FLEUR ELECTRA UNVEILS NEW SINGLE, “COULD BE BETTER”

FLEUR ELECTRA’S NEW SINGLE, “COULD BE BETTER”, OUT TODAY VIA VICTORY POOL RECORDS

WATCH / SHARE “COULD BE BETTER” HERE
BUY / STREAM “COULD BE BETTER” HERE

Photo Credit : Kirk Lisaj  // DOWNLOAD HIGH-RES

Fleur Electra is the dream-pop project of Toronto-via-Saskatchewan aesthete Anna Klein. Starting her “colourful, girl-pop era in the depths of 2020 chaos,” Fleur Electra was born out of the early pandemic, defined by Klein’s sensual and sonically adventurous bedroom production. 

Since releasing her debut In Technicolor in 2022, Klein has been performing around Toronto and crafting captivating visuals, honing her artistic magic. She self-produced, wrote, recorded, and mixed her acclaimed 2024's In My Room—a small miracle of an album, considering a house fire destroyed the very bedroom in which these songs were written (while almost nothing was recovered from the fire, this album of songs were saved from a damaged hard drive). Klein went through profound growth from this experience, and though her artistic powers were continuing to develop, her belief in herself was waning. Klein's mental health was worsening, and trying times had her feeling like she was at a dead end—until the ideal producer came along.

Klein explains: “I got a random Instagram DM from Alex Black Bessen”—an LA producer whose credits include Alex G and BENEE—“and he said, ‘I’m going to be in Toronto, and I would love to meet with you if you’re down.’” As soon as Klein and Black Bessen met up, it was clear that they were meant to be collaborating: “It was one of those immediate connections—like, have we met before?” Klein couldn’t believe how easy the artistic collaboration felt: “he could hear my sound and my vision, and he knew how to take it to the next level.”

“Next thing I knew, I was in California in a cabin in the woods, having the most beautiful time,” Klein smiles. Klein and Black Bessen—along with producer-percussionist Tim Voet—poured over Klein’s hard drive of demos in their cozy studio, building these sketches into the delicious alt-pop vignettes. 

Today, Fleur Electra is sharing one of those tracks, “Could Be Better” is “my pop girl anthem — fiery, fun, and catchy as hell,” says Klein. “It’s inspired by the experience of being wrongfully painted the villain in a relationship. While channeling my own frustration, it quickly transformed into something empowering to me. Derived from a place of hurt, this indie pop bop lends to a playful and slightly unserious moment about simply letting it all go.”

WATCH / SHARE “COULD BE BETTER” HERE
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MORE ABOUT FLEUR ELECTRA 
Klein’s journey with Fleur Electra traces back to her prairie roots. Growing up in Saskatoon, then moving to isolated, small-town Saskatchewan at age 10, Klein leaned hard into imaginative creation: “it felt like I was entering a different world when I was making music.” The eighth of ten kids, Klein and her siblings would inspire one another with flashes of creativity: drawing portraits, singing made-up songs around the house, and acting in elaborate self-scripted videos. Precociously aesthetic, Klein couldn’t hear a song without mentally pairing it with a visual. As soon as she started producing her own music at 12 years old, her interests in sonics and visual art collided, reflected in the gorgeously crafted music videos and graphics of Fleur Electra.

Klein’s early recording sessions in Audacity also provided a counterweight to her religious upbringing. Heavily in worship music, Klein “grew up listening to a lot of Christian rock bands and singing in church.” Though her perspective on religion is nuanced and ever-evolving these days, Klein’s music as Fleur Electra seeks to strike at the same power of communally sung hymns in church, similarly crafting music that “cuts through the vulnerability, just gets there, straight to the point.” While Sunday morning services strive to bring you close to God, Fleur Electra’s music beckons you, with similar frankness and vulnerability, to reckon with your own internal turmoil, relationships, and percolating joys.

