KATE MAKI’S NEW LP OUT TODAY, SHARES “I STILL DO”

IMPOSSIBLE KNOT ALBUM OUT TODAY

LISTEN / SHARE “I STILL DO” HERE

BUY / STREAM IMPOSSIBLE KNOT HERE

PERFORMANCES BEGIN THIS WEEKEND - FULL DATES BELOW

Photo Credit : Kelly Lamb // DOWNLOAD HIGH-RES

Today, Kate Maki releases her seventh studio album, Impossible Knot, her first record in nine years. Available everywhere, Impossible Knot features “I Still Do”, a classic, anthemic, love song featuring Peter Von Althen (Kathleen Edwards) on drums, Jon Hynes (Hidden Cameras) on bass, Dave Draves (Julie Doiron) on organ, Dale Murray (The Guthries) on pedal steel, electric guitar, and backing vocals, Anne Boulton on backing vocals, and Maki on acoustic guitar.

"I had and am still having an extremely hard time letting go of the love I feel for someone now that our relationship has ended, and this song explores my inner conflict, the battle between what my heart wants and what my head knows I need,” says Maki. “It also makes me wonder what love actually is, why I lose myself in it, and where I am supposed to channel it as it moves through me with the momentum of a runaway freight train?"  

LISTEN / SHARE “I STILL DO” HERE

BUY / STREAM IMPOSSIBLE KNOT HERE

MORE ABOUT KATE MAKI + IMPOSSIBLE KNOT
Born and raised in Sudbury, Ontario, Canada, Kate Maki’s voice and musical style are as wide and expansive as her hometown’s moon-like terrain. She began writing songs during her first-year of teaching as a way to deal with the sudden death of a friend, and recorded her first record, Confusion Unlimited, in 2003 with Dave Draves. Originally intended to be a Christmas gift for her family, the record received international attention and quickly sold out of its initial pressing. Finding it impossible to maintain the teacher-by-day, musician-by-night lifestyle, Maki quit her day job and began crisscrossing the country on self-booked, self- promoted tours.

Fast forward to today, six records, two kids, and countless tours and collaborations later, Maki returns with Impossible Knot. “I suppose I have come full circle, teaching high school and writing songs to help deal with life-changing circumstances. After a long period of grief, it was a relief to be reunited with the songwriting process, and of course, reunited with Draves and his trusty tape machine.”

During the summer and fall of 2024, Maki travelled back and forth from Sudbury to Ottawa to work with Draves in his backyard, analogue studio where she recorded her first three records in the early 2000s. Little Bullhorn’s familiar, creative environment combined with her longtime friendship with Draves and his family, provided Maki with the comfortable space needed to share her first new material since 2016’s Head In The Sand. With Maki on guitars and Draves on keys, they formed a core band with Peter Von Althen on drums, Jon Hynes on bass, Dale Murray on pedal steel, guitars, and background vocals, Dan Levecque on guitars, and Anne Boulton on background vocals. Celebrated songwriters, Jim Bryson, Ruth Minnikin (The Guthries), and Ryan Levecque (Ox), also make guest appearances. The result is a warm, eclectic collection of “beautiful hurt” as described by Draves, and Maki sounds confident and hopeful despite the heavy subject matter. 

WATCH / SHARE “ALL I GET” (MUSIC VIDEO) HERE

“I usually record live-off-the-floor with a full band, but this record began with just drums and acoustic guitar, and was built up from there.” shares Maki. “Draves and I produced the record with a ‘serve the song’ approach, adding only what was truly necessary to each one. I think it inevitably ended up sounding like a live band, not only because of the exceptionally talented and experienced players, but because each session was a reunion, a much-needed celebration with old friends.”

Like all great Americana music, Maki combines country, folk, rock, blues, and soul effortlessly, and although tough to fit into just one of these categories, Impossible Knot, due in part to its confessional lyrics, group harmonies, and stringed instruments, could be found in the classic country bin at your local record store. “For me, country music is about creating something positive out of pain, and I like how the songs seem simple at first, but that there exists a complexity, a tangible connection to the mysteries of the human condition, hidden deep within. Listening to old country records helped pull me through a most difficult time and eventually led me back to songwriting. Without time to labour over lyrics, the songs came quickly out of necessity to release the discomfort from my body, a definite nod to the ‘three chords and the truth’ motto.”

WATCH / SHARE “AT EVERY SUNSET” FT. JIM BRYSON

Kate Maki’s first three records, Confusion Unlimited, The Sun Will Find Us (2004), and On High (2008), were each awarded “Album of the Year” at the Northern Ontario Music & Film Awards. Her songs have been featured on KCRW, NPR, and CBC, and placed in several films and television shows including Weirdsville, Hard Rock, Medical, and Wilby Wonderful. She has appeared on the cover of NOW Magazine, Ottawa Xpress, and Echo Magazine, her voice can be heard on records by Matt Mays, Howe Gelb, and Ox, and she has toured North America and Europe opening for Great Lake Swimmers, M. Ward, Joel Plaskett, Giant Sand, Tegan & Sara, Hayden,and Bahamas.

