VIVEK SHRAYA SHARES “MORAL PANIC” FROM UPCOMING LP

WATCH / SHARE “MORAL PANIC” HERE
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NEW MODELS DUE OUT OCTOBER 9, 2025 VIA TWIN FANG RECORDS
CANADIAN TOUR DATES BEGIN OCTOBER 8

PRE-SAVE NEW MODELS HERE

“...Shraya relies less on words and more on conveying an emotional journey through sound and vocoder-assisted voice, bending and stretching across every moment to take up space….What follows isn't a literal scream or cry, but Shraya's own sonic synthesis of meditative coos colliding into a bombastic end, leaving listeners with a sense of catharsis that can't really be put into words.” — Melody Lau - CBC MUSIC (on “When I’m Overcome”)

Photo Credit : Paul Mpagi Sepuya // DOWNLOAD HIGH-RES

Next month, multi-hyphenate artist Vivek Shraya will release her latest album, New Models, out October 9, 2025 via Twin Fang Records. Today, the celebrated songwriter is sharing “Moral Panic” from the album, following in the wake of previous singles “Am I Doing Enough?” and “When I’m Overcome”

Of “Moral Panic”, Shraya says, “Fear has long been a political tool to divide, distract and control and it’s more important than ever to be vigilant about what we are consuming and believing. At the same time, there is legitimately a lot to be afraid of right now and also looking ahead. 

“Using mantra-like repetition, with looping vocal sounds and the lyrics, this song is my attempt at expressing how it feels being tossed between these opposing states, how everything can blur together."

The new single arrives with a video from director Julia Hendrickson who says, “‘Moral Panic’ emerged from a desire to explore chance and experimentation. Sometimes she succeeds, other times she doesn’t. Through this repetition, I wanted to convey a sense of overwhelm and release, where small gestures reflect the balance of control and uncertainty.”

WATCH / SHARE “MORAL PANIC” HERE
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MORE ABOUT VIVEK SHRAYA AND NEW MODELS
‘When I’m overcome with feeling / I have to break free from words and just sing.’ An inveterate writer, Vivek Shraya knows that fewer words can carry more weight. These first lines of her new album, New Models, serve as both a thesis to the transcendent sonic experience to come, as well as an invitation to leave the burden of self-assuredness at the door. Don’t overthink—just listen. Just feel.

New Models is “me grappling with the state of the world over the past four years and eventually realizing that language, particularly English, had become so contorted and weaponized that the only way I could grieve, rage, and find comfort was to let go of it,” says Shraya. “How do you express the horror and helplessness of witnessing progress being rapidly undone—in words—when all you want to do is scream or cry?”

Shraya has dedicated much of her impressive artistic career to incisively articulating culturally loaded issues. Whether through her best-selling book I’m Afraid of Men (which Vanity Fair called “cultural rocket fuel”), her award-winning play-turned-CBC show, How To Fail As A Popstar, or her provocative visual art and installation work, Shraya has challenged the status quo by transcending her personal experiences into daring artworks. But it is music that first drew Shraya into the arts, and it’s on her 11th solo album, New Models, that Shraya redefines her musical trajectory with a bold display of boundary pushing done right.

WATCH / SHARE “AM I DOING ENOUGH?” VIDEO
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This collection of hypnotically textured songs allows each listener to come to their own conclusions about the heavy subjects she conjures. Dread, disconnection, uncertainty—all are invoked through Shraya’s sparse, cutting lyrics, but it is her wordless vocal chanting that cuts the deepest. “How do you express—in words—the horror and helplessness of witnessing progress being rapidly undone,” Shraya explains, “when all you want to do is scream or cry?”

For New Models, Shraya joined forces with long-time producer-engineer James Bunton (Donovan Woods, Celeigh Cardinal, Leanne Betasamosake Simpson). Shraya and Bunton connected a decade ago, when Shraya realized the notion of the self-producing “solo genius” was profoundly flawed, and her and Bunton have grown to share a deep bond and a common language, with Bunton producing most of Shraya’s recent music, from Part-Time Woman, her album with Queer Songbook Orchestra (2017) to her previous full-length album Baby, You’re Projecting (2023, Mint Records) and the subsequent duet versions of songs from that album with Jann Arden and Donovan Woods.

