ALLISON RUSSELL’S NEW LP OUT TODAY, SHARES NEW VIDEO FOR “SEARCHLIGHT”

ALLISON RUSSELL’S THIRD STUDIO ALBUM, IN THE HOUR OF CHAOS, OUT TODAY FROM FANTASY RECORDS

WATCH / SHARE “SEARCHLIGHT” FT. KASHUS CULPEPPER HERE

BUY / STREAM IN THE HOUR OF CHAOS HERE

ALBUM FEATURES NORAH JONES, BRITTNEY SPENCER, DEVON GILFILLIAN, SARA WATKINS, JOY OLADOKUN, KARA JACKSON, KASHUS CULPEPPER, DENITIA, JULIE WILLIAMS, RUBY AMANFU, KYSHONA, AHYA SIMONE, CHIBUEZE IHUOMA, AND MORE

ON TOUR NOW WITH SARAH MCLACHLAN

“a duet of comfort, affirmation, praise and solace...The song recognizes opposition and the need to stay defensive, but it’s determinedly optimistic.” - The New York Times re: “Black Lavender”

"Allison Russell is one of those performers who smile as they hypnotize. She lulls you into a delighted state and then all of a sudden, you realize her talent has wrapped itself around you, and there is no escape" - American Songwriter

“In the Hour of Chaos testifies to the power of resilience and unity in the face of the political, social, economic, and personal chaos we face daily in these times...Russell creates an ebullient community of song." - No Depression

“Russell's voice, ringing clear and stronger than ever, glides atop a grooving bassline to reveal magic in each corner — if only you remember where to look.” CBC Music re: “Rainbows”

“Allison Russell leans into the healing power of music on ‘Cold April’... With voices lifted together, Russell channels resilience, community, and the strength to keep moving forward.” - KCRW re: “Cold April”

"arriving directly from the magical musical cosmos is a new track from the ethereal Allison Russell… a song about extending grace, comfort, and care – and the importance of community to lift each other up" - The Bluegrass Situation re: “Black Lavender”

Today, GRAMMY Award-winning musician, poet, and actor Allison Russell releases her third studio album, In The Hour of Chaos, via Fantasy Records. Produced by Russell and Dim Star, the album is a fervent plea for connection in this time of alienation, isolation and dread. It’s an album that is meant to make you feel GOOD and, in these times, feeling good is a radical act. She also shares the Athena Kulb-directed video for the album’s focus track, “Searchlight” featuring Kashus Culpepper, who adds grit and swagger to the track. 

WATCH / SHARE “SEARCHLIGHT” FT. KASHUS CULPEPPER HERE

BUY / STREAM IN THE HOUR OF CHAOS HERE

The songs on Allison Russell’s In the Hour of Chaos are meant to reverse the tides that pull us farther and farther apart, even from ones we love the most. It’s only fitting that Russell leaned into her vibrant and ever expanding community of artists and friends to create a collaborative song suite that goes far beyond a succession of features. 

These songs unfold like a series of one act plays with Allison, who joins with an artist(s) from her rainbow diaspora, many from her adopted home in Nashville. Tactile, vulnerable, raw, soothing, sensual, and sad, each is a little capsule of humans being fully human and fully present. Allison Russell curates her collaborators with care including Norah Jones’ intimate ease on “Really Real” and Ruby Amanfu’s vulnerable grace on “Just Like Saturday”, both serve as portals into our flawed, fantastic, interconnected lives.

Early releases from the album include her Juneteenth single ft. Brittney SpencerBlack Lavender”, a celebration of sisterhood; “No Springtime” featuring Joy Oladokun and Julie Williams; and “Cold April”, a track showing intergenerational depth by featuring her tourmate Kara Jackson who is a recent collaborator of the Gorillaz and formerly the U.S. National Youth Poet Laureate, Denitia, and a CMT Next Women of Country selection who was also featured in Dolly Parton’s Threads: My Songs in Symphony. The track also includes the Explore! Pop Choir featuring Russell’s daughter, Ida.

