LOONY SHARES “RaGDOLL”, FIRST NEW SINGLE OF THE YEAR

LOONY RETURNS WITH NEW SINGLE / VIDEO “RaGDOLL”, FIRST NEW MUSIC SINCE 2024’s SELF-TITLED ALBUM

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For years, there was one particular story LOONY couldn't bring herself to write. An abusive relationship of the past remained secret, not necessarily because she didn't know how to tell it, but because she wasn't ready to hear herself say it out loud.

"I'm not really sure what happened," she says. "It just kind of bubbled over one day and I found myself screaming things into a microphone." Those moments became the first traces of “RaGDOLL”, an unexpected new single from rising alt pop star.

"I think true anger is an emotion I have a hard time authentically portraying, especially when it's on my own behalf," she reflects. "It's somehow more vulnerable and private to me than crying - and I think that's by design, how young girls get socialized." That realization became less about revisiting the past than discovering a part of herself that had never before existed in her music. Ragdoll isn't interested in resolution—it's the sound of an artist finding a new emotional language in real time.

That emotional shift extends far beyond the lyrics and concept. “RaGDOLL” marks the beginning of a bold new chapter in LOONY's artistic world, expanding beyond the dreamy R&B that first introduced her into something darker, more cinematic and increasingly difficult to define. Genre lines begin to dissolve as analogue recording techniques, tape saturation and distortion become extensions of the emotion itself rather than aesthetic choices. Moments of hushed intimacy erupt into towering, almost theatrical passages, creating a sound that's as textured as it is visceral. 

The result isn't a departure for the sake of reinvention, it's a body of work that seemed to have demanded a different sonic language to tell the truth.

“RaGDOLL” doesn't announce a new era so much as reveal an artist stepping more fully into herself. It's music that embraces contradiction: softness alongside abrasion, intimacy beside spectacle, precision giving way to chaos. Bigger, riskier and more sonically adventurous than anything she's released before, it captures LOONY at the point where emotional honesty and artistic ambition finally begin to sound like the same thing.

BUY / STREAM “RaGDOLL” HERE
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MORE ABOUT LOONY
A dynamic and captivating artistic force, LOONY’s emotionally-charged, genre-defying compositions meld beautiful melodies with introspective lyrics, leaving an indelible mark within the hearts of her listeners. LOONY’s songs emote effortlessly and hint at the meaning behind her name: “My friends say I’m spacey as hell, I'm often in my own little world” she explains. Nevertheless, they carry weight. 

The songs on her JUNO Award nominated debut self-titled album LOONY, invite audiences on a journey through the complexities of girlhood. Over the course of two years in between studios in Los Angeles, London, and Rome LOONY wrote and recorded her stunning debut with support from producers Dan Farber, Akeel Henry, adamjosh and Aaron Paris, among others. LOONY possesses the singer-songwriter’s unwaveringly raw introspection, instinct for unpacking complex emotions and experience, and innate passion for storytelling. Widening her sonic range, the album emphasizes her essential process of collection, touching on personal experiences and honing in specifically on themes of impermanence, change, endings and new beginnings.

Photo Credit : Dak  // DOWNLOAD HIGH-RES

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BABYGIRL’S DELUXE LP, STAY HERE WHERE IT’S WARM(ER), OUT TODAY

TORONTO INDIE POP DUO RELEASE DELUXE VERSION OF RECENT ALBUM, STAY HERE WHERE IT’S WARM(ER), OUT TODAY VIA ARTS & CRAFTS

LISTEN / SHARE "DANCING WITH HER (FEAT. ELIO)"
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"Its reimagined version on the band's upcoming deluxe album  brings the full vision to life. Kiki Frances and Rob Laska's voices beautifully layer over each other.”
CBC Music, ‘Songs You Need To Hear’ on “You Don’t Need A Reason To Call” Ft. Valley

“Downright dreamy music - Rolling Stone

“The chorus soars out from the shadows of nostalgia of melancholic recollections of moments with someone who redefined what love can be and into the bright burst of luminosity that saturates the single's accompanying artwork, with open chords and twinkling synths swirling like dust in a sunbeam: "Caught me in your headlights, I forgot to move." Exclaim! on "After You"

“While their nostalgic sound recalls the warm malaise of ’90s alternative rock, the band’s lyrics strike a contemporary chord, blending sad, solitary images with moments of crystalline clarity and emotional weight.” CONSEQUENCE

"Bandmates Kiki Frances and Cameron Bright layer on the melancholic yearning, jangling guitars, and haze ‘90s vibes, hitting on a deft balance of earnest pop melody and indie rock malaise.” Under The Radar

Photo Credit : Ryan Faist // HI-RES DOWNLOAD

Babygirl are breathing effervescent life into a new definition of pop music. The Toronto duo, comprised of Kiki Frances and Cameron Bright, are placing a refreshing spin on youth nostalgia with a contemporary edge, thanks to fuzzy guitar riffs and sincere lyrics.

