JEAN-MICHEL BLAIS SHARES “CARNAVALITO” FROM UPCOMING LP

THE MONTREAL PIANIST AND COMPOSER SHARES “CARNAVALITO” FROM FOURTH ALBUM, MIRADOR, OUT SEPTEMBER 25 VIA ARTS & CRAFTS

BUY / STREAM “CARNAVALITO” HERE
WATCH / SHARE “CARNAVALITO” HERE

PRE-SAVE MIRADOR HERE

CANADA, EUROPE AND UK TOUR DATES BEGIN THIS FALL

"A piece that opens with the full range of a 12-person baroque choir before Blais' piano takes the lead, guiding us through a vibrant dreamscape in just three minutes. ...with Ulysse, Blais is letting us into his inner world.CBC Music, Songs You Need To Hear on “ulysse”

Photo Credit: Adrian Villagomez // DOWNLOAD HIGH-RES

Today, Montreal pianist and composer Jean-Michel Blais shares his new single, “carnavalito”, the latest track to be taken from his forthcoming fourth album mirador, released September 25, 2026 on Arts & Crafts. Following previous single “ulysse”, “carnavalito” offers another glimpse into an album that finds Blais turning his gaze onto a wide, wondrous world, exchanging contemporary minimalism for a light and generous maximalism. It is an odyssey that spans choirs, strings and the music of the Andes, from Spanish caves to Estonian forests and all the way back to the basement in Nicolet, Québec, where Blais first imagined adventures.

As a musical kid and, even if he wasn’t fully aware of these things yet, as a queer person, with Tourette’s, Blais’ hideaway was his imaginary lookout, his “mirador,” from which he could dream the world.

Speaking about “carnavalito”, Blais says:
“Fiesta de la quebrada, humahuaqueña para cantar (andean trad.). My crossing of the Andes leads me to Quito, where an elderly instrument seller finally reveals what I had been seeking for months: my three favourite bands are playing at the same festival, Inti Raymi, The Festival of the Sun. Suddenly I find myself overlooking Otavalo, high in the cordillera, searching for tickets to see Charijayak, Los Kjarkas and Bonnie Alberto Terán, the only white face among a mocking crowd. My search leads me backstage, helping the technical crew with the setup. One of the most beautiful days of my life, dancing the carnavalito.”

BUY / STREAM “CARNAVALITO” HERE
WATCH / SHARE “CARNAVALITO” HERE

With more than 375 million streams globally to his name, mirador began with Blais reflecting on childhood memories of building imaginary worlds in his parents’ basement. The album’s title references those early “lookout” spaces, places of refuge, invention and possibility. Working with composer and arranger William Brittelle (LA Philharmonic, The National), he assembled a choir of 12 baroque singers before adding a string quartet of friends. Blais also enlisted Tulio Velazco Villagra, a master of Andean instruments, while residencies at the Arvo Pärt Centre informed the album’s meditative atmosphere. The result is Blais’ most adventurous and transportive work yet, moving fluidly between folk traditions, contemporary composition and cinematic storytelling while holding onto a sense of intimacy throughout.

MORE ABOUT JEAN-MICHEL BLAIS
Jean-Michel Blais is a Montreal based pianist, composer and performer signed to Arts & Crafts and Mercury KX (Decca). In the first decade since the release of his landmark 2016 debut album, II, the classically trained Blais has defined his music through the reverent intimacy he shares with his instrument, the piano. Named in TIME’s Top 10 Best Albums of the Year, the magazine described his improvisation inspired debut as “music that breathes, invites one to take a moment, and acknowledges that there is still much beauty in the world.”

BUY / STREAM “ULYSSE” HERE
WATCH / SHARE “ULYSSE” HERE

Through this connection with the piano, the multiple Polaris Music Prize shortlisted and two time JUNO Award nominated artist has reached audiences around the world. He has performed one of the largest neoclassical concerts in history to nearly 40,000 people at the Montreal Jazz Festival, collaborated with the Orchestre de l’Agora and the Orchestre symphonique de Québec, and amassed more than 397 million streams across a catalogue that includes the ambient and new age inspired Dans ma main (2018), which drew influence from the music that soothed his Tourette syndrome as a child, the Félix Award winning aubades (2022), his first exploration of composition for chamber orchestra, and désert (2025), a collaborative album with American harpist Lara Somogyi.