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JULIANNA RIOLINO SHARES “LIKE A REMBRANDT” FROM UPCOMING LP

JULIANNA RIOLINO’S SOPHOMORE ALBUM, ECHO IN THE DUST, OUT OCTOBER 24, 2025 VIA MOONWHISTLE RECORDS

LISTEN / SHARE “LIKE A REMBRANDT” HERE
BUY / STREAM “LIKE A REMBRANDT” HERE

PRE-SAVE ECHO IN THE DUST HERE

NORTH AMERICAN TOUR DATES BEGIN NOVEMBER 12 - ON SALE HERE


“Over a boisterous mix of guitar, banjo, organ, tambourines and more, Riolino's voice soars like a sun rising on a hot summer day. The track is a celebration of growth, acknowledging the good and bad that have led you to become who you are today. That freedom of letting go of the past and moving forward is marked by Riolino's punchy songwriting, as she almost shouts, ‘And we will reap what we sow/ To grow is to be the fruit of our lowest lows!’”
CBC Music, 'Songs You Need To Hear' on "On A Bluebird's Wing”

"twangy, deliriously catchy blast of power-pop" – The New York Times on All Blue

"Channels Judee, Dolly and Emmylou on a lustrous, emotional country-rock set"
Uncut on All Blue

“All Blue strikes near-universal chords through simplicity and clear sentiment…a shining reminder that blue comes in radiant hues” – Exclaim!

Photo Credit : Colin Medley // DOWNLOAD HIGH-RES

The songs on Julianna Riolino’s upcoming record, Echo In The Dust, consider relationships of all sorts as the foundation for her awakening into a different creative self and person in this world; working through loss, grief, habits, and decisions she once made, seeking clarity in the past before leaving it to move forward. The adage “you don’t know where you’re going until you know where you’ve been” rings especially true on this album.

Having already shared singles “Full Moon”, “On A Bluebird’s Wing”, and “Seed”, which is currently rising up the CBC Music Top 20 ranks, today Riolino shares album cut “Like A Rembrandt”. On the track Riolino says, “A Rembrandt’s face is one that is partially eclipsed. Shadowed in deep glowing hues, with a focused restraint. A new perspective as it deepens and broods with clarity. Like fortune foretold, like a daydream, like an iris…blooming and beaming you up into a place above it all.” 

LISTEN / SHARE “LIKE A REMBRANDT” HERE
BUY / STREAM “LIKE A REMBRANDT” HERE

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MORE ABOUT ECHO IN THE DUST
By Riolino’s own admission, the album is different from her debut, All Blue. She breathes new confidence into her work. The celebrated songwriter is soft as she is tough on these songs; seeing the benefit of laying down armour and splitting her heart open so that we may get a glimpse of our own. 

WATCH / SHARE “SEED” HERE
BUY / STREAM “SEED” HERE

“What I'm talking about on Echo In The Dust are universally felt: you can have a romantic relationship, friendship, or professional relationship and start to identify as you grow and learn the toxic parts that can exist in all of those,” Riolino explains. “You think, ‘why do I feel bad? Why is this happening again?’ But I'm allowing this to happen because I haven't told myself I deserve better. This record helped me learn to accept and love myself. To put myself first and stand on my own two feet.”

After non-stop touring for other projects she has since left, and wrapping up live promotion for All Blue, Riolino began recording for this new album in 2024 at Gold Standard Recorders in Toronto. While she played guitar, she also tapped her regular collaborators, Matthew “Roddy” Kuester to play bass and guitar, Peter Landi on drums, Thomas Hammerton on piano and synth, and producer of the album Aaron Goldstein on pedal steel. On top of that, a whole host of other instrumentalists rounded out the sound of the album including Alex Edkins (Weird Nightmare, Metz) on guitar for “Full Moon”, “Like a Rembrandt”, and “The Less I Know”,  and Nashville’s Sean Thompson on guitar for “On A Bluebird’s Wing”.

WATCH / SHARE “FULL MOON” (LIVE PERFORMANCE) HERE
BUY / STREAM “FULL MOOON” HERE

The songs on All Blue, Riolino says, had the privilege of being played and workshopped in front of a crowd but the songs that make up Echo In The Dust were written before, during, and after her debut in moments of confusion and clarity. These songs are like journal entries; attempts at deciphering what she wants out of her relationships and creative life in music. She transports us into big feelings layered with guitar twangs, vivid pedal steel and walloping horns, anchored by her tender vocals as though she embodies Dolly Parton and Linda Ronstadt in one person. 

