LYDIA PERSAUD REVEALS “WORDS FOR HER” FROM NEW LP, OUT TODAY

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NEW ALBUM, MOODY31, OUT TODAY, APRIL 29, 2022 VIA NEXT DOOR RECORDS

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Photo Credit : Joshua C. Rille // DOWNLOAD HIGH-RES

“Softness in Queerness – Newness within a deeply familiar feeling.” These are the sentiments at the heart of the new single from Lydia Persaud (Per-sAHd) entitled “Words For Her” from her new album, Moody31, out today via Next Door Records. “Saying I love you for the first time, vulnerability within certainty,” continues Persaud. “Sometimes you can’t hold it in any longer as it would be a disservice to the experience being shared. This song came as an  unintentional life sequel to ‘Unsung.’ I did get to sing of the love that I longed to know. A love  that changed me from the moment it started, softening and opening my heart in ways I hadn’t  yet experienced.

“When I wrote this tune, I channeled my love for Nat King Cole. Anything that he sings is  instantly the most lush and romantic sentiment ever sung. I wrote the song and sent it to my  partner but without any words, just melody and chords. Shyly sharing the poem that is lyric  for the song later on, we both recorded a version together during covid, this version ended up  being the duo arrangement on the album. Originally entitled ‘Words For You’, I made it a  little more intimate, a little more Queer and here we are now. Dedicated to my love.”

Filmed at The Great Hall in Toronto with Josh Rille and Ayo Tsalithaba the video for “Words For Her” captures the beauty found in the moment right before saying the words, a moment that many remember all their lives. The visuals reflect pouring over journal entries and multiple drafts of letters to find the right words, with thoughts and papers swirling around. 

WATCH / SHARE “WORDS FOR HER” HERE

MORE ABOUT MOODY31
Moody31 will introduce us to the full spectrum of emotion. Shimmery runs fall alongside precise enunciations that slightly quiver on pitch. A singer with daring range, she stretches words – subtly melismatic, smooth, slantly gospel – to their full emotional capacity. Her sophomore record remodels a multitude of influences into a dynamic and harmonious original. Described by producer Scott McCannell as “Roberta Flack sitting in with Bill Withers' band at a folk festival,” Moody31 recombines jazz, R&B, and folk stylings to create soul music in its most literal sense. 

WATCH / SHARE “I GOT YOU” HERE

It’s tempting to want to deconstruct her amalgam into its distinct parts, tracing each track’s reference points and divergencies. On “Let Me Be There For You” homage is paid to the beautifully haunting background vocals of Motown legend Mavin Gaye, while the ukelele fingerpicking on “Think Of Me” is approached with the lyrical sensitivities of a storyteller. Without fidelity to a single source of inspiration, Persaud’s arrangements are kaleidoscopic: layered sounds that mimic the prismatic moods of the album. It’s here that brokenness, loss of identity, and glorified independence commingle with self-assurance, acceptance and new beginnings. 

“I Got You” is a bouncy love-letter to oneself, while “Words For Her” is fraught with the anticipation of saying ‘I love you’ for the first time in a blossoming romance. This is a summer album, with Persaud’s honeyed tone warming each track, but one that complicates the expected feel-good nature of the season. Imagine riding your bike through the city on a near-perfect July day, on the heels of a recent heartbreak. 

WATCH / SHARE “GOOD FOR US” HERE

The title track “Moody31” is a surprising instrumental strip-down: diminished and major 7-chords fall alongside lush yet anguished vocals. The effect is a deep vulnerability crossed with absolute self-possession. It’s these antithetical desires that cut to the core of Moody31: to love and be loved without losing oneself in the process. 

Persaud met producer and bassist Scott McCannell of Safe Spaceship Music in 2019. “Scott and I shared the same desire to create something new while preserving the classic warmth of the 70s soul and jazz sounds we love.” The two began compiling a collection of demos that eventually became Moody31. “The baritone ukulele was the foundational instrument I used to write the record,” Persaud says. “I would teach Scott a new song, and, to avoid  perfectionism, we would record a rough demo while the song was loose and fresh.” With all the bed-tracks recorded in one room, the songs have a live, jazz-combo quality. Kyla Charter and James Baley’s backing vocals are full of disco-esque call-and-response, while Chino de Villa’s steady drums lend heartbeat from start to finish. 

