BROKEN SOCIAL SCENE REVEAL NEW SINGLE “THE CALL” FROM UPCOMING LP

WATCH / SHARE “THE CALL” HERE
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NEW ALBUM, REMEMBER THE HUMANS, OUT MAY 8 VIA ARTS & CRAFTS

FEATURES CONTRIBUTIONS FROM FEIST, LISA LOBSINGER,
HANNAH GEORGAS & MORE

PRE-SAVE REMEMBER THE HUMANS HERE

BROKEN SOCIAL SCENE, METRIC & STARS “ALL THE FEELINGS” NORTH AMERICAN SUMMER TOUR BEGINS JUNE 8

Remember the Humans is a bonus lap from one of Canada’s most venerated institutions, even all these years later." Pitchfork The 64 Most Anticipated Albums of Spring 2026

"(the album is) going to deliver plenty of the woozy affirmation and shambolic joy that Broken Social Scene do better than anyone." Rolling Stone

"a version of 2003 nostalgia I can get behind." Stereogum on "Hey Amanda"

"a lovely interplay of guitar, horns, and strings" Flood on "Hey Amanda"

"('Hey Amanda') leans fully into Broken Social Scene’s signature indie-weirdo charm"  Consequence 

Photo Courtesy of Broken Social Scene // DOWNLOAD HIGH-RES

After nearly a decade Broken Social Scene will return with a new album, Remember The Humans, on May 8 via Arts & Crafts. The LP finds the Toronto band reuniting with producer David Newfeld, who helmed their breakthrough You Forgot It in People (2002) and self-titled (2005) albums. Today, the band shares “The Call,” the last single before the release of the LP, and a sprawling collective of voices and instrumentation. The lyrics come in fragments – overlapping lines, shared refrains – converging into one urgent imperative: ‘let me hear the call/'we’re going'/either restless or reborn, we’re going.’ Led by Andrew Whiteman’s enigmatic pen, the track commands forward movement without certainty, commands action rooted in instinct.

In its sense of communal momentum, the track is the sound of individuals dissolving into something bigger than themselves; Broken Social Scene’s long-practiced alchemy at work. But while other tracks on Remember The Humans are more cerebral, “The Call” is anatomical, carrying with it a sense of animal urgency: it is breath and pulse, sweat and nerves.  

WATCH / SHARE “THE CALL” HERE
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Broken Social Scene previously shared “Not Around Anymore” and “Hey Amanda.” They will play songs off Remember The Humans and other fan favorites this summer on the All The Feelings Tour alongside Metric with support from Stars. The tour kicks off June 8 and runs across Canada, Europe, and The UK with new shows recently added including a slot at Halifax Jazz Festival on July 11. All dates are listed below and tickets are available here

Broken Social Scene helped spark a movement without ever setting out to. Emerging in the early 2000s, they cast a spotlight on their hometown of Toronto and embodied the kind of fearless cross-pollination that would come to define indie rock at its most expansive. Their orbit gave rise to bands, solo projects, and collaborations that shaped a generation - including Feist, Metric, Stars, and Do Make Say Think. More than two decades on, Broken Social Scene remains a galvanizing creative force: a band whose emotional openness, restless experimentation, and communal spirit continue to resonate with fans and influence artists around the world. 

Across Remember The Humans’ 12 tracks, the arrangements are dense and enveloping - a lattice of horns, guitars, voices, and electronics - yet melody always remains sovereign, refusing to be swallowed by the sheer sound. When the music drifts towards abstraction, a grounding bass line arrives to anchor the listener, reminding us always that there are human hands on the controls and that, however artful, this is still rock and roll.

BUY / STREAM “HEY AMANDA” HERE
LISTEN / SHARE “HEY AMANDA” HERE

Remember the Humans was shaped by reunion and loss in equal measure. When Kevin Drew and Newfeld reconnected after nearly 20 years apart, one hangout became what they call "a hurricane of fun." During the recording, both lost their mothers - a shared grief that drew them closer. As Newfeld recalls, "our moms would have wanted us to do this, and get it right after 20 years of not working together."

As ever, Broken Social Scene operates less as a band than as a community and songs evolve by ceding control to whoever can best carry them forward in the moment. Drew may be the designated driver, but collaborators on Remember the Humans, including Hannah Georgas, Lisa Lobsinger, and Feist, step into the foreground throughout the record, shaping songs with a sense of collective authorship that has always defined the group’s ethos.

The songs work because no one fully commands them. But this is where Newfeld matters most. As Charles Spearin puts it, "his production suits the chaos of our songwriting so well...he's got a childlike energy that is really contagious."