Echo In The Dust builds on the alt-country elements of All Blue. Yet, no algorithm can contain Riolino or what moved her this time around. She cites Roy Orbison, The Roches, Tom Petty and the Heartbreakers, John Lennon’s “Beautiful Boy (Darling Boy),” and doom metal bands like Om as influences on the album. 

WATCH / SHARE “ON A BLUEBIRD’S WING” HERE
BUY / STREAM “ON A BLUEBIRD’S WING” HERE

“It's kind of punk, it's rock n’ roll, it's still kind of country. It's more rocking than All Blue. It's an amalgamation of everything going on in my mind.”

What makes Riolino a compelling performer and songwriter on this record, and in her career, is how she inhabits past sensations and feelings, reliving and reviving them again to release. While a lot of these experiences are composites and memories, stitched together into 11 tracks, the impressions are of a real, vivid journey through an immense experience of rediscovery toward intuitive knowing. 

Riolino needed to unravel before she could clarify who she is now and who she’ll be next, and the result is Echo In the Dust, a beautiful sonic result of what it’s like to stay out of one’s own way. 

PRE-SAVE ECHO IN THE DUST HERE

TOUR DATES
2025
Nov 12 - San Diego, CA - Soda Bar
Nov 13 - Los Angeles, CA - Peppermint Club
Nov 14 - Sacramento, CA - Old Ironside
Nov 16 - Portland, OR - Mississippi Studios
Nov 17 - Seattle, WA - Sunset Tavern
Nov 18 - Vancouver, BC - Wise Hall
Nov 19 - Kelowna, BC - Broken Hearts Club
Nov 20 - Rossland, BC - Flying Steamshovel
Nov 22 - Calgary, AB - The Palomino
Nov 23 - Edmonton, AB - The Aviary
Nov 25 - Saskatoon, SK - Capitol Music Club
Nov 26 - Regina, SK - The Exchange
Nov 27 - Winnipeg, MB - Side Stage
Nov 29 - Minneapolis, MN - 7th Street Entry
Nov 30 - Milwaukee, WI - Cactus Club
Dec 1 - St Louis, MO - Old Rock House
Dec 2 - Chicago, IL - Hideout Club
Dec 4 - Windsor, ON - Meteor
Dec 5 - Hamilton, ON - Mill’s Hardware
Dec 6 - Toronto, ON - Lee's Palace

2026
Feb 13 - London, ON - Palasad Social Bowl
Feb 14 - Guelph, ON - Sonic Hall
Feb 16 - Richmond, VA - The Camel
Feb 17 - Washington, DC - Songbyrd
Feb 18 - Philadelphia, PA - Kung Fu Necktie
Feb 20 - Brooklyn, NY - Elsewhere Zone One
Feb 21 - Boston, MA - Middle East Upstairs
Feb 22 - Montreal, QC - L'Esco
Feb 24 - Ottawa, ON - 27 Club
Feb 25 - Kingston, ON - Broom Factory
Feb 26 - St Catharines, ON - Warehouse

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ECHO IN THE DUST TRACKLIST
01 Like A Rembrandt
02 Smile
03 Full Moon
04 Seed
05 Be Good To Your Mother
06 It’s A Shakedown
07 Running
08 Let Me Dream
09 On A Bluebird’s Wing
10 I Wonder
11 The Less I Know

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GARRET T. WILLIE ANNOUNCES BILL’S CAFE LP, SHARES NEW SINGLE

GARRET T. WILLIE’S NEW LP, BILL’S CAFE, OUT FEBRUARY 27, 2026

LISTEN / SHARE “HYPNOTIST” HERE
BUY / STREAM “HYPNOTIST” HERE

PRE-SAVE BILL’S CAFE HERE

Photo Credit : Sydney Woodward // DOWNLOAD HIGH-RES

Garret T. Willie’s second album, Bill’s Cafe, is more than a record — it’s a tribute, a turning point, and a reckoning. Named after his grandfather’s pool hall café in Alert Bay, British Columbia, the album carries the ghosts of home into the bright lights of Nashville. It was there, under the guidance of Grammy Award-winning producer Tom Hambridge (Buddy Guy, Kingfish, Susan Tedeschi), that Willie sharpened his blues-rock fire into something bigger, bolder, and truer.