WATCH / SHARE “COLD APRIL” HERE
FT. KARA JACKSON, DENITIA & EXPLORE! POP CHOIR

WATCH / SHARE “BLACK LAVENDER” FT. BRITTNEY SPENCER HERE

Elsewhere, Devon Gilfillian brings effortless warmth to “Love is a Golden Lion”, Chibueze Ihuoma adds an otherworldly tenderness to “Two Stars”, and Ahya Simone’s incomparable harp closes the circle with the haunting “Good Omens”. Across these songs, Russell holds the center effortlessly, while illuminating the voices of her chosen family. She turns these throughlines into golden thread, strengthening as she weaves, the only protection she knows against the chaos of this hour.

Community has deep importance to Allison, as evidenced in her recent conversation with community leader Rep. Justin Jones (TN-52) and moderated by singer-songwriter Ruby Amanfu at The National Museum of African American Music in Nashville where they discussed ways to remain strong and create joy during tumultuous times; in the midst of targeting, how to find strength in ourselves and for our neighbors. See select photos HERE

Russell also took the stage at the JUNO Awards earlier this year to pay tribute to fellow Canadian, Joni Mitchell with a duet between her and Sarah McLachlan. Russell is currently on tour throughout North America with McLachlan – see a full list of her tour dates below. 

WATCH ALLISON RUSSELL & SARAH MCLACHLAN AT THE 2026 JUNO AWARDS

WATCH / SHARE “NO SPRINGTIME” FT. JOY OLADOKUN & JULIE WILLIAMS HERE

Allison Russell just completed her second run on Broadway as Persephone in the 8x Tony Award winning musical Hadestown. She took over the role in November 2024 initially, after spending much of that year opening for Hozier on his Unreal Unearth Tour supporting his arena run on all US dates and throughout Europe. She made her Billboard Hot 100 debut thanks to their duet Wildflower & Barley”.

The accolades for Russell have been immense. Last year she was shortlisted for the Polaris Music Prize and named Billboard Women In Music Canada’s “Breakthrough Artist of the Year”. She has had 8 GRAMMY Award nominations and one win, earned three 2022 Americana Award nominations and a win for Album of the Year with subsequent nominations in 2023 and 2024, two International Folk Music Award wins, a 2022 JUNO Award nomination for Songwriter of the Year, and her first-ever JUNO Award win for Contemporary Roots Album of the Year. Russell won three Canadian Folk Music Awards, two UK Americana Music Awards, and more. 

BUY / STREAM IN THE HOUR OF CHAOS HERE

Photo Credit: Mason Poole // DOWNLOAD HIGH-RES

MORE ABOUT ALLISON RUSSELL
Montreal-born, Nashville-based Allison Russell is a GRAMMY, JUNO, Americana, SOCAN, and Folk Award–winning artist and Polaris Music Prize–shortlisted singer-songwriter, producer, author, actor, and human rights advocate.

Her acclaimed solo debut Outside Child (2021) was followed by The Returner (2023), released via Concord/Fantasy. Prior to her solo work, she co-founded and toured internationally with Po’Girl, Birds of Chicago, and Our Native Daughters, and remains an active collaborator with OND and a member of Joni Mitchell’s Joni Jam.

Her forthcoming memoir will be published by LittleBrown, and her third album is slated for release in 2026.