WATCH / SHARE “NOT AROUND ANYMORE” HERE
BUY / STREAM “NOT AROUND ANYMORE” HERE

The same unruly energy that keeps a band young can also trap it in its own past. Yet on Remember the Humans, Broken Social Scene have evolved with a deep sense of intention. It is the sound of a band deepening rather than reinventing, exploring the emotional implications of forms they’ve spent twenty years shaping. "There's a different kind of honesty in this record," says Spearin, "we've had success, we've lost friends, we've lost parents, we're at this 'what happens next?' stage in life." Remember the Humans is adult music in the best sense: contradictory, wounded, expansive - hopeful in a way that feels earned rather than declared. And it is also, in its refusal of control and its embrace of the ungovernable, a testament to something increasingly rare: art that is not optimized, not streamlined, not strategic.

BSS’s own evolution mirrors something happening outside of it. After years of oversaturation and noise, the culture itself seems to have looped back to a craving for the raw, the communal, and the unguarded. The conditions that made You Forgot It in People feel necessary in 2002 have, in altered form, returned in 2026. According to Drew, "in 2026, you're going to see a lot of resurgence of people going back to the roots of who they are, because things in their lifetime have gotten quite lost. I think we've let each other down, and I think it's art that always tries to prevail, and tries to get us back on track."

In a culture defined by abstraction and distance, Broken Social Scene have made a record that insists on the analog fact of human presence. It asks, gently, but insistently, that we remember each other, that we remember the human. 

PRE-SAVE REMEMBER THE HUMANS HERE

BROKEN SOCIAL SCENE ALL THE FEELINGS TOUR DATES
6/8 – Moody Amphitheater – Austin, TX
6/9 – South Side Ballroom – Dallas, TX
6/11 – Fillmore Auditorium – Denver, CO
6/13 – Sandy Amphitheater – Sandy, UT
6/16 – The Greek Theatre – Los Angeles, CA
6/17 – Arizona Financial Theatre – Phoenix, AZ
6/19 – Cal Coast Credit Union Open Air Theatre – San Diego, CA
6/21 – The Masonic – San Francisco, CA – SOLD OUT
6/22 - The Masonic - San Francisco, CA
6/24 – Hayden Homes Amphitheater – Bend, OR
6/25 - Chateau Ste. Michelle - Woodinville, WA 
6/28 - South Alberta Jubilee Auditorium - Calgary, AB - LOW TICKET WARNING
6/29 - Northern Alberta Jubilee Auditorium - Edmonton, AB - LOW TICKET WARNING
7/11 - Halifax Jazz Festival - Halifax, NS *
7/24 – Byline Bank Aragon Ballroom – Chicago, IL
7/25 – Fox Theatre – Detroit, MI
7/27 – MGM Music Hall at Fenway – Boston, MA
7/28 – The Met – Philadelphia, PA
7/30 – Brooklyn Paramount – Brooklyn, NY – SOLD OUT
7/31 - Brooklyn Paramount - Brooklyn, NY - LOW TICKET WARNING
8/1 – The Anthem – Washington, DC
8/3 – Tabernacle – Atlanta, GA - LOW TICKET WARNING
8/4 – Ryman Auditorium – Nashville, TN - LOW TICKET WARNING
8/7 – RBC Amphitheatre – Toronto, ON - LOW TICKET WARNING
9/9 - 3 Olympia Theatre - Dublin, IE
9/11 - O2 Academy Glasgow - Glasgow, UK
9/12 - O2 Academy Brixton - London, UK
9/13 - Manchester Academy - Manchester, UK
9/15 - Salle Pleyel - Paris, FR
9/16 - De Roma - Antwerp, BE
9/17 - TivoliVredenburg - Utrecht, NL
9/19 - Columbiahalle - Berlin, DE
10/3 - Canada Life Place - London, ON
10/5 - The Arena at TD Place - Ottawa, ON
10/7 - Place Bell - Laval, QC

*denotes Broken Social Scene only

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REMEMBER THE HUMANS TRACKLISTING
1. Not Around Anymore
2. Only The Good I Keep
3. Mission Accomplished (Kingfisher)
4. The Call
5. Relief
6. And I Think Of You
7. This Briefest Kiss
8. Life Within The Ground
9. Hey Amanda
10. Paying For Your Love
11. What Happens Now
12. Parking Lot Dreams

