ABSOLUTELY FREE ANNOUNCES REMIX ALBUM, HOW TO REPAINT CLOUDS 

TORONTO BAND TO RELEASE MIDI REMAP ALBUM WITH REMIXES BY JOSEPH SHABASON, CASTLE IF, SCATTERED CLOUDS, NEW CHANCE, AND ZONES

WATCH / STREAM HOW TO PAINT CLOUDS JOSEPH SHABASON REMIX HERE

HOW TO REPAINT CLOUDS OUT MAY 5, 2022 VIA BOILED RECORDS

NEW ALBUM AFTERTOUCH OUT NOW ON BOILED RECORDS
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“A pathway to another dimension” – CLASH

“Deep-space cosmic-rock odyssey that they’ll be blasting on Orion” – Pitchfork 

 “Full of groovy motorik rhythms and reverb-soaked hooks” – Rolling Stone

“A fresh reintroduction to the group's motorik-driven psychedelia” – FADER

“A flying wedge of art pop” – Brooklyn Vegan

Photo Credit: Darren Rigo //  DOWNLOAD HIGH-RES

Absolutely Free released their sophomore album Aftertouch in late 2021, a carefully wrought and prismatic journey into the annals of contemporary (read: post-physical) culture. Running free with flourishes of experimentation, yet rooted in melody and rhythm, Absolutely Free blurs boundaries between avant-garde and pop across the album’s eight songs. “How To Paint Clouds,” a complex of soaring polyrhythms, arrived first with a music video of AI-generated cloud paintings. Known for their exploratory approach, Absolutely Free now revisits the song with How to Repaint Clouds, an 8-track remix project using only MIDI (Multi Instrument Digital Interface) files – a digital language that contains harmonic and rhythmic blueprints, but no actual recordings.

“The song’s lyrics reflect upon the transience of taste and how an artist’s feelings toward their work change over time,” the band says. “When a musician revisits their old songs, new interpretations are informed by changing contexts and evolving preferences. We wanted to stray from traditional modes of remixes based upon manipulating a song’s individual audio tracks, to provide the artists with an unusual freedom from the original material, to create new sounds and reassemble the motifs of the song.”

The resulting remixes scatter across a diverse aesthetic range (from dark techno to psych funk), interpreting the track’s original structures untethered from its instrumentation. The first salvo from the collection, an airy FX and saxophone laden piece by renowned Toronto musician Joseph Shabason evokes his signature ambient jazz and the terrestrial atmospherics of Jon Hassell. 

WATCH “HOW TO PAINT CLOUDS (JOSEPH SHABASON REMIX)” VISUALIZER HERE

Elsewhere in the collection, Castle If stays true to the arrangement, but puts every instrument through her iconic Moog synthesizer. Zones smooths out the time signature and phases-out their Rompler synth, creating a dense groove, and Scattered Clouds blows it wide open with an analog feel. New Chance provides a version that evokes the bitter end of the rave. And Absolutely Free offers two remixes of their own material through a 90's penchant for cascading rhythms and hypnotic progressions. How to Repaint Clouds will be released on May 5, 2022 via Boiled Records, and will arrive with a tactile rendering: 20 one-of-a-kind AI-generated cloud painting turntable slipmats.

PREORDER HOW TO REPAINT CLOUDS REMIX ALBUM & SLIPMAT

Shifting in the liminal space between analogue and digital sounds, real and fabricated images, reveling in and refuting the loss of tactility, Absolutely Free is able to create vibrations of physical tension and emotional resonance. A deeply considered masterwork of sonic craft and societal reflection more than five years in the making, Aftertouch is an extremely timely, beautiful, and restless meditation on the present moment. Produced by Jorge Elbrecht, who has shaped the sound of releases by No Joy, Gang Gang Dance, Japanese Breakfast, and his own bands Lansing-Dreiden and ViolensAftertouch is dense with ideas but balanced by precise decisions. Culling from a myriad of influences that span 60s pop, 70s krautrock, 80s new wave (see “Epilogue (After Touch)”, 90s IDM, 00s psych (see “Interface”), Absolutely Free has created a patina of disparate but harmonic styles distinctly its own. 

