ELLEN FROESE SHARES ANOTHER SINGLE FROM UPCOMING LP

ELLEN FROESE’ NEW ALBUM, SOLITARY SONGS, OUT MAY 6, 2026 VIA VICTORY POOL RECORDS

LISTEN / SHARE “PRACTICING MY WINK” HERE
BUY / STREAM “PRACTICING MY WINK” HERE

WESTERN CANADIAN TOUR DATES BEGIN JUNE 13

PRE-SAVE SOLITARY SONGS HERE

Photo Credit : Little Jack Films // DOWNLOAD HIGH-RES

Today, Saskatoon songsmith Ellen Froese is sharing another new single from her upcoming album, Solitary Songs, due out May 6 via Victory Pool Records. On “Practicing My Wink”, Froese relays her tongue-in-cheek quest to perfect the flirtatious move (it’s ‘harder to do than you think’!). Disarming anxiety with goofiness, Froese playfully twisting her goal of being super cool and likeable into an ode to self-discovery through trust and friendship. Froese knows that, regardless of what the mirror dictates, ‘I got my pals and they know all the about / The way that I always have been’.

“Practicing My Wink” is a “fun little rock 'n roll song that's both an homage to my best pals and how they lift me up, and also a glimpse into my insecurities,” says Froese. “I had the idea of 'Practicing My Wink' when I noticed that I found myself charmed whenever someone winked at me. It's like a little knowing signal that makes the receiver feel special, and I wanted to get better at it myself!”

LISTEN / SHARE “PRACTICING MY WINK” HERE
BUY / STREAM “PRACTICING MY WINK” HERE

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MORE ABOUT SOLITARY SONGS
Solitary Songs finds Ellen Froese meditating on a strange chapter of her life. “It’s been a weird year—lots of life changes, maybe some ego-death,” she says. Between an ADHD diagnosis and cutting back on some vices, her perspective—as a musician, a lover, a human being—has changed.

The follow up to 2022’s For Each Flower Growing (produced with the Sheepdogs’ Sam Corbett), Solitary Songs showcases Froese singing songs that sound like dusted-off country classics with wry, down-to-earth lyricism. One moment, Froese is confessing, ‘I’m scared of getting old / But more than that, I’m scared of living without your love’; the next, she’s reeling from a false-start fling, ‘stray cattin’ along’ with a freshly purchased ‘strawberry watermelon turbo-powered vape’. There are no sacred cows in Froese’s world, with blunt humour meeting heartache while the band plays on.

WATCH / SHARE “BELLFLOWER BLUE” HERE
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“This record is the outcome of facing non-stop anxiety with songwriting,” Froese says. “I was oscillating back and forth between feeling stuck and feeling like, ‘fuck it, I need to zoom out and have some fun.’” This tension makes Solitary Songs captivating; Froese, chastises herself for overcomplicating things, even if it may be for self-preservation, singing ‘don’t look hard, Ellen’. But she does look hard, turning over the complications—the ex-lover, the rough weather, the lonely hotel bed—meditating on her deeper desires; as her honeyed voice sings, ‘what I seek now is a methodology for peacefulness between my heart and mind’.

Breaking down the role ADHD has played in her life, Froese’s fight against “the damn dopamine hunt” is tracked across Solitary Songs. “If something is intriguing to me, it becomes my entire reality for that time,” Froese explains. Froese excels at self-deprecatingly depicting her own fixations (she muses at one point, ‘I’m thinkin’ and I’m drinkin’ up ways to make you mine’).

LISTEN / SHARE “WINDY WAS THE WEATHER” HERE
BUY / STREAM “WINDY WAS THE WEATHER” HERE 

Album highlight “Windy Was The Weather” finds Froese tossed and turned by the fickleness of connection. Over bittersweet strums, Froese recalls a tryst with a ‘siren of beauty’. Exhibiting a wisdom far beyond her years, Froese laments the volatility of our bodies and minds, with the caveat that there is some pleasure in the uncertainty of ‘a rose, both thorny and soft on my neck’. Whipping up a gust of strings and horns, this stirring waltz feels as timeless as autumn itself.

WATCH / SHARE “SOLITARY SONG” HERE
BUY / STREAM “SOLITARY SONG” HERE

Friendship is at the heart of Solitary Songs, which sounds like how it was made: a big hangout with friends, trying to make one another smile. Recorded at RecHall studios in Saskatoon, Solitary Songs was created through jubilant, off-the-cuff collaboration, with the band riffing arrangements while Froese penned new verses in the control room.

