JASPER SLOAN YIP RETURNS WITH NEW SINGLE, “LOVE&WORRY”

JASPER SLOAN YIP RETURNS FIVE YEARS AFTER THE RELEASE OF HIS LATEST RECORD, STRANGE CALM/BLUSHING AUTUMN

WATCH / SHARE “LOVE&WORRY” LYRIC VIDEO HERE
BUY / STREAM “LOVE&WORRY” HERE

DOWNLOAD HIGH-RES

Today, celebrated Vancouver songwriter Jasper Sloan Yip shares his first new music since 2021’s Strange Calm/Blushing Autumn via Tiny Kingdom. Never one to rush the process, it’s been five years since the last release, and a lot has changed. 

His last record arrived in the midst of the great upheavals that dominated the early decade. Released quietly into a world of closed venues and parked vans, there was no celebratory show or subsequent tour to mark the event. Like many during those years, Jasper clicked send, closed his laptop and probably rewatched Breaking Bad.

During this ‘down time’, Jasper (mostly) put music aside and instead started a family. Milestones came and went, time accelerated with previously unused gears and Jasper's songwriting began to unpack all of it. Produced by John Raham (Frazey Ford, The New Pornographers), his new single, “love&worry”, was inspired by the mayhem of early parenthood, he says. “The arrival of our son caused life to compress and expand in completely different directions. The shape of our world changed and I had to find new ways of making it all fit. Four years in and I’m still struggling with that. Meanwhile, the maelstrom of the 2020s rages on in the background. This song exists somewhere in between these two extreme places. It’s about navigating this new season of life and the extreme weather that has defined it - joy, overwhelm, apprehension and revelation.”

WATCH / SHARE “LOVE&WORRY” LYRIC VIDEO HERE
BUY / STREAM “LOVE&WORRY” HERE

DOWNLOAD HIGH-RES

MORE ABOUT JASPER SLOAN YIP
In the intervening years since Jasper released Strange Calm/Blushing Autumn, his songs have trickled through the ether to reach new audiences. The collection amassed over 2.6 million streams, seeing regular additions to Apple and Spotify coffeehouse playlists, solidifying his place within Vancouver’s musical landscape. 

“Gin Fizz” became a fixture on CBC Radio 2, and songs like “Silver Lining” and “Halcyon Dream” found their way into feature film and network television placements. Live appearances were scarce but noteworthy. He shared bills with the Weather Station, Aysanabee, and Haley Blais to name a few, and also toured Japan.

Keep your ear to the ground for more new music from Jasper Sloan Yip in the near future.

JASPER SLOAN YIP ONLINE
WEBSITE
INSTAGRAM
FACEBOOK
YOUTUBE

ECHOES OF… RETURNS WITH NEW COLLABORATIVE ALBUM, LAST DAYS

ECHOES OF… THE ANDREW MORRISON (THE JERRY CANS) LED IQALUIT COLLECTIVE RETURNS WITH THEIR FIRST NEW MUSIC SINCE 2024’S DEBUT ALBUM EUPHEMISMS

LAST DAYS OUT VIA AAKULUK MUSIC AUGUST 21, 2026

LISTEN / SHARE “COLOURS I (INSTRUMENTAL)”  FEAT. SARA PAGE, KRISTINA KOROPECKI HERE

LISTEN / SHARE “COLOURS II” FEAT. TERRY UYARAK HERE

BUY / STREAM “COLOURS I (INSTRUMENTAL)” & “COLOURS II” HERE

PRE-SAVE LAST DAYS HERE

Photo Credit : Gisle Henriet // DOWNLOAD HIGH-RES

Nunavut musician and Aakuluk Music label owner Andrew Morrison, the one-time leader of JUNO Award-nominated Arctic folk-rock group the Jerry Cans, has created a beautiful and often mournful piano record, Last Days. The record is comprised of six instrumentals with each of the same works also recorded with Inuktitut-language poetry by rock legend James Ungalaq (Northern Haze) and JUNO Award-nominated singer-songwriter Terry Uyarak.

“It is a grief album, but a life album,” says Andrew. “There's lots about home. I think that's something that we struggle with, in this era of our lives, when we lose people, parents, but also lose people that we look up to artistically.

“It is a great honour to have both James and Terry contribute poetry to my album; they write absolutely beautiful words,” says Andrew. “We wanted to provide both Inuktitut and English guides to their poems with the hope that more people can understand life in Nunavut.”

Today, he shares the first two tracks from the album, “Colours I” and “Colours II” featuring Terry Uyarak. “This is the first single off an album in a completely new universe for me,” says Morrison. “As the world seems to get more complicated I think lots of us are searching for a solid foundation to live good days. Thoughts and values that seemed solid/normal all our lives are showing cracks, and just as the old man Leonard Cohen said, ‘that's how the light gets in’. What is that light? This song is a process of searching for it and I am honoured to have my dear friend Terry add words about his own pursuit of that light.”

LISTEN / SHARE “COLOURS I”  FT. SARA PAGE, KRISTINA KOROPECKI HERE

LISTEN / SHARE “COLOURS II” FT. TERRY UYARAK HERE

BUY / STREAM “COLOURS I” & “COLOURS II” HERE

Single Art // DOWNLOAD HIGH-RES

MORE ABOUT LAST DAYS
Last Days was largely inspired by Andrew’s late mother, who was comforted by her son’s piano instrumentals in her final months, but also his need to break out of his comfort zone and create a piece of art that can be taken to the great classical concert halls of the world. 