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ABIGAIL LAPELL REVEALS NEW SINGLE FT. PHARIS ROMERO

ABIGAIL LAPELL’S NEW ALBUM, SHADOW CHILD, ARRIVES MOTHER’S DAY WEEKEND, MAY 8, 2026 VIA OUTSIDE MUSIC 

WATCH / SHARE “SO LONG” FT. PHARIS ROMERO

BUY / STREAM “SO LONG” FT. PHARIS ROMERO

PRE-SAVE SHADOW CHILD HERE
NORTH AMERICAN TOUR DATES CONTINUE MAY 8

TICKETS ON SALE HERE

Photo Credit : Jen Squires // DOWNLOAD HIGH-RES

Today, Award-winning Toronto singer-songwriter Abigail Lapell reveals another track from her upcoming new album Shadow Child, an album about motherhood whose nine songs each represent a month of gestation. “So Long” is a ballad of maritime tragedy and reproductive choice. This acoustic waltz features stunning harmonies from guest singer Pharis Romero, adrift on waves of baritone guitar and accordion. 

WATCH / SHARE “SO LONG” FT. PHARIS ROMERO
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MORE ABOUT SHADOW CHILD
Every mother has a unique story. One thing is true for every mother, though: there’s no deadline quite like a pregnancy. Abigail Lapell was pregnant with her first child when she booked studio time on Vancouver Island to make an album about motherhood. The nine songs on Shadow Child, one for each month of gestation, had to be ready before then, and her return flight was booked on the last day she could safely fly in her third trimester. 

WATCH / SHARE “SHADOW CHILD” FT. FRAZEY FORD HERE
BUY / STREAM “SHADOW CHILD” FT. FRAZEY FORD HERE

Working with producer Colin Stewart (Dan Mangan, Black Mountain), Lapell finished her songs in the studio and on rural walks beside the Pacific Ocean. She enlisted some of her favourite singers, all British Columbians, all mothers: Frazey Ford, Jill Barber, Pharis Romero. “They’re all people with unique, distinctive voices,” she says, “which is what I’m drawn to.”  

For Shadow Child, musically, Lapell was looking for a stark, acoustic sound, as opposed to 2024’s JUNO Award-nominated Anniversary (recorded in Niagara with Great Lake Swimmers’ Tony Dekker) and 2022’s acclaimed Stolen Time (recorded in Montreal with Howard Bilerman, featuring E Street Band saxophonist Jake Clemons).

Lapell’s road to motherhood was fraught, involving years of IVF and a 2023 miscarriage — that she experienced on stage while on tour. (She finished her set.) Her son was born in November 2024. The song cycle of Shadow Child covers joy and loss, using metaphors from Maritime tragedy, “little cannibals,” reproductive health, acquiring language, and lives altered by the arrival of a newborn. The title track refers to ultrasound imaging of “a liminal person that doesn’t quite exist yet,” says Lapell. “Their status is ontologically blurry.”

WATCH / SHARE “HAZEL” FT. JILL BARBER HERE
BUY / STREAM “HAZEL” FT. JILL BARBER HERE

ABIGAIL LAPELL ON TOUR
May 8 - Richard's Landing, ON - Algoma Trad
May 14 - Saratoga Springs, NY - Caffe Lena
May 15 - Exeter, NH - Word Barn
May 16 - Cambridge, MA - Club Passim 
May 17 - New York, NY - Cafe Wha?
May 22 - Toronto, ON - Hugh's Room
May 23 - Chelsea, QC - Motel Chelsea
May 24 - Ottawa, ON - Ottawa Tennis Club
Aug 7-9 - Red Rock, ON - Live from the Rock Folk Festival

EU/UK
Nov 5 - Amen, NL - Cultureel Café de Amer
Nov 6 - Nisse, NL - Mariakerk
Nov 7 - Groningen, NL - Take Root Festival 
Nov 8 - Nijmegen, NL - Thiemeloods
Nov 9 - Cologne - United Lied 
Nov 10 - Utrecht, NL - Tivoli Vredenburg
Nov 12 - Paris, FR - Les Femmes s'en Melent
Nov 14 - London - West Hampstead Arts Centre
Nov 15 - Birmingham, UK - The Kitchen Garden Cafe
Nov 16 - Brighton - Folklore Club 
Nov 17 - Bristol, UK - The Hen and Chicken Studio
Nov 18 - Cambridge, UK - Portland Arms
Nov 19 - Newcastle, UK - Cluny 2 venue - Jumping Hot Club 
Nov 23 - Munich, DE - VIntage Pub
Nov 26 - Castelvetro di Modena, IT - Lambruscheria Ca Berti
Nov 27 - Piangipane, IT - Teatro Socjale
Nov 28 - Torino, IT - Folk Club
Nov 29 - Cortemaggiore, IT - Teatro Eleonora Duse