Before his first writing session, Willie wandered through the Johnny Cash Museum. The visit hit hard. His grandfather bore an uncanny resemblance to Cash — same look, same Air Force service, same quiet gravity. That connection became a spark, tying Garret’s Indigenous roots and small-town upbringing to a lineage of timeless, outlaw storytelling.

Having already shared the album’s first single, “Devil Doll”, today Willie is sharing another track from the album. “Hypnotist” is a growling blues-rock anthem that bites as hard as it grooves. A staple of his live set, the track tells the story of “an ex who tried to drag my name through the mud,” says Willie. “But the truth is, she was throwing stones from a glass house.”

LISTEN / SHARE “HYPNOTIST” HERE
BUY / STREAM “HYPNOTIST” HERE

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MORE ABOUT BILL’S CAFE
Bill’s Cafe is a road map of grit, heart, and soul. Written and recorded between late nights, long drives, and Nashville sessions, the record captures the restless spirit of a young artist carrying old-soul blues and rock traditions into the future. Across the album, Willie threads tales of whiskey-fueled nights, missed chances, stubborn resilience, and the freedom that only comes with chasing music town to town.

With his guitar in hand and a voice that cuts like hi-beam headlights on a dark backroad, Willie delivers songs that feel lived-in and timeless. Bill’s Cafe is about the forces that hold us — love, loss, addiction, ambition, and the unshakable call of music as a means of survival. It’s a live wire of raw energy and soul — a reminder that sometimes the most dangerous thing is also the most irresistible.

That edge runs through the whole record. From roadhouse stompers to backseat ballads, Willie shines a light on hustlers, heartbreakers, and the broken pieces we all carry. He doesn’t just sing the blues — he spits them, shouts them, and bends them into something both timeless and dangerous. 

LISTEN / SHARE “DEVIL DOLL” HERE
BUY / STREAM “DEVIL DOLL” HERE

In Bill’s Cafe, Garret T. Willie doesn’t just honor his past — he builds a bridge between worlds: Alert Bay and Nashville, tradition and reinvention, the ghosts of family and the fire of the future.

On stage, Garret T. Willie is undeniable. At just 25 years old, his towering stature and deep, gravel-soaked voice channel the weight of an artist who has lived every shade of the blues. His performances are electric — no gimmicks, no fluff, just raw shredding, searing tone, and solos that rip straight through the room. He plays with the intensity of the greats, often bending the guitar behind his head mid-solo or leaping into the crowd to bring the fire even closer. Willie’s live show is more than a concert — it’s a shockwave of blues-rock energy that leaves audiences speechless and makes believers out of anyone.

Willie first made his mark with his debut album Same Pain, written with Parker Bossley at Afterlife Studios in Vancouver. The record lit a fire that spread far beyond Canada’s borders, earning praise from The Toronto Star, RANGE, Guitar World, Wonderland, Blues Matters, Blues in Britain and Classic Rock Magazine, while also landing airplay on BBC Radio 2’s The Blues Show with Cerys Matthews. Same Pain broke into the Top 20 on the UK Blues Albums chart and the US Roots Music Blues Rock chart in 2023, earned Willie two Western Canadian Music Award nominations for Blues and Indigenous Artist of the Year and a nomination for Best New Touring Artist at the Canadian Live Music Industry Awards. He carried those songs across Canada and in the US, opening for legends like Kenny Wayne Shepherd, John Fogerty, Kingfish, and recently performed on Joe Bonamassa’s Blues Cruise with Marcus King, Jimmy Vivino, Jeremie Albino, Ariel Posen, and more — proving that his firebrand blend of blues, rock, and raw honesty could hold its own on any stage.

GARRET T. WILLIE LIVE
December 19 - Vancouver, BC @ Biltmore Cabaret
December 20 - Victoria, BC @ Capital Ballroom

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BILL’S CAFE TRACKLIST
01 Hypnotist
02 Devil Doll
03 Going to Toronto
04 It Won’t Get Done
05 Small Town People
06 High Beam Blues
07 Young Country Boy
08 Golden Highway
09 I’m Late

GARRET T. WILLIE ONLINE
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