PRAISE FOR KATE MAKI

“Canada’s newly crowned princess of day-dreamy songwriting.” - San Francisco Chronicle

“She can sell a song with only her voice and an acoustic guitar.” - Pitchfork

“Like the best country singers, alt or otherwise, Maki’s voice is conversational yet somehow self-contained, as if it’d be quite happy talking to itself sitting on an open plain, or whistling to itself behind a wheel.” - MOJO

“A wild and wondrous depth. A Canadian iconoclast.” - LA Weekly

“A young woman who can sing, play guitar and write songs with a confidence that should do her much good on the long, heartless road from making music to making it work.” - Ottawa Citizen

“Quietly powerful.” - Exclaim!

“Kate Maki deserves our attention, and sooner rather than later.” - Americana UK

KATE MAKI TOUR DATES
Saturday, May 10 - Sudbury, ON  – The Lounge | 8 PM
Saturday, May 24 - Toronto, ON  – The Brockton | 8 PM 
Saturday, May 31 - Ottawa, ON – The Record Centre | 3 PM
Friday July 4 - Sunday, July 6 - Sudbury, ON - Northern Lights Festival Boreal

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IMPOSSIBLE KNOT TRACKLIST
1. Song for a Sailor
2. Two Wrongs
3. Back Home (featuring Ryan Levecque)
4. All I Get
5. See It Now
6. Another Country (featuring Ruth Minnikin)
7. I Still Do
8. Crooked Line (featuring Dale Murray and Ruth Minnikin)
9. Down With the Ship
10. At Every Sunset (featuring Jim Bryson)

KATE MAKI ONLINE
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BABYGIRL SHARES SERENE NEW SINGLE “AFTER YOU”

INDIE POP BAND RELEASES THEIR FIRST MUSIC NEWLY SIGNED TO ARTS & CRAFTS

WATCH / SHARE “AFTER YOU” HERE
BUY / STREAM “AFTER YOU” HERE

BABYGIRL: Cameron Bright (L) & Kiki Frances (R) - CREDIT: Ryan Faist / / HI-RES DOWNLOAD

Today, indie pop band Babygirl shares their first music newly signed to hometown label Arts & Crafts. Raised in Toronto and often found working out of Los Angeles, Kiki Frances and Cameron Bright return with “After You” – their first single since 2023’s critically-acclaimed Be Still My Heart EP.

On “After You,” the longtime collaborators make a sublime and captivating offering about true love, with whimsical pop hooks, a chorus that brims with warmth, and vicarious storytelling set against the backdrop of fleeting summertime moments. With airy synths, subtle guitars, and spare hand claps all draped in Frances’ lush vocals, Babygirl set a new standard for serene bedroom pop laden in aura.

“‘After You’ is about a person who sets a new standard and redefines what love is to you,” the band describes. “The bar gets raised so high, you feel certain it could never be cleared by anyone else. There’s a powerlessness to feeling so attached to someone: they’ve widened the spectrum in both directions — the love you have is equal to the loss you risk.”

WATCH / SHARE “AFTER YOU” HERE
BUY / STREAM “AFTER YOU” HERE

Babygirl have a penchant for vivid imagery in their singular music, a wistful take on bittersweet pop rock that heedlessly transports into the soundtrack of a teen drama from the early aughts. A refreshing spin on youth nostalgia with a contemporary edge, marked by masterfully measured songcraft, with sincere lyrics and lightly frayed guitar embedded into the lush production, “After You” ups the ante on Babygirl’s effervescent definition of pop music. 

Celebrated for their three EPs, Be Still My Heart (2023), Losers Weepers (2021) and Lovers Fevers (2018) – which have amassed over 50 million streams and earned glowing praise from platforms like Noisey, Rolling Stone, PAPER, and NYLON – and with production credits and collaborations including renowned artists like Alessia Cara and Lauv, with “After You” Babygirl stand poised with their best music to date. 

WATCH / SHARE “AFTER YOU” HERE
BUY / STREAM “AFTER YOU” HERE

PAST PRAISE FOR BABYGIRL 

“While their nostalgic sound recalls the warm malaise of ’90s alternative rock, the band’s lyrics strike a contemporary chord, blending sad, solitary images with moments of crystalline clarity and emotional weight.” CONSEQUENCE

"Bandmates Kiki Frances and Cameron Bright layer on the melancholic yearning, jangling guitars, and haze ‘90s vibes, hitting on a deft balance of earnest pop melody and indie rock malaise.” Under The Radar

“Downright dreamy music” Rolling Stone

AFTER YOU - SINGLE ARTWORK // HI-RES DOWNLOAD

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BROKEN SOCIAL SCENE’S “STARS AND SONS” GETS REWORKED BY TORO Y MOI

RELEASED ALONGSIDE MIYA FOLICK AND
HAND HABITS’ TAKE ON “ALMOST CRIMES”