BUY / STREAM AFTERTOUCH HERE

Comprised of the core trio of Matt King (vocals/multi-instrumentalist), Michael Claxton (bass/synth), and Moshe Fisher-Rozenberg (drums/synth), Absolutely Free is an offshoot of the now-defunct experimental rock outfit DD/MM/YYYY, whose multi-rhythmic boundary-pushing raison d'être provided a springboard for the open skyline on which Absolutely Free now creates. The band’s Polaris-nominated 2014 debut album Absolutely Free., released via Arts & Crafts/Fat Possum Records garnered international acclaim from Pitchfork, FADER, Stereogum, Brooklyn Vegan, Exclaim!, Under The Radar, Pop Matters, AllMusic, many more. Absolutely Free have toured alongside Alvvays, Youth Lagoon, and Preoccupations and have shared bills with Beak>, Unknown Mortal Orchestra, U.S. Girls, and Fucked Up.   

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HOW TO REPAINT CLOUDS  TRACKLIST:
1 How to Paint Clouds
2 How to Paint Clouds (Absolutely Free Remix)
3 How to Paint Clouds (Joseph Shabason Remix)
4 How to Paint Clouds (Scattered Clouds Remix)
5 How to Paint Clouds (New Chance Remix)
6 How to Paint Clouds (Zones Remix)
7 How to Repaint Clouds (Absolutely Free Remix)
8 How Moogs Cloud Paint (Castle If Remix)

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ABSOLUTELY FREE VISUALIZES SOPHOMORE ALBUM, AFTERTOUCH

WATCH AND SHARE “EPILOGUE (AFTER TOUCH)” HERE

VISIT ABSOLUTELYFREE.CA ENHANCED WEBSITE

NEW ALBUM AFTERTOUCH OUT TOMORROW VIA BOILED RECORDS

BUY / STREAM AFTERTOUCH HERE

“Deep-space cosmic-rock odyssey that they’ll be blasting on Orion” – Pitchfork 

 “Full of groovy motorik rhythms and reverb-soaked hooks” – Rolling Stone

“A fresh reintroduction to the group's motorik-driven psychedelia, with rave-y synth breakdowns” – FADER

“The musical equivalent of colouring outside the lines” - CBC Music

AF_web1_DarrenRigo.jpg

Photo Credit: Darren Rigo //  DOWNLOAD HIGH-RES

Absolutely Free prepares for tomorrow’s long-anticipated release of its sophomore album, Aftertouch, with the opening song “Epilogue (After Touch)”. Introducing a collection of songs that wades into our recent loss of tactile culture, “Epilogue” is a whirring to life of wistful synthesizers, a wall of retrosynthetic new wave textures that builds against a post-apocalyptic sunrise to a shuffling, maximalist, electro-psych peak. ‘Touchdown can feel like an arrival / like a movie that’s faded out / But, I still wonder what’s behind,’ sings Matt King in still, melancholic tones. Accompanied by director Rachelle Walkers’ music video, which layers found footage in dark prismatic forms with Norman McLaren-like illusions of movement, “Epilogue (After Touch)” is an autumnal beginning to the broad, reflective sonic journey of Aftertouch – releasing midnight September 24 via Boiled Records

Says Absolutely Free: “‘Epilogue (After Touch)’ conjures an existence, where a linear progression of time no longer seems applicable. With reference to cinematic narrative, the lyrics touch upon living in a contemporary culture that seems to be referential and symbolic of what’s already in the past.”

WATCH “EPILOGUE (AFTER TOUCH)” HERE

Absolutely Free has developed a long resumé of visual art alongside its adventures in sound, including holographic performances, live film score work with the National Film Board of Canada, Toronto International Film Fest, and more. To mark the release of Aftertouch, the band has created an enhanced website that includes visualizers for every song. As a fitting bookend to “Epilogue”, the album closing “Morning Sun” is accompanied by a web app that locates exactly where in the world the sun is currently rising; and the relentlessly rhythmic Santana-esque “Clear Blue Sky” is met with a Google Maps-generated music video that drives the viewer to their current IP address location, with a twist awaiting them at the destination. Absolutely Free marks the album’s release with a special appearance Saturday, September 25, at Long Winter Together Apart in Toronto.

VISIT ABSOLUTELYFREE.CA ENHANCED WEBSITE

MORE ABOUT AFTERTOUCH
Running free with flourishes of experimentation, yet rooted in accessible melody and rhythm, Absolutely Free blurs boundaries between avant-garde and pop across the album’s eight songs. A tug-of-war within its sonic harmony, Aftertouch explores narratives of hegemony, grief, and exploitation in the present while ultimately sustaining curiosity for the unknown future. Making reference to the name of a synthesizer function, Aftertouch deconstructs seismic shifts in contemporary culture and lingers in the echoing sensations that remain.

