STATUS / NON-STATUS SHARE VIDEO FOR “MAINLY CROWS”, ANNOUNCE CANADIAN TOUR DATES

POLARIS MUSIC PRIZE SHORT-LISTED ARTIST, ADAM STURGEON (OF OMBIIGIZI), RETURNS WITH STATUS / NON-STATUS’ NEW LP, SURELY TRAVEL, OUT SEPTEMBER 23, 2022

WATCH / SHARE “MAINLY CROWS” HERE
BUY / STREAM “MAINLY CROWS” HERE

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

Photo Credit : Matthew Wiewel // DOWNLOAD HIGH-RES

Recently, Status / Non-Status shared the first single, “Mashkiki Sunset”, off their upcoming LP, Surely Travel, due out September 23, 2022. Today, the Polaris Music Prize long-listed band returns with “Mainly Crows”, an “observation on community,” says Adam Sturgeon. “Of how flashy lights and opportunities flush vibrant people from their humble homes. It’s about the death of the small town and the call to join the city mass. More than that, it is a tribute to friends and about travelling between worlds to see them along the way. It’s a song about how sorely they are missed and how we can’t really blame them for moving away.”

WATCH / SHARE “MAINLY CROWS” HERE
BUY / STREAM “MAINLY CROWS” HERE

MORE ABOUT SURELY TRAVEL
What’s revealed when you archive the quiet moments during time spent on the road? For Adam Sturgeon, the result is a crystalline glimpse into the unseen — and gratifying — moments of personal renovation we rarely pay attention to; where a blown out tire incites calm rather than rage, and moments of frustration invite grace instead of judgement. This is the vantage of Surely Travel, the newest album by Status/Non-Status, the evolving musical project of the Anishinaabe artist and community worker, and a close-knit group of collaborators. 

While Status / Non-Status’ previous album Warrior Down was long-listed for the Polaris Music Prize and was shortlisted for the 2022 SOCAN Songwriter Prize for album track “Find A Home”, recently, Sturgeon joined Zoon’s Daniel Monkman to form OMBIIGIZI whose debut album, Sewn Together, was shortlisted for the 2022 Polaris Music Prize.

Exploring their expansive, sky-sweeping folk rock from a fresh angle, Status/Non-Status drive head-on into a natural complement to the earth-shaking sonic landscapes they’re known for. A loose concept album written as a travel log of animals in flight, the record brims with open air reflections, while gazing out of a blurry window and acknowledging what it can’t see clearly. Blending the melted psychedelic gauze of distorted Americana, with thundering flashes of post rock, Sturgeon implements softness generously. At the core, remembering that lyrics that break through universally sing with clarity about experiences that “chop at the knees.” 

WATCH / SHARE “MASHKIKI SUNSET” HERE
BUY / STREAM “MASHKIKI SUNSET” HERE

Recorded over 10 days at Deadpan Studios in Sudbury, the goal was to chisel things down down to the bone. Where past records built atmosphere out of heavy swaths of sound, overlaid with harmonies, the band opted for a single vocal take, a Wurlitzer, and ran a $100 classical guitar through an amp. Written in the company of others, whether from the back of a van, or with a baby on the other side of the door, Sturgeon wrote sections of the record in near silence — whispered lyrics and muted bass riffs that started as lullabies, only to be blown out later. It interlaces the album’s material composition with its central inspiration: the allure of touring from coast to coast, and the reality of over-indexing on time spent in an unreliable, stuffy van; the wrenching sacrifice of time away from loved ones, in favour of only seeing a gas station and vacant roads for hours on end. 

Where the acclaimed Warrior Down (2019), and its celebrated follow-up the 1,2,3,4,500 Years EP (2020) required a mighty sonic landscape to fit its lofty reckonings of nationhood, trauma and familial memory, Surely Travel tightens its scope, but not its ambition. Instead, peering inward to examine the self within its surroundings, and to underscore identity and indigeneity from the smallest spaces or ordinary experiences. Conjuring the awe of sunshowers through the rearview mirror, Surely Travel intentionally doesn’t over-promise optimism, but rather celebrates the small wins of a human-sized approach to resilience and healing.