WATCH / SHARE “WHEN I’M OVERCOME” LYRIC VIDEO
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For Shraya, the key to their partnership is that Bunton really challenges her: “the challenges and questions he poses are always different with each project, which keeps things fresh.” For this project, Bunton pushed Shraya to experiment considerably on her own before the two started actively collaborating. “I found this quite difficult and lonely,” Shraya admits, “but in the end, this resulted in a kind of exploration and play that I haven’t tapped into since my 20s. There was a two-week period where I spent every evening demoing from 6pm–11pm, and it was such a generative and joyful experience!” By the time Shraya and Bunton were sharing project files back and forth, building upon one another’s ideas, the distinctive sound of New Models was set. “An exciting part of the process was letting the songs themselves reveal to us where they were supposed to live production-wise,” says Bunton, “instead of letting any of our predeterminations get in the way.”

Overflowing with creative freedom, New Models presents each song as its own world in which listeners can get lost. “Apathy Crisis”, for instance, transforms into a maximalist, glitchy soundscape—à la SOPHIE—only to dissolve into an intimate voice and synth pairing for an intimate send-off: ‘how do you sleep at night? / ‘cause I can’t sleep at night.’ Haunting songs like “We’re in Pain” and “Groomer” burst with off-kilter percussion and bending synths. All the while, electronic vocal gymnastics make Shraya’s passionate voice feel infinite. The music sounds as searching as the themes it touches upon: “Am I Doing Enough?” carries, as Shraya puts it, the “ache of forever falling short,” and the stunning “Moral Panic” ends with Shraya repeating the mantra: ‘We can’t go there / There’s so much to feel.’

Vivek Shraya’s artistic practice has long been unrelentingly honest. She has never shied away from difficult feelings, whether harassment – her graphic novel with Ness Lee, Death Threat –  professional jealousy – as she explores on her podcast, I Won’t Envy –  or chronic pain – as in her new short film, Bodyrebuilding. What’s special about New Models is its insistence on moving through all the feelings possible. While no answers are uncovered, a deep desire for reconstruction and reconstitution glimmers. As Shraya intones, “everything works, until it doesn’t”—but just as crucially, “Everything hurts, until it doesn’t.” - Sam Boer

VIVEK SHRAYA TOUR DATES
October 8/9 - Montréal, QC - La Chapelle Scènes Contemporaines
January 30 - Calgary, AB - Jack Singer Concert Hall w/ The Calgary Philharmonic Orchestra

PRE-SAVE NEW MODELS HERE

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NEW MODELS TRACKLIST
01 When I’m Overcome
02 Apathy Crisis
03 We’re In Pain
04 Groomer
05 Breaking Our Pattern
06 Moral Panic
07 Am I Doing Enough?
08 I Don’t Know Where I’m Going

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BABYGIRL ANNOUNCE LONG-AWAITED DEBUT ALBUM, SHARE NEW SINGLE

TORONTO INDIE POP DUO ANNOUNCE DEBUT ALBUM, STAY HERE WHERE IT’S WARM, OUT OCTOBER 9, 2025 VIA ARTS & CRAFTS

WATCH / SHARE “ALL IS WELL” HERE
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“Downright dreamy music” - Rolling Stone

Photo Credit : Ryan Faist // HI-RES DOWNLOAD

Stay Here Where It’s Warm is the long-awaited debut album from Toronto duo Babygirl. Meticulously built and carefully shaped by Kiki Frances and Cameron Bright, it’s a warm, gently devastating record about fleeting intimacy, emotional refuge, and learning to let go. 

Babygirl have a penchant for vivid imagery in their singular music, a wistful take on bittersweet pop rock that heedlessly transports into the soundtrack of a teen drama from the early aughts. Having already shared singles "Take Me Back", "After You", and "You Don't Need A Reason To Call", today they share “All Is Well”, a song about "finding a small place of contentment with someone when the rest of your life feels out of control," says Babygirl. 

"All Is Well" reflects the "calming, almost sedative effect of the right company." Carried by fuzzy guitar riffs and clever lyricism, a bittersweet lustre by which to 'hydroplane on tears,' the wistful pop song offers listeners a soft landing that feels like coming home. "When you’re together, your problems feel trivial and you’re able to just enjoy existing."

WATCH / SHARE “ALL IS WELL” HERE
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MORE ABOUT STAY HERE WHERE IT’S WARM
What if a song could feel like a moment you never want to end—even though you know it must? Like being snuggled up in bed in the morning with the knowledge you’re going to have to start your day any moment now. The duality between the place of comfort and the loss of it is at the emotional core of Stay Here Where It’s Warm, the long-awaited debut album from Toronto band Babygirl.

