WINTERSLEEP SHARE MUSIC FROM NEW LP, ANNOUNCE 2019 TOUR DATES

WINTERSLEEP SHARE “SURRENDER”, THE FIRST NEW MUSIC FROM THEIR UPCOMING LP, IN THE LAND OF, OUT MARCH 29, 2019 VIA DINE ALONE RECORDS

LISTEN AND SHARE “SURRENDER” HERE

BUY/STREAM “SURRENDER” HERE

2019 CROSS CANADA TOUR DATES BEGIN MARCH 20, 2019

TICKETS ON SALE THIS FRIDAY, DECEMBER 14, 2018

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PHOTO CREDIT : Norman Wong // DOWNLOAD HIGH-RES


“The average Canadian carries around with them in their head a vision of spaciousness.” So theorized Canadian composer R. Murray Schafer, describing a so-called ‘Canadian sound.’ For Schafer and many others, it was a sound defined by space, by the land and our distance from and proximity to it. For Harry Freedman, it was “gaunt” and “lonely.” Elaine Keillor called it “immense, empty, mysterious, harsh, indifferent, producing a response of awe mingled with terror and an intense sense of spiritual loneliness.”

On Wintersleep’s seventh full-length record, In the Land Of, this geography is both real and imagined. It is understood that our surroundings are not, in fact, essential or concrete elements; they’re constructed in relation to us, the inhabitants. Our identities, too, are constructed in relation to the land. The land, both physical and figurative, changes, and so do we. Familiar land. Foreign land. Inhospitable land. Unceded land. Stolen land. Dead land.

Like all Wintersleep records, In the Land Of encourages thought and introspection. The new record’s title is an incomplete thought, a blank that is filled in across the record with different places, words, and sounds. “A lot of the songs touch on this idea of being a stranger or feeling foreign in all the different landscapes in which the songs took place lyrically,” explains vocalist and guitarist Paul Murphy. “It all relates back to the land,” adds guitarist Tim D’Eon.

Today, the JUNO Award winning group are sharing the opening track from the forthcoming LP, “Surrender”. The somber, misty waltz sees D’Eon’s guitar, pushing through dark, rippling triplets that patiently ascend and descend, heralding a record that is in no rush: it is purposeful and spacious. Murphy’s voice enters the fray: ‘36 years young / Halfway to my tomb,’ he intones. Steadily and surely, Loel Campbell’s drums creep in with gentle snare and kick, along with Chris Bell’s bass, and Jon Samuel’s keys. These elements coalesce, quiet at first before exploding in a magnificent, cinematic crescendo as Murphy howls, ‘I surrender to you!’

Murphy explains that it’s a love song, wrapped up in the relinquishing of control over one’s feelings. It introduces a strain of anti-heroism and fatalism that is present through the record, one that is on some level wrought with existential worry. Campbell frames it as “the struggle that lots of people go through: of meaning, purpose. Are you happy? Are you doing the right things for yourself?”

LISTEN AND SHARE “SURRENDER” HERE

BUY/STREAM “SURRENDER” HERE

Provided to YouTube by Universal Music Group Surrender · Wintersleep Surrender ℗ 2018 The Tom Kotter Company under exclusive license to Dine Alone Music Inc.


In the Land Of follows 2016’s The Great Detachment, which saw CanCon Rock Single Of The Year “Amerika” spend 11 consecutive weeks atop Canada’s rock radio charts, remaining in the Top 10 for over 7 months as well as winning an Indie Award for Single Of The Year and a JUNO Award nomination for Adult Alternative Album..

On March 20, 2019, Wintersleep will take to the road with tour dates throughout Canada. Full tour dates can be found below. Tickets will be on sale this Friday, December 14. The JUNO Award winners have previously toured several continents and shared stages with Pearl Jam, Broken Social Scene and the Hold Steady, a performance on Late Night with David Letterman and even an opening slot for Sir Paul McCartney.

Watch for more news about In the Land Of to be announced soon.  