PRE-ORDER / PRE-SAVE SURELY TRAVEL VINYL / BANDCAMP

UPCOMING TOUR DATES
Sep 23 - London, ON - Palasad Social Bowl
Sep 24 - Windsor, ON - Meteor
Sep 30 - Montreal, QC - Pop Montreal
Oct 6 - Brantford, ON - 
Oct 8 - Toronto, ON -  Horseshoe Tavern
Oct 13-16 - Folk Music Ontario Conference 


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SURELY TRAVEL TRACKLIST
01 Blown Tire
02 Has It Been So Long
03 Mashkiki Sunset
04 Mainly Crows
05 Bineshiinh
06 Travelogue
07 When They Were
08 What Am I To Do
09 North Adelaide
10 Surely Travel

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BUSTY AND THE BASS ANNOUNCE 4 PART KARNEVAL VIDEO SUITE

Photo Credit : Kane Ocean // Collage Credit: Habiba Esaad  // DOWNLOAD HIGH-RES

 Today, Busty and The Bass announce the Karneval EP Video Suite and share Chapter 1, “Everything Comes In Waves”. “The concept to do a series of video chapters for KARNEVAL, instead of one single music video, allowed us to showcase the different styles and unique elements from several songs off the EP,” says the band’s Alistair Blu. “It also gave us the opportunity to highlight all of the vocalists from the project: STS (Berlin-based, ATL-born rapper, stylist, and photography connoisseur), Jordan Brown (Philly-based singer/songwriter), Mel Pacifico (longtime Montreal-based collaborator and live-show companion), and myself. Director Jean-Luc Oicle translated the quirky and soulful themes from the EP into four distinct chapters, with each carrying a broader narrative over the course of the series. The shoot itself took place about an hour and a half drive from Montreal in the woods next to a river. The bugs were really bad at the time and we were constantly trying to maintain our composure on camera while trying to swat away thousands of mosquitos. Two of the video chapters were shot in one take (“Merry Go Round” and “My Parade”) and since it was captured all on film and the sun was setting fast, there wasn’t a whole lot of room for error. Jordan and Eric nailed the last performance of My Parade (which was recorded live next to the river) just as the sun gave its last light and the bugs were swarming in.”

“In collaboration with Busty and The Bass, we decided to go with a performance-based narrative exploring themes of relationship and nostalgia with a hint of Karneval!” says director Jean-Luc Oicle. “In keeping the conceptual dimension of the video light, we gave space for Busty and The Bass to carry us forward through their dynamic performances. We explored various cinematic techniques to work synergistically with the energy of each song, driving home an emotion, or just keeping things funky and progressive!”

WATCH / SHARE CHAPTER 1 “EVERYTHING COMES IN WAVES” HERE

With their seamless blend of soulful vocals, hip hop, jazz-funk instrumentals, and signature brass and synths, Busty and the Bass is ushering in a new era of genre-defying sound. The band has released 2 full length albums, both produced by GRAMMY Award-winning producer Neal Pogue (Doja Cat, Anderson Paak, Tyler the Creator), and have collaborated with George Clinton, Macy Gray, Earth, Wind, & Fire's bassist Verdine White and more. Philly rapper and spoken word artist S.T.S. was discovered by DJ Jazzy Jeff, co-wrote Ciara's hit “Oh” and signed a deal with Def Jam before a near-fatal car accident put his career on pause. Over the years, S.T.S. rebuilt his career collaborating with a diverse range of artists such as Joywave, The Roots, RJD2, Agoria, and many more.

BUY / STREAM KARNEVAL EP HERE

PRAISE FOR BUSTY AND THE BASS

"An undeniable live performance and a sound that’s best described as a lovechild between jazz, hip-hop, and electro-soul." - Complex

"Some fresh beats along with a juicy melody and you’ve got yourself an aural feast at which a jazzy, funkalicious hip-hop-infused experience awaits you." - The Huffington Post

"...a collection of reflective compositions showcasing their marriage of jazz, hip-hop and electro-soul influences" - Jazziz on Eddie

“If we need to pick a song of the summer – consider Out of Love, a funky, bubbling slice of R&B that cools the edge like tonic does to gin” The Globe and Mail on “Out Of Love”

"The overall vibe is that of a basement make-out party with dim lights, smoke-filled air, and a pile of R&B based rock, funk and soul 45s endlessly dropping down on the automatic record changer. The album should be played at a lower volume than most." - PopMatters on Eddie

“...an album filled with expert musicianship.” - Erie Reader on Eddie

"Combining their love of funk, soul, hip-hop, gospel and dance, Busty and the Bass is one of the baddest in the land when it comes to delivering unified sounds for the masses." - Okayplayer