BUY / STREAM MOODY31 HERE

MORE ABOUT LYDIA PERSAUD
A fixture of Toronto’s music community and a sought-after collaborator, Persaud has had a colourful decade performing to small clubs with her jazz project (2012 - 2016), to crate diggers with The Soul Motivators (2011-2015), to folkies at festivals with The O’Pears (2013-2019), and to rock nostalgics with Dwayne Gretzky (2017-present). She’s shared the stage with Lee Fields, Richard Bona, David Crosby, Gordon Lightfoot, Jackie Richardson, Divine Brown, and Justin Nozuka, among many others. She’s also a member of the Queer Songbook Orchestra, and host of the upcoming docuseries, New World Beat.

“After ten years of playing music, I’m beginning to bring my multiple experiences into what I’m doing. I make music to honestly connect with others who might feel the same way. I hope Moody31 celebrates and validates the human experience in all its contradictions: how new love can be experienced alongside deep loss, how one can crave solitude and connection, simultaneously. It’s beautiful to embrace all of our moods - it’s living.”

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MOODY31 TRACKLIST
01 Good For Us
02 I Got You
03 Think Of Me
04 Moody31
05 Unsung
06 Words For Her
07 Let Me Be There For You 
08 Outro 

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TAMINO RETURNS WITH NEW VIDEO / SINGLE FOR “THE FIRST DISCIPLE”

TAMINO CHANNELS MIDDLE EASTERN SONIC LINEAGE INTO A SURREAL DYSTOPIAN DAYDREAM IN NEW VIDEO FOR "THE FIRST DISCIPLE", PLAYING THE CLASSICAL ARABIC OUD AMIDST RAVERS IN AN ANTWERP WAREHOUSE

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“Tamino possesses a voice that carries the hypnotic, immediate power of something much more ancient.” — NPR

“With high-fashion kudos and thrift-store panache, Belgian singer Tamino is a pop star for our times” — British GQ

“Using music to convey deeper messages, [Tamino wraps] his ideas in melancholic indie rock and a soaring falsetto” — The Guardian

“[Tamino] brings Arabic heritage into conversation with other musical traditions” — Arab News

Today, Belgian-Egyptian musician Tamino debuts his visual art piece for new single “The First Disciple”. Past, present and future all coalesce within the confines of an abandoned warehouse on the outskirts of Antwerp. In one moment Tamino is seen playing the Arabic oud, surrounded by the gaze of an army of ravers and a decomposing canvas of graffiti-covered walls, in another he is swallowed by the glitchy lights of the club. 

On “The First Disciple” Tamino worked with Belgian producers PJ Maertens and Jo Francken, the song is an evocative slow-burn mood-setter by this supremely gifted artist. It features long-standing collaborator and friend in Radiohead’s Colin Greenwood on bass and Ruben Vanhoutte on drums. The video was directed by Bastiaan Lochs and Jonathan Van Hemelrijck.

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“The First Disciple” Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT TAMINO
Amir
heralded the arrival of a musician who despite his young age seemed fully formed and confident in his art. It was a record of great depth and hushed resonance, exquisitely orchestrated and confidently delivered. Media acclaim immediately drew similarities with a young Jeff Buckley, and whilst there’s certainly an intense and emotional fragility to Tamino’s vocal, musically he combines it with orchestral flourishes that pay strong homage to his Egyptian lineage. 

That Tamino’s music is in part imbued with the sound of the Middle East should come as little surprise. His grandfather, Muharram Fouad, was one of Egypt’s most celebrated singers and actors, and it was his old guitar that Tamino was gifted as a child and set him on his musical journey. In Europe, Tamino already plays to sell-out audiences in the thousands including one standout show at the 8000 capacity Lotto Arena in Antwerp, a city he has long called home.  

“The First Disciple” is a fascinating return by this compelling artist. Despite all the early acclaim, you sense his journey has only just begun.

Photo Credit : Jan Philipzen // DOWNLOAD HIGH-RES

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ABSOLUTELY FREE ANNOUNCES REMIX ALBUM, HOW TO REPAINT CLOUDS 

TORONTO BAND TO RELEASE MIDI REMAP ALBUM WITH REMIXES BY JOSEPH SHABASON, CASTLE IF, SCATTERED CLOUDS, NEW CHANCE, AND ZONES