2019 CANADIAN TOUR DATES
03.20.19 // Waterloo, ON // Maxwell's
03.21.19 // London, ON // London Music Hall
03.22.19  // Hamilton, ON  // New Vision United Church
03.23.19 // Ottawa, ON // Bronson Centre
03.27.19 // Moncton, NB // Tide & Boar
03.28.19 // Fredericton, NB // Boyce Farmers Market
03.29.19 // Halifax, NS // The Marquee Ballroom
03.31.19 // St John's, NL // Club One
04.12.19 // Creemore, ON // Avening Community Hall
04.13.19 // Toronto, ON // The Danforth Music Hall ^
04.18.19 // Saskatoon,SK // The Capitol Music Club ^
04.19.19 // Edmonton, AB // The Starlite Room ^
04.20.19 // Calgary, AB // The Palace Theatre ^
04.22.19 // Nelson, BC // Spiritbar ^
04.23.19 // Kelowna, BC // Sapphire Nightclub ^
04.25.19 // Kamloops, BC // Cactus Jacks ^
04.26.19 // Vancouver, BC // Commodore Ballroom
04.27.19 // Victoria, BC // Capital Ballroom
04.30.19 // Red Deer, AB // Bo's Bar & Grill ^
05.02.19  // Regina, SK // The Exchange ^
05.03.19// Winnipeg, MB // The Garrick ^

^ with special guests Partner

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LIVING HOUR SHARE NEW LIVE VIDEO FOR “BOTTOM STEP”

LIVING HOUR SHARE NEW LIVE VIDEO FOR “BOTTOM STEP”

 SOFTER FACES DUE OUT MARCH 1 VIA KANINE RECORDS

 
WATCH AND SHARE “BOTTOM STEP” LIVE HERE

BUY / STREAM “BOTTOM STEP” HERE

 
PRE-ORDER SOFTER FACES HERE

 
2019 CANADIAN TOUR DATES BEGIN JANUARY 24

 
“Some of the most heartsick synth-pop since Cocteau Twins.” - Noisey

 “Grandiose, all-encompassing shoegaze that stretches to the ends of the earth” - Stereogum

 “Hazy, widescreen pop with emotive smoky vocals” - Brooklyn Vegan

 "Slowdive just returned, but shoegaze music was already in good hands with Living Hour." - NPR

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Today, Winnipeg’s Living Hour are sharing the live video for the hazy, hypnotic track “Bottom Step”, the first single from their upcoming album, Softer Faces. For the live video “we tried to find the most beautiful and pleasing environment possible to fit the song -  which brought us to Pointe Du Bois, Manitoba,” says vocalist Sam Sarty. “We waited all day for the perfect light and performed for a small crowd of friends and family. The water and views are serene and still.”

Living Hour's Bottom Step is from the upcoming album Softer Faces Preorder/stream here: http://smarturl.it/livinghour Follow Living Hour http://facebook.com/livinghourband http://instagram.com/livinghour http://twitter.com/living_hour http://kaninerecords.com/living-hour


BUY / STREAM “BOTTOM STEP” HERE


Due out March 1 via Kanine Records, Softer Faces follows up to their highly-praised 2016 S/T debut, featuring haunting, ethereal vocals accompanied by lush, expansive instrumentation. Of the first single, NPR says “Bottom Step” “softly but assertively navigates the feeling of rejection, accented by delicate synth and brass.”

 Living Hour has been expanding since their humble basement beginnings in 2015. Now a quintet, rounded out by Gil Carroll (guitar), Adam Soloway (guitar, vocals), Alex Chochinov (drums, trumpet, orangelle), and Brett Ticzon (bass, vocals), Living Hour’s emotive vocals, intricate harmonies, with dreamy washes of guitar, bass, keys, and horns sees the band pulling from many genres to create their own diverse vibe that's intimate, honest, and vulnerable.

Softer Faces was produced by Kurt Feldman (The Pains of Being Pure at Heart, Chairlift, DIIV, Dum Dum Girls) in Living Hour’s hometown and mixed by Jarvis Taveniere (Real Estate, Woods, Blouse, Widowspeak) at Thump Studios in Brooklyn.