ALLISON RUSSELL TOUR DATES
Jul 10 – Leader Bank Pavilion – Boston, MA*
Jul 12 – BankNH Pavilion – Gilford, NH*
Jul 14 – Artpark Mainstage Theater – Lewiston, NY*
Jul 15 – Michigan Lottery Amphitheatre at Freedom Hill – Sterling Heights, MI*
Jul 17 – Acrisure Amphitheater – Grand Rapids, MI*
Jul 18 – Huntington Bank Pavilion at Northerly Island – Chicago, IL*
Jul 19 – Everwise Amphitheater at White River State Park – Indianapolis, IN*
Jul 21 – PNC Pavilion – Cincinnati, OH*
Jul 23 – Saint Louis Music Park – Maryland Heights, MO*
Jul 24 – Starlight Theatre – Kansas City, MO*
Jul 26 – The Pavilion at Toyota Music Factory – Irving, TX*
Jul 30 – Utah First Credit Union Amphitheatre – West Valley City, UT*
Aug 01 – Toyota Pavilion at Concord – Concord, CA*
Aug 02 – The Rady Shell at Jacobs Park – San Diego, CA*
Aug 04 – Greek Theatre – Los Angeles, CA*
Aug 07 – Hayden Homes Amphitheater – Bend, OR*
Aug 08 – Chateau Ste Michelle Winery – Woodinville, WA*
Aug 09 – Chateau Ste Michelle Winery – Woodinville, WA*
Oct 15 – The Orange Peel – Asheville, NC
Oct 22 – Massey Hall – Toronto, ON
Oct 23 – Theatre Beanfield – Montreal, QC
Oct 24 – Imperial Bell – Quebec City, QC
Oct 25 – National Arts Centre - Southam Hall – Ottawa, ON 
Oct 27 – Higher Ground The Ballroom – South Burlington, VT
Nov 01 – First Avenue – Minneapolis, MN
Nov 03 – Burton Cummings Theatre – Winnipeg, MB
Nov 05 – Winspear Centre – Edmonton, AB
Nov 06 – Grey Eagle Resort & Event Centre – Calgary, AB
Nov 09 – Chan Centre for the Performing Arts  – Vancouver, BC
*supporting Sarah McLachlan 

 

ALBUM ART // DOWNLOAD HIGH-RES

IN THE HOUR OF CHAOS TRACKLIST
1. Rainbows
2. No Springtime ft Joy Oladokun & Julie Williams
3. Cold April ft Kara Jackson, Denitia & Explore! Pop Choir
4. Black Lavender ft Brittney Spencer
5. Really Real ft Norah Jones
6. Just Like Saturday ft Ruby Amanfu
7. Chaos Theory ft Kyshona & Sara Watkins
8. Love is a Golden Lion ft Devon Gilfillian
9. Searchlight ft Kashus Culpepper
10. Two Stars ft Chibueze Ihuoma
11. Good Omens ft Ahya Simone

ALLISON RUSSELL ONLINE:
WEBSITE
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DANA LEE ANNOUNCES NEW LP, BIG TIME, SHARES NEW SINGLE

DANA LEE’S UPCOMING ALBUM, BIG TIME, OUT OCTOBER 15, 2026 VIA RAM ON RECORDS

LISTEN / SHARE “A SONG ABOUT PLAYING POOL” HERE
BUY / STREAM “A SONG ABOUT PLAYING POOL” HERE

PRE-SAVE BIG TIME HERE

TOUR DATES BEGIN JULY 31

Photo Credit : BNB Studios  // DOWNLOAD HIGH-RES

Dana Lee’s got the perfect recipe for hard-hitting country-folk confessionals. The Nelson B.C. singer-songwriter mashes old-time country and indie rock into gripping, heartfelt reflections on coming apart while trying to get it together. On her latest album Big Time, out October 15, 2026 via Ram On Records, Dana Lee twists these big emotions into authentic reflections and cheeky musings that capture the reckonings of her roarin’ twenties.

Produced by Liam Duncan (Boy Golden) and Austin Parachoniak (Del Barber, Leith Ross), Big Time is a dirt road country record that draws as much from Big Thief and Wednesday as from John Prine and Gillian Welch. “The vision was for the album to encapsulate all the genres that inspired it,” Dana explains, and she deftly threads the needle of these eclectic inspirations throughout. This sound is informed by Dana’s early musical experiences: playing in an old-timey bluegrass band; participating in break-out jam sessions with her deeply musical extended family; and honing her powerful voice by singing Mennonite hymns in three-part harmony at church.

Having already shared “Leave A Trace”, today Dana Lee is unveiling another album track, the Patsy Cline-inspired “A Song About Playing Pool”. “This is a song about finding my footing,” she explains. “It’s an homage to three things that have kept me grounded and loose in the last couple years: friends, writing music, and playing pool. One bar in town takes one toonie per game, and the other bar takes two loonies. The tune is a hug between the traditions of my childhood, and the rituals of my adulthood.”