"...drips with gold, beaming a timeless warmth, innocence, reflection, and adventure on a summery feel-good jazz-funk electro-soul pop fusion." - Atwood Magazine on Eddie

“This Montreal-funk eight-piece pulls out all the stops on its guest-laden new album. It’s Cool.” The Vancouver Sun on Eddie

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EDWIN RAPHAEL UNVEILS NEW SINGLE, “HATE IT WHEN YOU SEE ME LIKE THIS”

WATCH / SHARE “HATE IT WHEN YOU SEE ME LIKE THIS” HERE
BUY / STREAM “HATE IT WHEN YOU SEE ME LIKE THIS” HERE

“shows the Dubai-born, Montreal-based indie folk songwriter in a delicate light, mixing familiar acoustic melancholy with Eastern-style scales. The music video matches both the spiraling instrumentation of the song and Raphael’s lyrical vision, showing him navigating between two different worlds.” COMPLEX

"Raphael's languid instrumentals are all too easy to melt into." - Exclaim!“Rare it is to find a writer who speaks so candidly about something that is far from straightforward. It’s deep, it’s provocative, and most importantly, it sounds gorgeous.” Indie Shuffle

"Raphael indulges by opening up that affecting guitar-vocal pairing to a lush bridge with added horn, guitar and drums." - CBC Music

"The track seemingly blooms from a spacious and rustic folk sound into something far more lavish." - Under The Radar

"Tranquil melodies flow over electronic and acoustic instrumentation." - American Songwriter

Photo Credit : Michael Powell // DOWNLOAD HIGH-RES

Today, Edwin Raphael returns with a new single that is as wavy as you'd expect for being fully written and produced on a boat. The song leans into his more alternative, indie influences and takes the listener on a metaphorical slow, floaty, boat-ride from start to end. 

“Hate It When You See Me Like This”, is about “realising your worth and value intrinsically after someone you care about has seen you in a low moment,” he says. “This song dives deep into that feeling and dominos the unsaid notion that you’re better than this moment allows. It’s about overcoming the fear of not being enough, and in being genuine to yourself that the future is what you manifest.”

WATCH / SHARE “HATE IT WHEN YOU SEE ME LIKE THIS” HERE
BUY / STREAM “HATE IT WHEN YOU SEE ME LIKE THIS” HERE

Single Artwork // DOWNLOAD HIGH-RES

MORE ABOUT EDWIN RAPHAEL
Equipped with smooth, chilling lyrics and innate musical capabilities, Ocean Walk, Edwin’s first EP, had been labelled as a “hidden gem with sombre instrumentals and an eerie, yet beautiful listen” by pressrelease.ca quite reminiscent of the beachy and rustic sounds of Ben Howard.

After a coy two years of playing a handful of gigs, 2017 saw Edwin Raphael release his sophomore EP Cold Nights. The EP presented a darker and heavier progression in terms of songwriting and production with heartbreak song “Colder” instantly becoming a low key hit being featured on Spotify playlists such as Indie Pop and Chill, Indie Chillout and Lush + Ethereal.

His much-awaited debut full-length album Will You Think of Me Later? is now racking up more than 9 million streams highlighting Edwin as someone who is on top of his songwriting abilities and one to watch out for in the coming years.

Staring at Ceilings EP, produced with Marcus Paquin (Arcade Fire, Tim Baker, Stars), stands as a spectrum of human indulgence and the cost of our anxieties. Through this 20-minute voyage of his innate feelings and a ceiling that alludes a mirage, you are brought back to this exact moment; the present.

WATCH EDWIN RAPHAEL PERFORM LIVE ON CBC MUSIC’S ‘THE INTRO’ HERE

BUY / STREAM STARING AT CEILINGS EP HERE

MORE PRAISE FOR STARING AT CEILINGS

“'Sea of Things' feels primal, mimicking the ocean with cyclical, crashing movements, patiently building itself up and washing itself back out." - FLAUNT

"Calming ambience and angelic vocals." - Lyrical Lemonade

"Chill pop with a touch of folk." - EARMILK

"Weightless and ethereal" - Indie Shuffle

"The instrumental and harmonic components provide the same floating-in-space feeling we love from Fleet Foxes." - Culture Collide

"Offers an escape from anxiety." - Kajal

"Incredibly raw and emotional." - C-Heads 

"A gently addictive soundscape, all wistful energy and patient." - Beats Per Minute

"Notes of Bon Iver and Frank Ocean come to a glorious head to create something moving, exciting and fresh." - The Rodeo

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