 WATCH AND SHARE “BOTTOM STEP” LYRIC VIDEO HERE

The band has announced tour dates for early 2019, including performances in Saskatoon, Calgary, Rossland, Edmonton, and Regina before heading to Austin for SXSW. Full tour dates can be found below.

Known for their mesmerizing and deeply-moving live show, Living Hour has toured Europe, the UK and North America. Their performance captures the dreamy, emotional power of the band’s recordings, creating a mesmerizing, unforgettable, cathartic, and deeply moving live music experience. Sarty finds that, "Sometimes people are a little turned off and not living in the now or being present. I find that when you perform, it's one of the most present moments that you can be in. You're living in the hour." The band is currently wrapping up a North American tour -- see below for upcoming dates.

 

PRE-ORDER SOFTER FACES HERE

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LIVING HOUR ON TOUR

Jan 24 - Saskatoon, SK - Winterruption Festival @ Black Cat
Jan 25 - Calgary, AB - Big Winter Classic
Jan 26 - Rossland, BC - Blizzard Fest
Jan 29 - Edmonton, AB - Aviary
Jan 30 - Regina, SK - T&A Vinyl
Mar 7 - New York, NY - New Colossus Festival @ Pianos
Mar 9 - Savannah, GA - Savannah Stopover Festival
Mar 13-17 - Austin, TX - SXSW

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SOFTER FACES TRACKLIST
Hallboy
Bottom Step
I Sink I Sink
Water
Before You Leave
No Past
Slow Shines
Inside
Most

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KALLE MATTSON SHARES COURT ORDERED CHRISTMAS SONG

KALLE MATTSON SHARES WHAT MAY BE THE FIRST CHRISTMAS SONG WRITTEN ABOUT DIVORCE, “TWICE THE GIFTS (HALF THE LOVE)”

WATCH AND SHARE “TWICE THE GIFTS (HALF THE LOVE)” LYRIC VIDEO HERE

STREAM / BUY “TWICE THE GIFTS (HALF THE LOVE)” HERE


NEW LP, YOUTH., OUT NOW

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Today, Kalle Mattson starts off the Holiday Season on a real cheery note with the new song “Twice The Gifts (Half The Love)”, which he believes might be the first Christmas song about divorce. “My parents got divorced something like the day after I was born (a little insight into how I am the way I am), so my only memories of Christmas and the holidays are divorced ones,” says Mattson. “Spending half the day at one house then driving to the next. Two dinners, double the families, and yes twice the gifts. I did some research and I couldn’t believe there weren’t any divorced Christmas songs (or any that I could find), so hopefully I’ve filled the gap for all us children of divorce.”

Mattson would like to add that he did receive plenty of love as a child, “the title just made me laugh is all.” “Twice The Gifts (Half The Love)” will also be included on UK Website The Line of Best Fit's Ho! Ho! Ho! Canada holiday compilation series, which releases its 10th Edition on December 16th. The soon to be holiday classic will also be available for streaming and purchase on all music platforms tomorrow, December 5th.

Directed by Martin Charbonneau Edited by Harley Fitzsimmons Produced by Kalle Mattson, Martin Charbonneau, Cayllan Cassavia & Jo Steventon Words & music by Kalle Mattson Produced by Colin Munroe Mixed by Colin Munroe Mastered by Philip Shaw Bova Social Media Website - https://www.folkisdead.com Facebook - https://www.facebook.com/kallemattson Instagram - https://www.instagram.com/kallemattson Twitter - https://twitter.com/kallemattson Music Spotify - https://open.spotify.com/artist/2Jv66...