Kiki and Cameron met in a jazz program and bonded over a shared love of Katy Perry, The Beach Boys, and the art of a good pop song. They were “kindred pop spirits,” as though fated to be a songwriting team. A pair of pop music philosophers, the two connected over dissecting the math of Max Martin and Swedish-penned Top 40 hits. “It was nice to find someone else there that was super passionate about pop music and took it seriously in the same way,” they say. It didn’t take long for collaboration to spark.

BUY / STREAM “YOU DON’T NEED A REASON TO CALL” HERE

The plan, at first, was to write for other artists, Tin Pan Alley-style. They stockpiled demos and imagined their songs in the hands of pop stars. “And then we were sitting there with the pile of demos like, now what? How do we get [REDACTED]’s phone number?” They never did get in the studio with [REDACTED]—they haven’t yet, anyhow. In the process, they stumbled onto something singular: a distinct sound and voice that didn’t feel like it belonged to anyone else. So they started a band, named it Babygirl, and began putting their own songs out into the world.

That was almost ten years ago now; since Babygirl’s origin they’ve been releasing singles and EPs, like 2018’s Lovers Fevers, with the serenely melancholic indie hit “I Wish I Never Met You.” It set the stage for what they’ve been gradually, meticulously working on ever since: ‘I wish I knew forever would end so soon’, Frances sang—but she doesn’t sound sad, she sounds composed, cerebral, like she is contemplating a logic problem from a sunkissed future vantage point.

WATCH / SHARE “AFTER YOU” HERE
BUY / STREAM “AFTER YOU” HERE

This is the project of Babygirl: they are perfectionists whose music has been marinating since they met. 2000s pop-rock, ‘90s slacker rock, shoegaze, jangle and dream-pop stirred together with the comforting energy of two artists committed to their craft, and aren’t hiding behind a wall of nonchalance. “We’re often using our influences and then doing it in the most pop way possible,” they say. Their approach is part homage, part deconstruction. “We like to Trojan Horse our songs,” they say—sneaking huge pop choruses into an indie sound by filtering them through a lens of softness and heartache. 

The oldest song on Stay Here Where It’s Warm dates back to the time of their initial EPs. “Take Me Back” started as an attempt to enter the “pantheon of apology songs”—inspired by classics “I Want You Back,” “Sorry,” and “Ain’t Too Proud To Beg”—before evolving into a bittersweet dream-pop gem. Another, “You Don’t Need a Reason to Call,” spent years in the vault before the band figured out how to camouflage its stadium-sized pop chorus. 

Across Stay Here Where It’s Warm, each song puts a slightly different lens on what it means to stay, or leave, or want to. “All Is Well” floats on a quiet existentialism, its lyrics reaching for comfort in the cosmos: And when it’s not enough for me / I’ll turn my head and see infinity, Frances sings, endlessness contained in that refrain. “Give Up With Me” leans harder into ‘90s shoegaze—heavy, gorgeous, distorted—in service of surrender. On “Buzzed,” the haze lifts, if only for a second. A sticky, dizzy love song with the feel of a sugar rush, it’s all color and motion: It’s like somebody spiked the punch

WATCH / SHARE “TAKE ME BACK” HERE
BUY / STREAM “TAKE ME BACK” HERE

Then there’s the sparkly “Dancing With Her,” emotionally raw but dappled in bright light. You don’t know how bad the bruise is til you’re pressing down, Frances sings. A reminder that joy and pain live in the same place. That the ache of something lost doesn’t cancel out the beauty of having had it. 

The new album’s title track captures their ethos: that ache to freeze a moment in time, even as you know it’s already slipping away. “You can’t stay in these perfect moments forever,” Frances explains. It’s all late-night phone calls, half-remembered dreams, tipsy romance, and the strange comfort of surrendering to the moment, then looking at it, whole, from the outside.

Stay Here Where It’s Warm is full of songs that have followed Babygirl, stayed percolating, or, as they put it, “keep tapping on our shoulders.” It’s a record that’s been simmering quietly while the band wrote, scrapped, rewrote, pored over every tiny detail. “Sometimes it feels like you’re making a pointillist painting and you’re just seeing the dots,” they say, “and then at the end you stand back” to see the world they’ve built. They call themselves “studio rats”—this album marks a step into the light.