Following the release of their debut album, Stay Here Where It's Warm, last October, Babygirl return with their deluxe, Stay Here Where It's Warm(er). Expanding on the characteristic warmth and wistfulness of the original record, the release features reimagined versions of fan favorites through remixes with Valley, ELIO, and Maddie Jay.

Anchored by the energetic focus track "Dancing With Her (feat. ELIO)", Stay Here Where It's Warm(er) offers a fresh perspective on Babygirl's dream-like world; one that feels brighter & bigger, but just as comforting as the album that came before it.

On the focus track, the band says, "ELIO is an amazing artist and we love what she brought to this remix. Both her verse and her approach to the production shaped the record in a new way that feels like you’re at the party in the song."

LISTEN / SHARE "DANCING WITH HER (FEAT. ELIO)"
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MORE ABOUT BABYGIRL AND STAY HERE WHERE IT’S WARM
What if a song could feel like a moment you never want to end—even though you know it must? Like being snuggled up in bed in the morning with the knowledge you’re going to have to start your day any moment now. The duality between the place of comfort and the loss of it is at the emotional core of Stay Here Where It’s Warm, the long-awaited debut album from Toronto band Babygirl.

Kiki and Cameron met in a jazz program and bonded over a shared love of Katy Perry, The Beach Boys, and the art of a good pop song. They were “kindred pop spirits,” as though fated to be a songwriting team. A pair of pop music philosophers, the two connected over dissecting the math of Max Martin and Swedish-penned Top 40 hits. “It was nice to find someone else there that was super passionate about pop music and took it seriously in the same way,” they say. It didn’t take long for collaboration to spark.

LISTEN / SHARE "YOU DON'T NEED A REASON TO CALL (FEAT. VALLEY)"
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The plan, at first, was to write for other artists, Tin Pan Alley-style. They stockpiled demos and imagined their songs in the hands of pop stars. “And then we were sitting there with the pile of demos like, now what? How do we get [REDACTED]’s phone number?” They never did get in the studio with [REDACTED]—they haven’t yet, anyhow. In the process, they stumbled onto something singular: a distinct sound and voice that didn’t feel like it belonged to anyone else. So they started a band, named it Babygirl, and began putting their own songs out into the world.

That was almost ten years ago now; since Babygirl’s origin they’ve been releasing singles and EPs, like 2018’s Lovers Fevers, with the serenely melancholic indie hit “I Wish I Never Met You.” It set the stage for what they’ve been gradually, meticulously working on ever since: ‘I wish I knew forever would end so soon’, Frances sang—but she doesn’t sound sad, she sounds composed, cerebral, like she is contemplating a logic problem from a sunkissed future vantage point.

WATCH / SHARE “AFTER YOU” HERE
WATCH / SHARE “ALL IS WELL” HERE

This is the project of Babygirl: they are perfectionists whose music has been marinating since they met. 2000s pop-rock, ‘90s slacker rock, shoegaze, jangle and dream-pop stirred together with the comforting energy of two artists committed to their craft, and aren’t hiding behind a wall of nonchalance. “We’re often using our influences and then doing it in the most pop way possible,” they say. Their approach is part homage, part deconstruction. “We like to Trojan Horse our songs,” they say—sneaking huge pop choruses into an indie sound by filtering them through a lens of softness and heartache. 

The oldest song on Stay Here Where It’s Warm dates back to the time of their initial EPs. “Take Me Back” started as an attempt to enter the “pantheon of apology songs”—inspired by classics “I Want You Back,” “Sorry,” and “Ain’t Too Proud To Beg”—before evolving into a bittersweet dream-pop gem. Another, “You Don’t Need a Reason to Call,” spent years in the vault before the band figured out how to camouflage its stadium-sized pop chorus. 

Across Stay Here Where It’s Warm, each song puts a slightly different lens on what it means to stay, or leave, or want to. “All Is Well” floats on a quiet existentialism, its lyrics reaching for comfort in the cosmos: And when it’s not enough for me / I’ll turn my head and see infinity, Frances sings, endlessness contained in that refrain. “Give Up With Me” leans harder into ‘90s shoegaze—heavy, gorgeous, distorted—in service of surrender. On “Buzzed,” the haze lifts, if only for a second. A sticky, dizzy love song with the feel of a sugar rush, it’s all color and motion: It’s like somebody spiked the punch

WATCH / SHARE “TAKE ME BACK” HERE
WATCH / SHARE “DANCING WITH HER” HERE

Then there’s the sparkly “Dancing With Her,” emotionally raw but dappled in bright light. You don’t know how bad the bruise is til you’re pressing down, Frances sings. A reminder that joy and pain live in the same place. That the ache of something lost doesn’t cancel out the beauty of having had it. 

