. “The little moments we experience, and the land we come from, are rich with inspiration.”

WATCH / SHARE “COSMIC CAROUSEL” (OFFICIAL VIDEO) HERE
BUY / STREAM “COSMIC CAROUSEL” HERE

This soft, reflective state is captured on the song “The Language of Fishermen”, as the crew on the boat in the middle of the lake share “a smile, a nod, to the mystery of the land” as “The loons and shorebirds sang their songs.” Track two “Watching” (also inspired by Wagamese) conjures this sense of peace in everyday life, as a “foster kid from the fly-ins” learns by observation and comes to the conclusion: “If love and work is enough for them / It’s good enough for me.”

Redsky’s desire to share these stories can be traced to his prominent lineage of storytellers within his community. Notably, his great-grandfather, James Redsky, whose book The Great Leader of The Ojibway was published by the University of Toronto in the early 1970s. James Redsky was a prominent member of the spiritual group known as the Midewiwin and was one of the last people to possess ancient birch bark scrolls depicting centuries-old etchings that informed the community of much of their pre-colonial history.

The openness and sincerity that abounds on The Language of Fishermen was made possible by the deep connection and trust of its musicians. For the recording sessions at Dreamhouse Studios in downtown Toronto, Redsky brought in the “best friends and best players” he knew, including Matt Kelly (City and Colour), Troy Snaterse and Erik Grice (Altemeda), and John Dinsmore (Sarah Harmer, Bahamas), arranging and recording live off the floor. The resultant sound is crisp and inviting, with humming organ, pedal steel, and piano licks expanding around Redsky’s distinctive, silvery voice.

On album closer “Am I Allowed to Heal”, Redsky turns the camera directly on himself. The stories of trauma, recovery, and peace-making that linger across this album, this final track is as bold and direct in its message as in its raucous arrangement, harkening back to Redsky’s punk roots.

The theme of healing — and questioning if, when, and how healing can be accomplished — comes from Redsky’s own journey in the past few years. Through meditation, sobriety, and music, “The healing journey is constantly transforming,” Redsky says. But having known many Indigenous people who need permission to forgive themselves, and allow the healing process to begin, this song feels boldly overt, honest.

A couple decades into making music, with many more stretching out ahead, Redsky’s story is one of staying committed over the years, trusting the process, and trusting himself. Like the rolling highways Redsky sings of the song, “Northern Road”, with a “starry night beyond those headlights that could go on forever,” Redsky’s journey goes on.

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THE LANGUAGE OF FISHERMEN TRACKLIST
01 The Language of Fishermen
02 Watching
03 Northern Road
04 Red Dress Song #1
05 Nothing In This World
06 Stuck In The Night
07 Are We Feeling Okay
08 When Will Our Time Come
09 Am I Allowed To Heal
10 Cosmic Carousel

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DANA SIPOS SHARES ANOTHER NEW SINGLE, “STAR CITY”

DANA SIPOS FOLLOWS UP RECENT SINGLE, “SOFT FEELING”, WITH “STAR CITY”, FROM UPCOMING RELEASE

LISTEN / SHARE “STAR CITY” HERE
BUY / STREAM “STAR CITY” HERE

Photo Credit : Aubrey Burke // DOWNLOAD HIGH-RES

Earlier this year Dana Sipos released “Soft Feeling”, her first new music since 2021's The Astral Plane LP. Today, on CBC Q, Sipos and guest host Garvia Bailey discussed the track and more, listen to their conversation HERE.

Today, Sipos also shares another new single, “Star City”, the second offering from a new collection of captivatingly nuanced songs from Sipos that hold the complexity of the human experience up to the light.

“Star City” lives “right at the threshold where worlds meet… the sweet spots between tide and moon, known and mystery, reality and realism, emotional weight and freedom, dreamer and dreaming,” says Sipos. “It explores how the aliveness and cacophony of the natural world remains a steady companion through it all.

“I wrote this song at an Arts residency in southwestern Washington state called Sou'wester Lodge. It was a beautiful, inspiring residency and the nature there had a remarkable presence that was creeping along the perimeter about to swallow the place whole. There were some cultural differences being in America that almost made me feel like I was in a different universe despite being only about 4 hours from home on the same coastline. I was there hoping to work in quiet and solitude and found that the natural world there had other plans for me with its incredible surround soundscape. At some point I totally surrendered to it and fused with the peepers, king tide and the many legged creatures settling on the beach. The song came alive from this place of wonder, gratitude and a bit of absurdity.”

LISTEN / SHARE “STAR CITY” HERE
BUY / STREAM “STAR CITY” HERE

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MORE ABOUT DANA SIPOS
Sipos' cosmic folk songs are constellations - glowing in the vast landscape, mapping the liminal spaces between memory and myth. “Soft Feeling” is a song written as "a love song for a special group of friends who have been getting together very intentionally for the past year or so and peeling back all the layers of our lifetimes," says Sipos. "With the beauty, heartbreak, love, pain and transformation, we related to each other in these ancient ways of being and tended to our younger selves in the process. I was inspired to celebrate the shape of love we cultivated with what became this song."

LISTEN / SHARE “SOFT FEELING” HERE
BUY / STREAM “SOFT FEELING” HERE

A consummate performer, Sipos has brought her earthen songs, rich spiralling vocals, and textured instrumentation to living rooms, concert halls and festival stages across North America, Europe, the UK, Australia and New Zealand. 

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