More Dates To Be Announced Soon

PRE-SAVE SHADOW CHILD HERE

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SHADOW CHILD TRACKLIST
01 Whistle Song (One In A Million)
02 Hazel ft. Jill Barber
03 Shadow Child ft. Frazey Ford
04 Mocking Bird ft. Dana Sipos
05 Talking To Myself
06 Little Cannibal
07 So Long ft. Pharis Romero
08 Mother Tongue
09 Sing A Rainbow

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PHARIS & JASON ROMERO ANNOUNCE NEW LP, SHARE “LAST CALL”

Photo Credit : Rick Magnell  // DOWNLOAD HIGH-RES

Four-time JUNO Award-winning singers, songwriters, banjo builders, and folk icons, Pharis and Jason Romero are releasing their seventh studio record. These Are The Days That Turn In To Years is a songwriter’s deep exhale, replete with stories, love, and nostalgia. It’s four years after the duo’s banjo-heavy last release, and recorded in the same eclectically restored riverside barn in Horsefly, British Columbia. With Pharis’ love of storytelling as a base for the duo’s artistic connection, the songs are lush and saturated with their lives: incidental touring, raising two kids, making banjos, and playing this music because they love it. The songs are created as much from ideas - from being on the tops of mountains and phone calls with aging loved ones to insomnia, meditation and family feuds - as they are from the joy of playing and recording with a stellar band: fiddle, bass, piano, and percussion. Two people in the thick of their lives, reveling in the music, words, and community.

Today, they are releasing the new single “Last Call”, a song Pharis began after a phone call with her dad, trying not to dwell on the thought that any call might be the last. It captures tender, funny and strange snapshots of stories from a long life, anchored by the sing-along chorus: ‘last call for old times, last call to you.’ With Jason on banjo, Pharis on guitar, Trent Freeman on fiddle, and Patrick Metzger on bass, the band’s joyful, slightly on-the-edge old-time approach playfully stretches the melody into an energetic ride through the tune.

BUY / STREAM “LAST CALL” HERE

WATCH / SHARE “LAST CALL” (LIVE PERFORMANCE VIDEO) HERE
LISTEN / SHARE “LAST CALL” HERE

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MORE ABOUT PHARIS & JASON ROMERO
Pharis and Jason Romero have a classic story. When some scratchy old records and a custom banjo led to their meeting in 2007, they quickly knew they were in for the long haul. The depth of their musical and personal relationship has grown incrementally over the years as they’ve explored old-time stringband music, how to sing like one person, and the banjo as an artform. 

On their newest record Pharis’ love for the compelling pulse of stories as songs is the base for the duo’s artistic connection. The songs are lush and saturated with their lives: phone calls with ageing loved ones, standing on top of mountains, meditation, family feuds, nostalgia for things that haven’t happened yet, sleepless nights. The lyrics capture tender, lovely and strange snapshots of life, often anchored by sing-along choruses.

These Are The Days That Turn In To Years was recorded in their eclectically restored riverside barn. John Raham (Frazey Ford, Dan Mangan, Tanya Tagaq, Ocie Elliott) engineered and mixed, marking “the fifth record that John has come to make with us in Horsefly,” says Pharis. “I can’t imagine making a record without him, Trent (Freeman) or Patrick (Metzger). The songs are created as much from ideas as they are from the joy of playing and recording with friends and stellar musicians.” 

LISTEN / SHARE “LOST LULA REDUX” HERE
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The group was also joined in the studio by Clinton Davis on piano and Pharis’ sister Marin Patenaude who makes a vocal appearance on the insomnia-inspired “Last Night”. The band’s joyful, slightly on-the-edge old-time approach often playfully stretches the melody into an energetic ride through the bouncier songs, while ambient strings and ragtime piano hold some of the more introspective pieces. The duo keeps to their roots with the spare banjo blues “Left My Home”.

Pharis and Jason tour incidentally while they’re raising two kids and making banjos in their home of Horsefly, BC. They play this music because they really, truly love it, and this record is a shining development of stories, love, and nostalgia from this unique duo.

PRE-SAVE THESE ARE THE DAYS THAT TURN IN TO YEARS HERE

UPCOMING PERFORMANCES
Apr 24 - Kelowna, BC - Kelowna Folk Roots
Apr 25 - Port Moody, BC - Inlet Music Series
Jun 22 - Port Townsend, WA - Voice Works 2026

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THESE ARE THE DAYS THAT TURN IN TO YEARS TRACKLIST
01 Big Time World
02 Last Call
03 Hey Babe
04 Always Losing Track
05 Last Night
06 Left My Home
07 Cannonball
08 I Got Away From Myself
09 Everybody Wants
10 Georgie
11 These Are The Days

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