The new album’s title track captures their ethos: that ache to freeze a moment in time, even as you know it’s already slipping away. “You can’t stay in these perfect moments forever,” Frances explains. It’s all late-night phone calls, half-remembered dreams, tipsy romance, and the strange comfort of surrendering to the moment, then looking at it, whole, from the outside.

Stay Here Where It’s Warm is full of songs that have followed Babygirl, stayed percolating, or, as they put it, “keep tapping on our shoulders.” It’s a record that’s been simmering quietly while the band wrote, scrapped, rewrote, pored over every tiny detail. “Sometimes it feels like you’re making a pointillist painting and you’re just seeing the dots,” they say, “and then at the end you stand back” to see the world they’ve built. They call themselves “studio rats”—this album marks a step into the light.

PRE-SAVE STAY HERE WHERE IT’S WARM(ER)

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STAY HERE WHERE IT’S WARM(ER) TRACKLIST
01 Take Me Back
02 All Is Well
03 Dancing With Her
04 You Don’t Need A Reason To Call
05 You’re The Difference
06 Buzzed
07 Give Up With Me
08 Can’t Be Friends
09 Take Me To Heaven
10 After You
11 Stay Here Where It’s Warm
12. Take Me To Heaven (ft. Maddie Jay)
13. Dancing With Her (ft. ELIO)
14 You Don’t Need A Reason To Call (ft. Valley)
15 Stay Here Where It’s Warm (Instrumental)

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JASPER SLOAN YIP SHARES ANOTHER NEW SINGLE, “EVERSTRANGER”

JASPER SLOAN YIP RETURNS FIVE YEARS AFTER THE RELEASE OF HIS LATEST RECORD, STRANGE CALM/BLUSHING AUTUMN

WATCH / SHARE “EVERSTRANGER” LYRIC VIDEO HERE
BUY / STREAM “EVERSTRANGER” HERE

Photo Credit : Nelson Mouëllic // DOWNLOAD HIGH-RES

Today, celebrated Vancouver songwriter Jasper Sloan Yip follows his recent single, “love&worry”, with the new track, “everstranger”. The two songs mark his first new music since 2021’s Strange Calm/Blushing Autumn via Tiny Kingdom

During his ‘down time’, Jasper (mostly) put music aside to start a family. Milestones came and went, time flew and Jasper's songwriting began to unpack all of it. The new single, “everstranger”, sorts through all of life’s debris to search for what’s most important. 

“Do you remember being a kid, carried in from the car after a long evening drive, half awake or feigning sleep?,” Jasper says of the new song. “The car stops, parents whisper, doors open, your seatbelt is quietly unfastened, etc etc. I do, but it’s the kind of memory that isn’t actually a memory anymore. It happened so many times, each instance collapses into a single thing you just feel rather than remember.” 

“I’ve probably carried my sleeping son in from the car at least once a week for the past two hundred and fifty six weeks, and it is, every time, the best part of my day. No matter what difficulty or frustration I may be carrying from the preceding hours, that brief walk from the car to his bed always makes it right.”

“‘everstranger’ is about losing the plot and finding your way back. We often suffer alone, needlessly, caught up in a things that don’t or won’t matter. I certainly do, but I’m really working on it (grinning-face-with-sweat emoji). ‘everstranger’ shares that experience, and it helps me remember what’s actually important when I need it most.”

WATCH / SHARE “EVERSTRANGER” LYRIC VIDEO HERE
BUY / STREAM “EVERSTRANGER” HERE

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MORE ABOUT JASPER SLOAN YIP
In the intervening years since Jasper released Strange Calm/Blushing Autumn, his songs have trickled through the ether to reach new audiences. The collection amassed over 2.6 million streams, seeing regular additions to Apple and Spotify coffeehouse playlists, solidifying his place within Vancouver’s musical landscape. 

“Gin Fizz” became a fixture on CBC Radio 2, and songs like “Silver Lining” and “Halcyon Dream” found their way into feature film and network television placements. Live appearances were scarce but noteworthy. He shared bills with the Weather Station, Aysanabee, and Haley Blais to name a few, and also toured Japan.

Keep your ear to the ground for more new music from Jasper Sloan Yip in the near future.

WATCH / SHARE “LOVE&WORRY” LYRIC VIDEO HERE
BUY / STREAM “LOVE&WORRY” HERE

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