WATCH / STREAM HOW TO PAINT CLOUDS JOSEPH SHABASON REMIX HERE

HOW TO REPAINT CLOUDS OUT MAY 5, 2022 VIA BOILED RECORDS

NEW ALBUM AFTERTOUCH OUT NOW ON BOILED RECORDS
BUY / STREAM AFTERTOUCH HERE

“A pathway to another dimension” – CLASH

“Deep-space cosmic-rock odyssey that they’ll be blasting on Orion” – Pitchfork 

 “Full of groovy motorik rhythms and reverb-soaked hooks” – Rolling Stone

“A fresh reintroduction to the group's motorik-driven psychedelia” – FADER

“A flying wedge of art pop” – Brooklyn Vegan

Photo Credit: Darren Rigo //  DOWNLOAD HIGH-RES

Absolutely Free released their sophomore album Aftertouch in late 2021, a carefully wrought and prismatic journey into the annals of contemporary (read: post-physical) culture. Running free with flourishes of experimentation, yet rooted in melody and rhythm, Absolutely Free blurs boundaries between avant-garde and pop across the album’s eight songs. “How To Paint Clouds,” a complex of soaring polyrhythms, arrived first with a music video of AI-generated cloud paintings. Known for their exploratory approach, Absolutely Free now revisits the song with How to Repaint Clouds, an 8-track remix project using only MIDI (Multi Instrument Digital Interface) files – a digital language that contains harmonic and rhythmic blueprints, but no actual recordings.

“The song’s lyrics reflect upon the transience of taste and how an artist’s feelings toward their work change over time,” the band says. “When a musician revisits their old songs, new interpretations are informed by changing contexts and evolving preferences. We wanted to stray from traditional modes of remixes based upon manipulating a song’s individual audio tracks, to provide the artists with an unusual freedom from the original material, to create new sounds and reassemble the motifs of the song.”

The resulting remixes scatter across a diverse aesthetic range (from dark techno to psych funk), interpreting the track’s original structures untethered from its instrumentation. The first salvo from the collection, an airy FX and saxophone laden piece by renowned Toronto musician Joseph Shabason evokes his signature ambient jazz and the terrestrial atmospherics of Jon Hassell. 

WATCH “HOW TO PAINT CLOUDS (JOSEPH SHABASON REMIX)” VISUALIZER HERE

Elsewhere in the collection, Castle If stays true to the arrangement, but puts every instrument through her iconic Moog synthesizer. Zones smooths out the time signature and phases-out their Rompler synth, creating a dense groove, and Scattered Clouds blows it wide open with an analog feel. New Chance provides a version that evokes the bitter end of the rave. And Absolutely Free offers two remixes of their own material through a 90's penchant for cascading rhythms and hypnotic progressions. How to Repaint Clouds will be released on May 5, 2022 via Boiled Records, and will arrive with a tactile rendering: 20 one-of-a-kind AI-generated cloud painting turntable slipmats.

PREORDER HOW TO REPAINT CLOUDS REMIX ALBUM & SLIPMAT

Shifting in the liminal space between analogue and digital sounds, real and fabricated images, reveling in and refuting the loss of tactility, Absolutely Free is able to create vibrations of physical tension and emotional resonance. A deeply considered masterwork of sonic craft and societal reflection more than five years in the making, Aftertouch is an extremely timely, beautiful, and restless meditation on the present moment. Produced by Jorge Elbrecht, who has shaped the sound of releases by No Joy, Gang Gang Dance, Japanese Breakfast, and his own bands Lansing-Dreiden and ViolensAftertouch is dense with ideas but balanced by precise decisions. Culling from a myriad of influences that span 60s pop, 70s krautrock, 80s new wave (see “Epilogue (After Touch)”, 90s IDM, 00s psych (see “Interface”), Absolutely Free has created a patina of disparate but harmonic styles distinctly its own. 

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Comprised of the core trio of Matt King (vocals/multi-instrumentalist), Michael Claxton (bass/synth), and Moshe Fisher-Rozenberg (drums/synth), Absolutely Free is an offshoot of the now-defunct experimental rock outfit DD/MM/YYYY, whose multi-rhythmic boundary-pushing raison d'être provided a springboard for the open skyline on which Absolutely Free now creates. The band’s Polaris-nominated 2014 debut album Absolutely Free., released via Arts & Crafts/Fat Possum Records garnered international acclaim from Pitchfork, FADER, Stereogum, Brooklyn Vegan, Exclaim!, Under The Radar, Pop Matters, AllMusic, many more. Absolutely Free have toured alongside Alvvays, Youth Lagoon, and Preoccupations and have shared bills with Beak>, Unknown Mortal Orchestra, U.S. Girls, and Fucked Up.   

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HOW TO REPAINT CLOUDS  TRACKLIST:
1 How to Paint Clouds
2 How to Paint Clouds (Absolutely Free Remix)
3 How to Paint Clouds (Joseph Shabason Remix)
4 How to Paint Clouds (Scattered Clouds Remix)
5 How to Paint Clouds (New Chance Remix)
6 How to Paint Clouds (Zones Remix)
7 How to Repaint Clouds (Absolutely Free Remix)
8 How Moogs Cloud Paint (Castle If Remix)

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