“I wanted to do something that ignores the rest of the commercialized appetites in the music industry and honour non-lyrical music. It’s a world I don’t know too much about, but I think that we’re told too quickly what songs are about, but with the Inuktitut poetry — because most people won’t understand it — the tone of the voice, I hope, conveys that. This is getting back to something that I feel is missing in art, which is our connection to what we’re feeling and expressing.”

During the pandemic, when Andrew’s mother was in care, every morning he played her snippets of the piano songs because he knew she enjoyed them. “I recorded them on my phone just as voice notes,” he says. 

Some of those intros are on the final recording, and some he rerecorded after she passed away.  “It was just time to diarize and remember the last moments of my mother passing away,” Andrew says. 

Self-produced in Inuktitut and Montreal, the instrumentals “House Is Home Vol. I”, “79th Ave Vol. I”, “The News Vol. I, The News 2 Vol. I”, “Colours I”, and “Sooth Your Soul Vol. I”, also feature Sara Page (Barr Brothers) on harp and Kristina Koropecki on cello.  

“The News” poems were written and recited by James Ungalaq. “Two of his band members had passed away this year so he was also in a devastated space,” says Andrew. “He had a bunch of poems that he had written. It’s him finding his place again, similar to me, being from a band that had a certain identity to something very different. I feel like for both of us, it's been mining our souls a little bit.”

DOWNLOAD HIGH-RES
LAST DAYS TRACKLIST
01 Sooth Your Soul Vol. I feat. Sara Page, Kristina Koropecki
02 Sooth Your Soul Vol. II feat. qiyuapik
03 The News, Vol. I feat. Sara Page, Kristina Koropecki
04 The News, Vol. II feat. qiyuapik
05 The News 2 Vol. I feat. Sara Page, Kristina Koropecki
06 The News 2 Vol. II feat. qiyuapik
07 79th Ave Vol. I feat. Sara Page, Kristina Koropecki
08 79th Ave Vol. II feat. qiyuapik
09 Colours I (Instrumental) feat. Sara Page, Kristina Koropecki
10 Colours II feat. Terry Uyarak
11 House Is Home Vol. I feat. Sara Page, Kristina Koropecki
12 House Is Home Vol. II feat. Terry Uyarak

ECHOES OF… ONLINE
WEBSITE
INSTAGRAM

DANA LEE SHARES FIRST NEW MUSIC OF THE YEAR, “LEAVE A TRACE”

DANA LEE SHARES NEW SINGLE, “LEAVE A TRACE”, FROM UPCOMING ALBUM DUE LATER THIS YEAR VIA RAM ON RECORDS

WATCH / SHARE “LEAVE A TRACE” HERE
BUY / STREAM “LEAVE A TRACE” HERE

TOUR DATES BEGIN JULY 31

Photo Credit : BNB Studios  // DOWNLOAD HIGH-RES

Dana Lee’s got the perfect recipe for hard-hitting country-folk confessionals. The Nelson B.C. singer-songwriter mashes old-time country and indie rock into gripping, heartfelt reflections on coming apart while trying to get it together. Produced by Boy Golden and Austin Parachoniak (Del Barber, Leith Ross), “Leave A Trace” is the first taste of new music from her upcoming album, Big Time, due out later this year via Ram On Records.

“Leave A Trace” ponders “all the places and people that have left their mark on me,” says Dana. “As I age, I wonder if it should be time to settle down, or do I remain committed to the constant wandering I’ve grown accustomed to? I was inspired to create a music video. Shot by Peter Koch on a summer day in August, my friends Zuri Reynolds and Denby Huber helped give the song a playful visual to accent the melancholy topic.”

WATCH / SHARE “LEAVE A TRACE” HERE
BUY / STREAM “LEAVE A TRACE” HERE

DOWNLOAD HIGH-RES

MORE ABOUT DANA LEE
Dana’s sound is informed by her early musical experiences: playing in an old-timey bluegrass band; participating in break-out jam sessions with her musical extended family; and honing her powerful voice singing Mennonite hymns in three-part harmony. With a full length album coming out in fall, Dana Lee has set her summer aside to play acoustic sets around BC and up north, teasing the masses for the music to come. Dana has a long history of performing in western Canada including tours with Richard Inman and performing at celebrated Manitoba festivals such as Winnipeg Folk Fest, Real Love, and Harvest Moon. Tree planting friends and a woodworking program brought Dana Lee from Manitoba to Nelson BC where she currently resides. 

TOUR DATES
Jul 31 - Westwold, BC - Westwold Hall
Aug 01 - Prince George, BC - Prince George Legion
Aug 06 - Whitehorse, YK - The 98' Hotel Lounge
Aug 18 - Fort St. John, BC - Chilli Cookoff House Show
Aug 19 - Edmonton, AB -  Bent Stick Brewing
Sep 01 - Slocan, BC - The Shop
Sep 02 - Nelson BC - The Royal

DANA LEE ONLINE
INSTAGRAM
BANDCAMP