Known for their varying multi-instrumentalist approaches and experimental live performances, Absolutely Free “wanted to create an album that wasn’t bound by a physical ability to perform it live, to not only expand our palette, but also to consider the live performance as something completely separate.” Shifting in the liminal space between analogue and digital sounds, real and fabricated images, revelling in and refuting the loss of tactility, Absolutely Free is able to create vibrations of physical tension and emotional resonance.  A deeply considered masterwork of sonic craft and societal reflection more than five years in the making, Aftertouch is an extremely timely, beautiful, and restless meditation on the very present moment. 

The band says:
“Aftertouch is the feeling of loss for the physical.
Aftertouch represents the point where an action ceases and reaction begins.
Aftertouch is about how the past gets distorted as a reflection of the present.
Aftertouch is the idea of letting go of physicality and exploring the new realities in which we presently exist.”

BUY / STREAM AFTERTOUCH HERE

The Toronto psychedelic pop trio’s Polaris Music Prize nominated self-titled debut was hailed as “breathtakingly beautiful” by Stereogum upon its 2014 release. Following an array of multimedia projects and releases, including 2019’s Geneva Freeport EP (featuring U.S. Girls’ Meg Remy) and 2020’s Two Cares Due None OST, the band recently returned with the ascendant “How To Paint Clouds” – called a “flying wedge of art pop” by Brooklyn Vegan – and “Interface”, a kaleidoscopic blast about the dichotomy of the digital-social identity that CLASH called a “pathway to another dimension.” The recently released “Remaining Light”, a six-minute centrepiece of the album, is a sprawling two-part journey about rising gun violence against marginalized populations, its marimba-propelled groove evoking shades of Arthur Russell's World of Echo and the post-rock sensibilities of Tortoise and Meddle-era Pink Floyd.

Produced by Jorge Elbrecht, who has shaped the sound of releases by No Joy, Gang Gang Dance, Japanese Breakfast, and his own bands Lansing-Dreiden and ViolensAftertouch is dense with ideas but balanced by precise decisions. Culling from a myriad of influences that span 60s pop, 70s krautrock, 80s new wave, 90s IDM, 00s psych, Absolutely Free has created a patina of disparate but harmonic styles distinctly its own. 

WATCH “INTERFACE” HERE

Comprised of the core trio of Matt King (vocals/multi-instrumentalist), Michael Claxton (bass/synth), and Moshe Fisher-Rozenberg (drums/synth), Absolutely Free is an offshoot of the now-defunct experimental rock outfit DD/MM/YYYY, whose multi-rhythmic boundary-pushing raison d'être provided a springboard for the open skyline on which Absolutely Free now creates. The band’s Polaris Music Prize nominated 2014 debut album Absolutely Free., released via Arts & Crafts/Fat Possum Records garnered international acclaim from Pitchfork, FADER, Stereogum, Brooklyn Vegan, Exclaim!, Under The Radar, Pop Matters, AllMusic, many more. Absolutely Free have toured alongside Alvvays, Youth Lagoon, and Preoccupations and have shared bills with Beak>, Unknown Mortal Orchestra, U.S. Girls, and Fucked Up.   

AF_LP_A_cover.jpg

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TRACK LIST
01: Epilogue (After Touch)
02: How To Paint Clouds
03: Interface
04: Remaining Light
05: Still life 
06: Are They Signs
07: Clear Blue Sky
08: Morning Sun

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ABSOLUTELY FREE SHARES “REMAINING LIGHT” FROM UPCOMING ALBUM

LISTEN / SHARE “REMAINING LIGHT” HERE

NEW LP, AFTERTOUCH, OUT SEPTEMBER 24 VIA BOILED RECORDS

PREORDER AFTERTOUCH HERE

“A pathway to another dimension” - CLASH

“The musical equivalent of colouring outside the lines” - CBC Music

“Deep-space cosmic-rock odyssey that they’ll be blasting on Orion” – Pitchfork 

 “Full of groovy motorik rhythms and reverb-soaked hooks” – Rolling Stone

 Photo Credit: Darren Rigo //  DOWNLOAD HIGH-RES

Absolutely Free shares another slice of the band’s prismatic digital arcadia with “Remaining Light”, a sprawling two-part sonic journey, originally written in 2016, incited by rising gun violence against marginalized populations at the time. The song is a centrepiece of Absolutely Free’s long-anticipated sophomore album, Aftertouch – out September 24 via Boiled Records.