LISTEN / SHARE “A SONG ABOUT PLAYING POOL” HERE
BUY / STREAM “A SONG ABOUT PLAYING POOL” HERE

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MORE ABOUT BIG TIME
Big Time jives, sways, and thrashes through Dana Lee’s journey as a “big time lonely small-town girl.” The title track sets the scene, with a teenage Dana looking out into the prairie horizon beyond her hometown of Steinbach, Manitoba, preparing for an abrupt, and permanent, departure. The songs that follow see Lee moving to Winnipeg, capturing “exactly what my twenties were like.” For Dana, this meant chaos, connection, partying, depression, breakups, and redemption—all while immersing herself in the city’s legendary music scene.

These songs brim with immediacy, as Dana breaks apart while trying to make sense of it all. One minute, she’s making “a damn circus out of my heart,” the next she’s wondering if she’ll get her smile back, or if it’s “gone forever.” Dana’s savoury vocals and timeless lyrics shine on the “A Song About Playing Pool”, which finds her starting to find peace in creating her own daily routines, while “I’m So Down”, a playful track led by fiddle, mandolin, and suitcase percussion, captures self-doubt creeping back in, as she sings: ‘I got so low that I saw heaven / made it back in time for 7 / now I’ve got all night to think about / all the ways I’m missing out’

“Cry Tears Sad”, which Dana had written as a mournful solo ballad in her downtown Winnipeg apartment a decade ago, becomes a raucous, electric waltz on Big Time, while the trotting “Leave a Trace” sums it all up heartbreakingly well: ‘Should I find my roots and settle down / or keep on rolling with this train? / Been so good to me some days / but it’s been so hard for me today’. 

WATCH / SHARE “LEAVE A TRACE” HERE
BUY / STREAM “LEAVE A TRACE” HERE

Big Time sounds like a Winnipeg record not just because it was recorded in that city with some of its finest musicians; the record, and Dana Lee’s work, embody the city’s DIY, grassroots spirit. The songs for Big Time emerged over years of back-and-forth songsharing between Lee and producer Liam Duncan (“What a dream,” Dana ponders, “to have friends who you can process life with through songwriting together”). Dana raised funds for the album by screenprinting and selling t-shirts that read: “I bought this shirt to help Dana Lee make an album. “And they’re strategically designed for crop possibilities” Dana explains, smiling: “if you want to keep it vague, it can just be ‘I bought this shirt to help Dana Lee’, and you can keep me out of it and make it read ‘I bought this shirt’!” Lee also designed the album cover and single artwork for Big Time, and with a history of handmaking CD cases, the DIY approach is imbued across her artistic process.

The closing track on Big Time finds Dana Lee finding peace, entering a new phase of life. “Through all these certainties and uncertainties,” Dana explains, “it’s a song about just being present in the moment, finally making peace with the chaos.” Dana is currently thriving as part of the fringe country scene in Nelson, BC, an outpost of Canada’s rural honkytonk renaissance. “It’s community building through dream-making, with so much excitement, support, and the sense that we’re doing this ourselves.” With the wind at her back and the sun shining her path, Dana Lee is set to keep singing her truth.

PRE-SAVE BIG TIME HERE

TOUR DATES
Jul 31 - Westwold, BC - Westwold Hall
Aug 01 - Prince George, BC - Prince George Legion
Aug 06 - Whitehorse, YK - The 98' Hotel Lounge
Aug 18 - Fort St. John, BC - Chilli Cookoff House Show
Aug 19 - Edmonton, AB -  Bent Stick Brewing
Sep 01 - Slocan, BC - The Shop
Sep 02 - Nelson BC - The Royal

DOWNLOAD HIGH-RES

BIG TIME TRACKLIST
1. Big Time
2. Big Time Reprise
3. Circus
4. When I Get Drunk
5. A Song About Playing Pool
6. That's Not Working For Me Today
7. I'm So Down
8. Cry Tears Sad
9. Leave A Trace
10. Big Ball