STREAM / BUY “TWICE THE GIFTS (HALF THE LOVE)” HERE


Earlier this year Mattson released his latest LP, Youth., a coming-of-age record about innocence lost, promises denied, and the purgatory of one’s mid-20s. While he may have written all the songs on acoustic guitar in his bedroom, the electronics draped all over every song make it far from what most people would consider a folk record. “If someone puts me into a genre, it’s always folk music,” says the singer-songwriter, who cites Kanye West as a production influence on Youth.. “There are elements of folk music, sure, but I don’t think that’s who I am. My motto going into this record was: ‘Folk is dead.’ ”

Folk music is about storytelling, which is something Mattson knows well enough. “People latched on to my last album because there was a story,” he says. “Writing in a box was exciting and interesting to me: here’s a theme, so how far can you go with it, and how can you make it seem like a cohesive piece?” For his latest LP Youth., he set out to write about his time growing up in Sault Ste. Marie, Ontario, a small border town between Great Lakes Superior and Huron. He credits “the Soo” with giving him ambition—to get the heck out of there.

He wanted to write about his friends who are still there, and about his generation who are now between adolescence and adulthood — the latter being a delayed concept in the modern world, when few people yet feel confident on their life path by age 25. “It’s about when dreams become regrets, all your friends become strangers when you don’t have something binding everyone together, like school,” he says. “I thought about coming-of-age movies and novels, and couldn’t think of many coming-of-age albums.” That is, except for two of his all-time favourites: Bruce Springsteen’s Born to Run and Darkness On The Edge Of Town.


WATCH AND SHARE “ONCE” HERE
PURCHASE / STREAM YOUTH. HERE


Sonically, however, Youth. owes more to Springsteen’s Tunnel of Love, with a lonely, ghostly timbre to the synths employed by Colin Munroe (Drake, Sky Ferreira) — who also worked on Mattson’s 2015 EP Avalanche, nominated for a JUNO Award. Munroe dressed up Mattson’s acoustic demos and shared songwriting credit on tracks that are too catchy to be anything but pure pop music. Mixed by Noah Georgeson (Devendra Banhart, Joanna Newsom, Andy Shauf), Youth. is a studio record,” says Mattson. “I wanted to give it a specific feeling and vibe, to create its own sonic world.” Those early demos will be released as bonus material, as well as remixes of some tracks; there is also an entire version of Youth. made entirely with synths and drum machines, which was shelved. The proper album is a marriage of the songs’ stark origins and Munroe’s machinations.


WATCH THE ‘FOLK IS DEAD’ SESSION VIDEO FOR “KIDS ON THE RUN”

WATCH AND THE SHARE “KIDS ON THE RUN” OFFICIAL VIDEO HERE


There are ghosts in those machines: ghosts of Mattson’s adolescence in Sault Ste. Marie, just as the Polaris Music Prize nominated Someday The Moon Will Be Gold dealt with the ghost of his mother, and Avalanche dealt with the ghosts of his musical forebears—the video for that EP’s title track, which won the 2016 Prism Prize, features Mattson inserting himself into 35 of his favourite album covers, from Tom Petty and Paul Simon to The Smiths and Jay-Z. On Youth., there’s no trace of a retro vibe: it’s full of Swedish-style pop songs like “Kids on the Run” (“My attempt at writing a millennial anthem,” says Mattson) and 808-and-Heartbreak-ish ballads like “Broken in Two” — but also, yes, a couple of folk songs that bookend Youth., the introductory “Once”, and the sparse, banjo-driven conclusion, “Astronaut.” Folk is dead; long live the folk artist.


WATCH AND SHARE “BROKEN IN TWO” ACOUSTIC SESSION HERE

LISTEN AND SHARE “BROKEN IN TWO” ALBUM VERSION HERE


PRAISE FOR YOUTH.

“While boldly declaring “Folk is dead,” Mattson has made an intimate, whisper of a record...Through Mattson and Munroe’s machinations, folk is not dead, but reborn... Put it in the box with other albums that defy description and transcend genres; file it under instant classic and effortless listening.” - Dominionated

“Youth. is a coming-of-age record that seeks to remind us of the dreams we used to have; the people with whom we've lost touch, or who we've lost altogether; and all the other changes that flashed before our eyes. It's designed to reflect the wistful, nostalgic and possibly lost millennial, and its intergenerational sound achieves that and much more.” - Exclaim!


TOUR DATES

Dec 27 - Sault Ste. Marie, ON - Loplops
Feb 9 - Toronto, ON - Drake Hotel


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