On “Remaining Light”, Absolutely Free tackles issues of structural racism, poverty and injustice embedded within society’s corrupt systems. “Remaining Light” takes us one step closer to a glacial cybernetic  landscape — its retro-synths and marimba-propelled groove evoking shades of Arthur Russell's World of Echo and the post-rock sensibilities of Tortoise and Meddle-era Pink Floyd.

Absolutely Free: “‘Remaining Light’ expresses the frustration felt towards invincible and corrupt institutions that uphold structural inequities, including police brutality and manufactured poverty experienced primarily by racialized communities. Written during a heat wave in the summer of 2016, the song dishearteningly remains as relevant as ever today.”

LISTEN / SHARE “REMAINING LIGHT” HERE

“REMAINING LIGHT” SINGLE ARTWORK // DOWNLOAD HIGH-RES

Running free with flourishes of experimentation, yet rooted in accessible melody and rhythm, Absolutely Free blurs boundaries between avant-garde and pop across the sophomore album’s eight songs. A tug-of-war within its sonic harmony, Aftertouch explores narratives of hegemony, grief, and exploitation in the present while ultimately sustaining curiosity for the unknown “post-everything” future. Making reference to the name of a synthesizer function, Aftertouch deconstructs seismic shifts in contemporary culture and lingers in the echoing sensations that remain.

Known for their varying multi-instrumentalist approaches and experimental live performances, Absolutely Free “wanted to create an album that wasn’t bound by a physical ability to perform it live, to not only expand our palette, but also to consider the live performance as something completely separate.” Shifting in the liminal space between analogue and digital sounds, real and fabricated images, revelling in and refuting the loss of tactility, Absolutely Free is able to create vibrations of physical tension and emotional resonance.  

WATCH / LISTEN TO “HOW TO PAINT CLOUDS”

The Toronto psychedelic pop trio’s Polaris Music Prize nominated self-titled debut was hailed as “breathtakingly beautiful” by Stereogum upon its 2014 release. Following an array of multimedia projects and releases, including 2019’s Geneva Freeport EP (featuring U.S. Girls’ Meg Remy), the band recently returned with the ascendant “How To Paint Clouds” – called a “flying wedge of art pop” by Brooklyn Vegan – and “Interface”, a kaleidoscopic blast about the dichotomy of the digital-social identity that CLASH called a “pathway to another dimension.”

WATCH AND SHARE “INTERFACE” HERE

Produced by Jorge Elbrecht, who has shaped the sound of releases by No Joy, Gang Gang Dance, Japanese Breakfast, and his own bands Lansing-Dreiden and ViolensAftertouch is dense with ideas but balanced by precise decisions. Culling from a myriad of influences that span Krautrock, New Wave, the proliferation of international Psychedelic and Funk Compilations, and early forms of electronic dance music, Absolutely Free has created a patina of disparate but harmonic styles distinctly its own. 

Comprised of the core trio of Matt King (vocals/multi-instrumentalist), Michael Claxton (bass/synth), and Moshe Fisher-Rozenberg (drums/synth), Absolutely Free is an offshoot of the now-defunct experimental rock outfit DD/MM/YYYY, whose multi-rhythmic boundary-pushing raison d'être provided a springboard for the open skyline on which Absolutely Free now creates. The band’s Polaris-nominated 2014 debut album Absolutely Free., released via Arts & Crafts/Fat Possum Records garnered international acclaim from Pitchfork, FADER, Stereogum, Brooklyn Vegan, Exclaim!, Under The Radar, Pop Matters, AllMusic, many more. Absolutely Free have toured alongside Alvvays, Youth Lagoon, and Preoccupations and have shared bills with Beak>, Unknown Mortal Orchestra, U.S. Girls, and Fucked Up.   

DOWNLOAD HIGH-RES

TRACK LIST
01: Epilogue (After Touch)
02: How To Paint Clouds
03: Interface
04: Remaining Light
05: Still life 
06: Are They Signs
07: Clear Blue Sky
08: Morning Sun

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BANDCAMP
FACEBOOK
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TWITTER