His diverse résumé also encompasses the Cannes Award winning Matthias & Maxime (2019) soundtrack, the twilight inspired serenades EP (2023), and Cascades (2017), created with producer CFCF. Together, these works continue Pitchfork’s observation of the “thrilling synchronization of piano and electronics” that has become a defining thread throughout his catalogue.

On mirador, his fourth studio album, Blais embarks on an expansive, beneath the surface odyssey spanning choirs, strings and the music of the Andes. Travelling from Spanish caves to Estonian forests before returning home to tiny Nicolet, Québec, mirador opens listeners’ eyes onto Blais’ wide, wondrous and deeply personal world. It is an aspirational journey that exchanges contemporary minimalism for a light, generous maximalism.

Throughout his discography, Blais has used instrumentation and composition as tools of personal expression, subtly revealing different facets of his identity as a queer artist, perpetual traveller, student and caregiver, often through the lens of his upbringing. Four albums into his career, Jean-Michel Blais is no longer simply charting the map of his grown up heart. On mirador, he offers a new perspective on childhood: a vivid and vicarious invitation to listen again, gazing ahead into the imaginary.

PRE-SAVE MIRADOR HERE


TOUR DATES

2026
09.24 — WATERLOO, QC — Maison de la culture de Waterloo
09.27 — STE-GENEVIÈVE, QC — Salle Pauline Julien
10.03 — VAL-MORIN, QC — Théâtre du Marais
10.23 — BERLIN, DE — Felt Room
10.26 — LONDON, UK — World Heart Beat
10.27 — UTRECHT, NL — TivoliVredenburg
10.28 — PARIS, FR — La Piccola Scala
11.28 — TORONTO, ON — Koerner Hall

2027
01.23 — NOMININGUE, QC — Espace Saint-Ignace
01.28 — SAINTE-THÉRÈSE, QC — Théâtre Lionel Groulx
01.29 — ST-HYACINTHE, QC — Centre des arts Juliette Lassonde
01.30 — BAIE-DU-FEBVRE, QC — Théâtre Belcourt
01.31 — VICTORIAVILLE, QC — Le Carré 150
02.05 — SHAWINIGAN, QC — Centre des Arts
02.06 — SHERBROOKE, QC — Théâtre Granada
02.07 — SALABERRY-DE-VALLEYFIELD, QC — Salle Albert Dumouchel
02.10 — DRUMMONDVILLE, QC — Maison des arts Desjardins Drummondville
02.12 — JOLIETTE, QC — Centre Culturel Desjardins
02.13 — MONTMAGNY, QC — Salle Edwin-Bélanger
02.14 — QUÉBEC, QC — Grand Théâtre de Québec
02.17 — BROSSARD, QC — Théâtre Manuvie
02.18 — L'ASSOMPTION, QC — Théâtre Hector Charland
02.19 — ST-MARIE-DE-BEAUCE, QC — Salle Méchatigan
02.20 — THETFORD MINES, QC — Salle Dussault
02.21 — TERREBONNE, QC — Théâtre du Vieux-Terrebonne
02.25 — LONGUEUIL, QC — Théâtre de la Ville
02.26 — LAVAL, QC — Salle André-Mathieu
02.27 — ST-EUSTACHE, QC — Le Zénith
03.05 — OTTAWA, ON — National Arts Centre
04.30 — VANCOUVER, BC — Chan Centre for the Performing Arts
05.20 — EDMUNDSTON, NB — Salle Léo-Poulin
05.21 — CARAQUET, NB — Centre Culturel de Caraquet
05.22 — MONCTON, NB — Capitol Theatre
05.23 — FREDERICTON, NB - Playhouse
10.02 — CHÂTEAUGUAY, QC — Château Scènes
10.03 — LÉVIS, QC — L’Anglicane
10.07 — ST-JEAN-SUR-RICHELIEU, QC — Théâtre des Deux-Rives
10.08 — MONTRÉAL (LASALLE), QC — Théâtre Desjardins
10.10 — GATINEAU, QC — Salle Odyssée
10.12 — ST-JÉRÔME, QC — Théâtre Gilles Vigneault
10.13 — VAL-D'OR, QC — Théâtre Télébec
10.14 — ROUYN-NORANDA, QC — Théâtre du Cuivre
10.15 — AMOS, QC — Théâtre des Eskers
10.20 — SAGUENAY, QC — Théâtre C
10.21 — RIMOUSKI, QC — Salle de Spectacles Desjardins
10.22 — CARLETON-SUR-MER, QC — Studio du Quai des Arts