PRE-SAVE STAY HERE WHERE IT’S WARM

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STAY HERE WHERE IT’S WARM TRACKLIST
01 Take Me Back
02 All Is Well
03 Dancing With Her
04 You Don’t Need A Reason To Call
05 You’re The Difference
06 Buzzed
07 Give Up With Me
08 Can’t Be Friends
09 Take Me To Heaven
10 After You
11 Stay Here Where It’s Warm

PAST PRAISE FOR BABYGIRL

“The chorus soars out from the shadows of nostalgia of melancholic recollections of moments with someone who redefined what love can be and into the bright burst of luminosity that saturates the single's accompanying artwork, with open chords and twinkling synths swirling like dust in a sunbeam: "Caught me in your headlights, I forgot to move." Exclaim! on "After You"

“While their nostalgic sound recalls the warm malaise of ’90s alternative rock, the band’s lyrics strike a contemporary chord, blending sad, solitary images with moments of crystalline clarity and emotional weight.” CONSEQUENCE

"Bandmates Kiki Frances and Cameron Bright layer on the melancholic yearning, jangling guitars, and haze ‘90s vibes, hitting on a deft balance of earnest pop melody and indie rock malaise.” Under The Radar

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DANA SIPOS ANNOUNCES TOUR DATES, SHARES NEW VIDEO

DANA SIPOS SHARES NEW VIDEO FOR “STAR CITY”, MORE TOUR DATES ADDED BEGINNING SEPTEMBER 18 - FULL DATES LISTED BELOW

WATCH / SHARE “STAR CITY” HERE
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“Star City” Video Still

Today, Dana Sipos adds more performances throughout Ontario and Quebec to her upcoming tour dates and also shares the new video for recent single, “Star City”, the second offering from a new collection of captivatingly nuanced songs from Sipos that hold the complexity of the human experience up to the light.

“Star City” lives “right at the threshold where worlds meet… the sweet spots between tide and moon, known and mystery, reality and realism, emotional weight and freedom, dreamer and dreaming,” says Sipos. “It explores how the aliveness and cacophony of the natural world remains a steady companion through it all.

“The video for ‘Star City’ was born from the same place of wonder and absurdity as the song itself,” says Sipos. “We wanted the visuals to feel like stepping into a dreamscrape— and decided to bring the lyrics of the muse of the Sky People to life as characters who help usher in this slightly out of focus world. We wanted the viewer to be able to just linger in that threshold space where the lines between dreamer and dreaming are blurred while also giving a little peek behind the curtain with the ‘behind the scenes’ of the characters mapping out the plans perhaps adding to the curiosity of it all.”

WATCH / SHARE “STAR CITY” HERE
BUY / STREAM “STAR CITY” HERE

Recently, on CBC Q, Sipos and guest host Garvia Bailey discussed previous single “Soft Feeling” and more, listen to their conversation HERE.

MORE ABOUT DANA SIPOS
Sipos' cosmic folk songs are constellations - glowing in the vast landscape, mapping the liminal spaces between memory and myth. “Soft Feeling” is a song written as "a love song for a special group of friends who have been getting together very intentionally for the past year or so and peeling back all the layers of our lifetimes," says Sipos. "With the beauty, heartbreak, love, pain and transformation, we related to each other in these ancient ways of being and tended to our younger selves in the process. I was inspired to celebrate the shape of love we cultivated with what became this song."

LISTEN / SHARE “SOFT FEELING” HERE
BUY / STREAM “SOFT FEELING” HERE

A consummate performer, Sipos has brought her earthen songs, rich spiralling vocals, and textured instrumentation to living rooms, concert halls and festival stages across North America, Europe, the UK, Australia and New Zealand. 

TOUR DATES
Sep 18 - Qualicum Beach, BC - Little Qualicum Hall, Route 19A Arts Festival (TICKETS)
Sep 19 - Victoria, BC - Lucky Bar %
Oct 07 - Montreal, QC - Petit Ours *
Oct 09 Waterloo, ON - Emmanuel United Church* 
Oct 10 - Guelph ON -  House Show *
Oct 11 - Toronto ON  The Living Room*
Oct 18 - Ottawa, ON - Folk Canada Conference
Oct 20 - Victoria, BC - Vic Theatre, Jewish Film Festival

* with Mock Deer
% opening for Jordan Hart

Photo Credit : Aubrey Burke // DOWNLOAD HIGH-RES

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