LISTEN / SHARE “STARS AND SONS” BY TORO Y MOI

LISTEN / SHARE “ALMOST CRIMES” BY MIYA FOLICK AND HAND HABITS 

BROKEN SOCIAL SCENE’S ICONIC BREAKTHROUGH ALBUM GETS REWORKED WITH ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People 

ALBUM OF COVER SONGS BY MAGGIE ROGERS & SYLVAN ESSO, THE WEATHER STATION, HOVVDY, SERPENTWITHFEET, AND MORE OUT JUNE 6, 2025 VIA ARTS & CRAFTS - PREORDER NOW

Album Artwork // DOWNLOAD HIGH-RES

Today, ANTHEMS: A Celebration Of Broken Social Scene's You Forgot It In People releases two standouts from the tribute album out June 6th. The genre shapeshifter Toro y Moi  puts a synth-laced spin on Broken Social Scene's torn and frayed anthem, “Stars And Sons” -  adding extra ragged texture and spacious air. The rework arrives as a single bundle with "Almost Crimes," performed by Miya Folick and Hand Habits with producer Sasami. "Almost Crimes" takes on layers of heartrending, bittersweet emotion, a deeply felt ode to Broken Social Scene and You Forgot It In People's everlasting influence on the musical fabric of today.

“I remember first hearing about BSS when I was a sophomore in high school,” Toro y Moi reflects. “You Forgot It In People especially caught my ear. I thought the production was so ahead of its time— the intros and outros, the interstitials… so much of it informed how I like to make records. I’m so happy to be included in this project.” 

Miya Folick adds, "You Forgot It In People is one of my favorite albums, and I feel very honored to be part of this compilation. Meg [Hand Habits], Sasami, and I made this song in Stinson Beach, taking long breaks for walks and meals. It's long, meandering, and meant for headphones." 

“This record led me to deep musical consumption and discovery.” Meg Duffy of Hand Habits said. “Despite being nearly 25 years old, it’s an honor to be included in the commemoration of this collective of musicians. I truly think that without BSS I wouldn’t have made the records I’ve made today, wouldn’t have sought out community in the way I do today, wouldn’t be so addicted to collaboration and reinvention

LISTEN / SHARE “STARS AND SONS” BY TORO Y MOI

LISTEN / SHARE “ALMOST CRIMES” BY MIYA FOLICK AND HAND HABITS 

Over the last two plus decades, Broken Social Scene’s breakthrough album You Forgot It In People has cemented its place amongst indie rock's greatest -- through its collective energy pushing the genre far beyond its noisy ’90s slacker roots to a more tirelessly collaborative, sonically expansive, emotionally expressive vision. The album, out June 6th, reimagines You Forgot It In People with cover versions from today’s indie music icons, including Maggie Rogers and Sylvan Esso’s rendition of Anthems For A Seventeen Year-Old Girl released last month, The Weather Station, serpentwithfeet, and more (full tracklisting below). 

The album is available for pre-order now on limited edition vinyl via Arts & Crafts. Bundle options include a You Forgot It In People graphic novel by Z2, and You Forgot It In People songbook. A newly released documentary film, It’s All Gonna Break, revisiting Broken Social Scene’s early days, is screening throughout the USA in May and June– see cities and dates here.

LISTEN TO MAGGIE ROGERS & SYLVAN ESSO’S COVER OF “ANTHEMS FOR A SEVENTEEN YEAR-OLD GIRL” HERE

PREORDER ANTHEMS HERE

ANTHEMS: A Celebration of Broken Social Scene's You Forgot It In People Tracklisting: 
1. Capture The Flag - Ouri 
2. KC Accidental - Hovvdy
3. Stars And Sons - Toro y Moi
4. Almost Crimes - Miya Folick & Hand Habits
5. Looks Just Like The Sun - The Weather Station
6. Pacific Theme - Mdou Moctar, Mikey Coltun 
7. Anthems For A Seventeen Year-Old Girl - Maggie Rogers & Sylvan Esso
8. Cause = Time - Middle Kids
9. Late Nineties Bedroom Rock For The Missionaries - Benny Sings
10. Shampoo Suicide - SPIRIT OF THE BEEHIVE
11. Lover's Spit - serpentwithfeet
12. Ainda Sou Seu Moleque - Sessa
13. Pitter Patter Goes My Heart - Babygirl

WHAT PRESS HAS SAID ABOUT
BROKEN SOCIAL SCENE’S YOU FORGOT IT IN PEOPL

“a powerful and affecting album… they've made just exactly the kind of pop record that stands the test of time” - Pitchfork 

“BSS set the mold for some incalculable hybrid of post-rock-meets-stadium-rock-meets-folk-pop” - Stereogum 

“You Forgot It in People was a critical smash, paving the way for the great musical invasion from the north that’s still going strong today” - The New Yorker

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