At this point in her career, with 4 full-length albums and many international tours under her belt, Solitary Songs showcases Froese digging for the feeling of “just making music for the joy of it, like when I was a kid.” And as far as quitting the dopamine rush and finding self-acceptance goes? “I guess the journey up to wellness has peaks and valleys, but it does start to level out,” Froese muses. Indeed, Solitary Songs sees Froese’ flirting with self-acceptance while figuring things out; trying to be “happy in the confidence of a solitary song,” and getting your friends on board for some cheeky country-folk tunes. And nobody does those quite like Ellen Froese.

LISTEN / SHARE “WONDERING WHEN?” HERE
BUY / STREAM “WONDERING WHEN?” HERE

PRE-SAVE SOLITARY SONGS HERE

TOUR DATES
Jun 13 - Lethbridge, AB - The Owl
Jun 14 - Penticton, BC - The Hub
Jun 17 - Kelowna, BC - DunnEnzies
Jun 18 - Vancouver, BC - The Heatley
Jun 19 - Nanaimo, BC - The Globe Theatre
Jun 25 - Edmonton, AB - The Aviary
Jun 26 - Regina, SK - The Artesian
Jun 27 - Saskatoon, SK - Amigos

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SOLITARY SONGS TRACKLIST
01 Solitary Song
02 Wondering When
03 Don’t Look Hard
04 Windy Was The Weather
05 Practicing My Wink
06 Tide Pool
07 Bellflower Blue
08 Closed Game
09 Living Without Your Love
10 Solitary Song (Slow Version)
11 Lucille Mulhall

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ACCLAIMED TECHNO LEGEND TIGA UNVEILS NEW LP, HOTLIFE, OUT TODAY

HIS FOURTH STUDIO ALBUM AND FIRST PROJECT IN OVER TEN YEARS, OUT TODAY, TURBO RECORDINGS / SECRET CITY RECORDS

BUY / STREAM HOTLIFE HERE
ORDER THE HOTLIFE VINYL HERE

INTERNATIONAL TOUR DATES BEGIN TODAY WITH
STOPS IN CALGARY AND MONTREAL

“This 12-track album is Tiga condensed to his purest form. It’s all wheat, no chaff. All answers, no questions. Every element’s been stripped back to its bare bones to reveal a 100-carat Tiga, shiny, show-stopping, egg-like, flawless.” Beatportal

“...Tiga is entering a new chapter he describes as "all answers, no questions." His upcoming LP, HOTLIFE, unpacks personal demons alongside his takes on everything from Elon Musk and the manosphere to the "pornographic" repetition of the music industry's relentless churn. It's out April 17th via Turbo Recordings and Secret City Records, and features contributions from Boys Noize, Maara and Priori and more.”  Resident Advisor

Photo Credit : Qarim Brown // DOWNLOAD HIGH-RES

Montreal icon Tiga is back from heaven with his fourth album HOTLIFE, marking a new era on the journey towards Absolute Brain Freedom. Released today, April 17 via Turbo Recordings and Secret City Records, the project cements Tiga’s legendary status, and arrives barely a week after his Coachella Quasar stage performance. HOTLIFE was preceded by the well-received singles “ECSTACY SURROUNDS ME,”  “SILK SCARF” (feat. Fcukers), “HOT WIFE” (feat. Boys Noize), and “FRICTION.” 

Featuring global collaborators such as Boys Noize, Matthew Dear, Fcukers, MRD, Gesloten Cirkel, Paranoid London, Maara, and new hometown studio whiz-men Priori and Patrick Holland, HOTLIFE finds Tiga at the pinnacle of Music Mountain, hurling infectious dancefloor lightning at listeners below: "When I turn on the Catharsis Machine," says the storied singer-producer, “It don't matter if you're a rich man or a poor man, 'cause you're about to be a free man..."

WATCH / SHARE “SILK SCARF” FT. FCUKERS HERE

Reclaiming his perch atop the celestial firmament of contemporary dance music was not without a compelling and relatable narrative arc. Following an arduous battle with a neurological condition he discovered and named “Vibe Fog," Tiga found himself at a crossroads: "At a certain point, it was either buy the exoskeleton and cash out my Virgin Megastore stock, or rebuild Tiga City from the ground up, brick by brick, gargoyle by gargoyle." What has emerged is a Tiga that longtime Tiga-watchers are calling “angelic” and "terrifying," resulting in an album that captures the distilled essence of a tastemaker pushed beyond all human limits.

"My yes/no response time to artistic choices is off the charts,” adds Tiga. “We took each second shaved off every creative decision and reinvested it into the album's runtime. 12 songs. 60 minutes. Remarkable."