DANA LEE ONLINE
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BABYGIRL ANNOUNCE DELUXE LP, STAY HERE WHERE IT’S WARM(ER)

TORONTO INDIE POP DUO RELEASE DELUXE VERSION OF RECENT ALBUM, STAY HERE WHERE IT’S WARM(ER), OUT JULY 24, 2026 VIA ARTS & CRAFTS

LISTEN / SHARE "YOU DON'T NEED A REASON TO CALL (FEAT. VALLEY)"
BUY / STREAM "YOU DON'T NEED A REASON TO CALL (FEAT. VALLEY)"

PRE-SAVE STAY HERE WHERE IT’S WARM(ER)

“Downright dreamy music - Rolling Stone

“The chorus soars out from the shadows of nostalgia of melancholic recollections of moments with someone who redefined what love can be and into the bright burst of luminosity that saturates the single's accompanying artwork, with open chords and twinkling synths swirling like dust in a sunbeam: "Caught me in your headlights, I forgot to move." Exclaim! on "After You"

“While their nostalgic sound recalls the warm malaise of ’90s alternative rock, the band’s lyrics strike a contemporary chord, blending sad, solitary images with moments of crystalline clarity and emotional weight.” CONSEQUENCE

"Bandmates Kiki Frances and Cameron Bright layer on the melancholic yearning, jangling guitars, and haze ‘90s vibes, hitting on a deft balance of earnest pop melody and indie rock malaise.” Under The Radar

Photo Credit : Ryan Faist // HI-RES DOWNLOAD

Babygirl are breathing effervescent life into a new definition of pop music. The Toronto duo, comprised of Kiki Frances and Cameron Bright, are placing a refreshing spin on youth nostalgia with a contemporary edge, thanks to fuzzy guitar riffs and sincere lyrics.

Following the release of their debut album, Stay Here Where It's Warm, last October, Babygirl return with the deluxe version, Stay Here Where It's Warm(er), slated for release on July 24, 2026 via Arts & Crafts. Expanding on the characteristic warmth and wistfulness of the original record, the release features reimagined versions of fan favorites through remixes with Valley, ELIO, and Maddie Jay. 

Stay Here Where It's Warm(er) offers a fresh perspective on Babygirl's dream-like world; one that feels brighter & bigger, but just as comforting as the album that came before it. 

Today, they share the first re-imagining off the deluxe version with “You Don’t Need A Reason To Call” featuring fellow Toronto-based indie pop band and close friends Valley. “We initially wrote ‘You Don’t Need A Reason To Call’ as a duet and we’re so happy to have Valley join in and bring that original intention to life,” the band says. “We’ve been fans and friends for a long time, and they have supported us from day 1 as a band, so it’s a very special full circle moment for us to get to do this together.”

LISTEN / SHARE "YOU DON'T NEED A REASON TO CALL (FEAT. VALLEY)"
BUY / STREAM "YOU DON'T NEED A REASON TO CALL (FEAT. VALLEY)"

MORE ABOUT BABYGIRL AND STAY HERE WHERE IT’S WARM
What if a song could feel like a moment you never want to end—even though you know it must? Like being snuggled up in bed in the morning with the knowledge you’re going to have to start your day any moment now. The duality between the place of comfort and the loss of it is at the emotional core of Stay Here Where It’s Warm, the long-awaited debut album from Toronto band Babygirl.

Kiki and Cameron met in a jazz program and bonded over a shared love of Katy Perry, The Beach Boys, and the art of a good pop song. They were “kindred pop spirits,” as though fated to be a songwriting team. A pair of pop music philosophers, the two connected over dissecting the math of Max Martin and Swedish-penned Top 40 hits. “It was nice to find someone else there that was super passionate about pop music and took it seriously in the same way,” they say. It didn’t take long for collaboration to spark.

The plan, at first, was to write for other artists, Tin Pan Alley-style. They stockpiled demos and imagined their songs in the hands of pop stars. “And then we were sitting there with the pile of demos like, now what? How do we get [REDACTED]’s phone number?” They never did get in the studio with [REDACTED]—they haven’t yet, anyhow. In the process, they stumbled onto something singular: a distinct sound and voice that didn’t feel like it belonged to anyone else. So they started a band, named it Babygirl, and began putting their own songs out into the world.