WATCH / SHARE “ECSTASY SURROUNDS ME”

MORE ABOUT TIGA
Tiga, born in Montreal, is a globally renowned DJ, producer, and the creative force behind Turbo Recordings. His journey began in the vibrant chaos of the 1980s Indian club scene, where he developed a deep appreciation for electronic music’s transformative power. Returning to Montreal in the early 1990s, Tiga pioneered a new wave of nightlife, introducing innovative party concepts, guest DJs, and Montreal’s first rave, “Solstice,” in 1993. His relentless pursuit of musical excellence saw him co-founding the legendary nightclub Sona, creating a sanctuary for bold, cutting-edge dance music, while his label Turbo Recordings became a launchpad for numerous iconic releases in electronic music from legends such as Chromeo, Azari & III, Gesaffelstein, Duke Dumont, ANNA, and Charlotte de Witte.

There’s always been a fertile creative tension at the heart of Tiga’s music: on the one hand he’s the underground techno don, on the other, there’s a pop sensibility that enables him to write great songs. It’s this duality that makes him one of electronic music’s most engaging characters. He’s about as far from your faceless techno DJ as it’s possible to get.

WATCH / SHARE “HOT WIFE” FT. BOYS NOIZE HERE

As a producer, Tiga achieved global recognition with his chart-topping cover of “Sunglasses at Night,” a collaboration with Zyntherius, which became an anthem for electro enthusiasts. His remix credits include high-profile artists such as The xx, LCD Soundsystem, Moby, Depeche Mode, and Justice, solidifying his reputation as a master of reinvention. Tiga’s contribution to the prestigious DJ Kicks series showcased his eclectic style, while his original works, including the hit single “Pleasure from the Bass,” cemented his place in the pantheon of electronic music. 

With his infectious creativity and a career spanning decades, Tiga continues to captivate audiences worldwide, shaping the sound of modern club culture. All the while, Tiga has toured the world extensively, playing legendary festivals and nightclubs such as Coachella, Sónar Festival, Berghain, Stereo Montreal, and Tomorrowland.

BUY / STREAM HOTLIFE HERE
ORDER THE HOTLIFE VINYL HERE

TIGA ON TOUR
April 17 - Jaeger, Oslo, NO
April 18 - Sun & Snow Festival, Granada, ES 
April 24 - Making Time, Philadelphia, US 
April 25 - Making Time, Washington DC, US
April 30 - Sound Department, Taranto, IT 
May 1 - Auditorija, Kaunas, LT 
May 3 - Blitz, Munich, DE
May 8 - Nitsa, Barcelona, ES
May 9 - Lula, Madrid, ES
May 17 - EDC, Las Vegas, US
May 21 - The Sanctuary, Rome, IT
May 22 - The Sanctuary, Milan, IT
May 24 - Club Del Diavolo, Quarrata, IT
May 25 - Movement, Detroit, US
June 7 - Under the K Bridge, Brooklyn, US
July 16 - Beat Herder, Lancashire, UK
July 18 - Rock Herk, Derk-de-Stad, BE
August 1 - Chasing Summer, Calgary AB
August 2 - HARD Summer, Los Angeles, US
August 8 - Ilesoniq, Montreal, CA
August 9 - Elements, Pennsylvania, US
August 12 - Sziget, Budapest, HU
August 14 - Wecandance Festival, BE
August 28 - Dantz Festival, San Sebastián, ES
September 4 - ARC Music Festival, Chicago, US
September 5 - Deep Tropics Festival, Nashville, US
September 18-20 - Making Time, Philadelphia, US
October 16-17 - iiiPoints, Miami, US

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HOTLIFE TRACKLIST
1. HOTWIFE feat. Boys Noize 
2. HIGH ROLLERS 
3. IAMWHATIAM feat. MRD
4. SILK SCARF feat. Fcukers 
5. FRICTION
6. NEED YOU TONIGHT
7. LOLLIPOP
8. I AM YOUR DETROIT SUNRISE
9. SEXLESS PORNOGRAPHIC LOSERS feat. Maara 
10. I KNOW A PLACE
11. CHERRY
12. ECSTASY SURROUNDS ME

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BANDCALLEDMAX NEW LP, LIVE AT THE CAMERON HOUSE, OUT TODAY

TORONTO’S WORST KEPT SECRET, BANDCALLEDMAX’S NEW RECORD, LIVE AT THE CAMERON HOUSE, OUT TODAY VIA VICTORY POOL RECORDS

LISTEN / SHARE “TURN IT UP” HERE

 BUY / STREAM LIVE AT THE CAMERON HOUSE HERE

PERFORMS LIVE AT THE CAMERON HOUSE TODAY FOR THE VICTORY POOL RECORDS SIX YEAR ANNIVERSARY

Photo Credit : Calm Elliott-Armstrong // DOWNLOAD HIGH-RES

bandcalledmax—Toronto’s worst-kept secret—is officially entering their bar band era. The anything-goes rock’n’roll trio of David Monks (Tokyo Police Club), Mike Small (Meligrove Band), and Nick McKinlay (Fast Romantics) embody a reckless energy that can only be fully appreciated live: hence their new record, Live at the Cameron House, out today via Victory Pool Records. 