That was almost ten years ago now; since Babygirl’s origin they’ve been releasing singles and EPs, like 2018’s Lovers Fevers, with the serenely melancholic indie hit “I Wish I Never Met You.” It set the stage for what they’ve been gradually, meticulously working on ever since: ‘I wish I knew forever would end so soon’, Frances sang—but she doesn’t sound sad, she sounds composed, cerebral, like she is contemplating a logic problem from a sunkissed future vantage point.

WATCH / SHARE “AFTER YOU” HERE
WATCH / SHARE “ALL IS WELL” HERE

This is the project of Babygirl: they are perfectionists whose music has been marinating since they met. 2000s pop-rock, ‘90s slacker rock, shoegaze, jangle and dream-pop stirred together with the comforting energy of two artists committed to their craft, and aren’t hiding behind a wall of nonchalance. “We’re often using our influences and then doing it in the most pop way possible,” they say. Their approach is part homage, part deconstruction. “We like to Trojan Horse our songs,” they say—sneaking huge pop choruses into an indie sound by filtering them through a lens of softness and heartache. 

The oldest song on Stay Here Where It’s Warm dates back to the time of their initial EPs. “Take Me Back” started as an attempt to enter the “pantheon of apology songs”—inspired by classics “I Want You Back,” “Sorry,” and “Ain’t Too Proud To Beg”—before evolving into a bittersweet dream-pop gem. Another, “You Don’t Need a Reason to Call,” spent years in the vault before the band figured out how to camouflage its stadium-sized pop chorus. 

Across Stay Here Where It’s Warm, each song puts a slightly different lens on what it means to stay, or leave, or want to. “All Is Well” floats on a quiet existentialism, its lyrics reaching for comfort in the cosmos: And when it’s not enough for me / I’ll turn my head and see infinity, Frances sings, endlessness contained in that refrain. “Give Up With Me” leans harder into ‘90s shoegaze—heavy, gorgeous, distorted—in service of surrender. On “Buzzed,” the haze lifts, if only for a second. A sticky, dizzy love song with the feel of a sugar rush, it’s all color and motion: It’s like somebody spiked the punch

WATCH / SHARE “TAKE ME BACK” HERE
WATCH / SHARE “DANCING WITH HER” HERE

Then there’s the sparkly “Dancing With Her,” emotionally raw but dappled in bright light. You don’t know how bad the bruise is til you’re pressing down, Frances sings. A reminder that joy and pain live in the same place. That the ache of something lost doesn’t cancel out the beauty of having had it. 

The new album’s title track captures their ethos: that ache to freeze a moment in time, even as you know it’s already slipping away. “You can’t stay in these perfect moments forever,” Frances explains. It’s all late-night phone calls, half-remembered dreams, tipsy romance, and the strange comfort of surrendering to the moment, then looking at it, whole, from the outside.

Stay Here Where It’s Warm is full of songs that have followed Babygirl, stayed percolating, or, as they put it, “keep tapping on our shoulders.” It’s a record that’s been simmering quietly while the band wrote, scrapped, rewrote, pored over every tiny detail. “Sometimes it feels like you’re making a pointillist painting and you’re just seeing the dots,” they say, “and then at the end you stand back” to see the world they’ve built. They call themselves “studio rats”—this album marks a step into the light.

PRE-SAVE STAY HERE WHERE IT’S WARM(ER)

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STAY HERE WHERE IT’S WARM(ER) TRACKLIST
01 Take Me Back
02 All Is Well
03 Dancing With Her
04 You Don’t Need A Reason To Call
05 You’re The Difference
06 Buzzed
07 Give Up With Me
08 Can’t Be Friends
09 Take Me To Heaven
10 After You
11 Stay Here Where It’s Warm
12 Dancing With Her (ft. ELIO)
13 Take Me To Heaven (ft. Maddie Jay)
14 You Don’t Need A Reason To Call (ft. Valley)
15 Stay Here Where It’s Warm (Instrumental)

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