Always on the verge of collapse but never missing a beat, bandcalledmax is a group of veterans with enough miles under their belt to let the music fall off the rails in front of a crowd and still rein it back in for a photo finish.

Struck up over a friendship and a shared enthusiasm for reckless playing, bandcalledmax have been performing their “Sock-Hop Rave-Up” (Exclaim!) wherever fate takes them: “The goofier a show sounds, the better.” Known for their legendary Dakota Tavern residencies—packed crowd, special Toronto-famous guests, and antics galore—the band’s approach may be summed up in that one night they did shots of red bull before going on stage at 2:30am. As a classic guitar-bass-drums trio, bandcalledmax is purposefully elastic, designed to entertain virtually any gig, whether in the corner of a bar or a livestreamed, backyard show – which the band did on a whim at McKinlay’s place. The band’s gigs and its sound are similarly fancy-free: “we always wind up somewhere we could never have anticipated.”

LISTEN / SHARE “TURN IT UP” HERE

At every chance, bandcalledmax turn down the dial of pretension, breaking the ice so that the crowd can enjoy themselves. Between their coordinated blue jumpsuits (“that was some real lead singer energy: coming into practice and saying, ‘are we cool if I order these band outfits’?”), customized guitar straps (bold orange letters reading “MAX”), and commitment to encouraging  people to dance like John Travolta and Uma Therman in Pulp Fiction, ridiculousness is key; you can relax when, as Small puts it, “there’s someone in here who looks stupider than you.”  

This is refreshing for a group of veteran Canadian musicians, whose careers reach across genres and geographies. Whether it’s Monks’ work with CanCon supergroup AnywayGang or nü metal band Klokwise; Small’s bass work with RUMBLEFRENZ, Elliott BROOD and Loviet; or Nick McKinlay’s drumming experience with Motorists, Ivan Rivers, and CJ Wiley, these three have an undercurrent of sonic understanding that makes it effortless for them to come together and let loose. “We spend so much time in other bands chasing a culminating album or sold out tour,” Monks explains, “and I see this band more as an experience or moments that you revel in but can’t hold on to.” Trusting in each other that these moments will arise, bandcalledmax isn’t about picking apart one another’s chord choices or squabbling over song structure: “We believe whatever we’re playing is the best idea we’ve had.” bandcalledmax fulfills what its members—and audiences—crave: a group that will take a big guitar solo, hit the brown notes, and open up a space in which every decision is right, if you do it with style.

LISTEN / SHARE “ROCKER” HERE

The band’s new record, Live at the Cameron House, finally offers a solid document of the band’s energy. It distills bandcalledmax’s ethos into a whirlwind of chaos, and catharsis. Recorded live-to-tape in the Cameron house back room (with a “spaceship of recording gear behind us,” the control room essentially squished into the bathroom), this album captures a “battle happening on stage,” as Monks and McKinlay fight for control of the wheel while Small keeps the car from veering off the road. The band takes you to “Partytown USA” (where Monks hams it up, crooning, ‘It ain’t what you wear, it’s what you keep on’), screams you through the perils of being a “TV Maggot,” and gets your heart racing with “Gun for Hire”, spitting Talking Heads references while ripping chords like The Hives. Known for bringing friends on stage for off-the-cuff experiments, this record features a raging saxophone solo (courtesy of Gordon Hyland) on “Tangerine” and Nichol Robertson on the aforementioned “Partytown USA”, stretching the unpracticed tension of the show even further as collaborators ride the band’s wave.

As the band explains, “There’s this magic of playing a show when you know it’s being recorded,” and you can hear this magic on album highlight “Wild Horses”. Monks—who’s been getting comfy with lead guitar in bandcalledmax after a career as a bassist—caps a two-minute, full-bodied solo by yelping “yeah!” into the mic – a moment of pure joy.

At a time when there’s a lot of pressure to treat music as a product, bandcalledmax makes music for the community, for the pals. They’re the bar band you wish played around the corner every night. bandcalledmax are rock n’ roll in the least ambitious sense: instant feelings, immediate doings, the instantaneous ecstasy of making noise together. As Live at the Cameron House attests, this also means enticing an audience to get down and follow the ruckus wherever it goes. “What’s the weirdest venue we can play next?” Monks asks: “Where’s the party going?”

BUY / STREAM LIVE AT THE CAMERON HOUSE HERE

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LIVE AT THE CAMERON HOUSE TRACKLIST
1 Theme
2 Rocker 
3 Infidelity 
4 Punch Buggy 
5 Partytown, USA 
6 Gun For Hire 
7 Fire 
8 Fool
9 Tangerine
10 TV Maggot 
11 I'm Gonna See My Baby Tonight 
12 Turn It Up 
13 Wild Horses 
14 Theme (Reprise) 

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