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mirador TRACKLIST
1. muses
2. ulysse
3. pavane
4. carnavalito
5. mirador
6. quwi
7. granada
8. kyrie
9. laulasmaa
10. silhouettes
11. querelle
12. a chambre des possibles

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THE DEEP DARK WOODS ANNOUNCE FALL TOUR DATES, SHARE NEW SINGLE / VIDEO

THE DEEP DARK WOODS SHARE THE NEW SINGLE / VIDEO FOR “EAST OF THE SUN”

FALL TOUR DATES BEGIN SEPTEMBER 3, 2026 - FULL DATES BELOW

WATCH / SHARE “EAST OF THE SUN” HERE
BUY / STREAM “EAST OF THE SUN” HERE

BUY / STREAM THE CIRCLE REMAINS HERE

Photo Credit : Sam Tudor // DOWNLOAD HIGH-RES

This fall, The Deep Dark Woods will embark on a tour that keeps them north of the 49th parallel on both sides of the Atlantic Ocean, with stops throughout Canada, Belgium, the Netherlands, and Scandinavia. Tour dates begin this September, full tour listings can be found below. Today, they are prepping for the road trip with the new single, “East Of The Sun”. a song originally by Roy Harper. “Roy Harper is one of the most underrated songwriters of the 1960s,” explains frontman Ryan Boldt. “His influence was felt across British folk and rock and roll, influencing bands like Led Zeppelin and Pink Floyd.

“He straddled the line between traditional folk and psychedelic rock. Much like Nick Drake, his music was difficult to categorize, which I believe negatively affected his career. It takes the music industry sometimes decades to catch up to what true artists are creating. His songs will be sung through the centuries ahead.

“I recorded ‘East of the Sun’ in a rumba style with my old Roland TR-77 drum machine going through a Korg tape echo machine. Geoff Hilhorst, of course, added the organ, and my friend Jay Hollinaty played the drums.”

WATCH / SHARE “EAST OF THE SUN” HERE
BUY / STREAM “EAST OF THE SUN” HERE

DOWNLOAD HIGH-RES

MORE ABOUT THE DEEP DARK WOODS
As always, The Deep Dark Woods' music exists in a proud continuum of songwriting, but this is a band whose influences can be felt more than heard. The spirit of the '60s and '70s hovers around the perimeter at all times, but truly only in spirit: there is no aping here, just an enviable ability to conjure that same world-weary-but-hopeful sound that, for instance, Levon and company patented across The Band's early '70s masterpieces. And that era leans heavily on the sonic palette of their latest record, The Circle Remains as well. This “out of time” aspect can be attributed to their influences of course, but also to the analog tape-heavy recording process the band and producer David Parry (Alice Phoebe Lou, Loving) favoured for this album. And it makes perfect sense, adding a burnished quality to the album's sound and placing a premium on the considerable abilities of these musicians.

A passing listen to the voice of The Deep Dark Woods' Boldt may find one drawing comparisons to some of the other titans of this strain of intimate, personalized songwriting that emerged in the during the '90s “indie folk” scenes, but the more one listens, it becomes apparent that Boldt has carved out his own niche in this rarefied realm. His singing (which is often coated with the gentle spectre of good old-fashioned analog tape delay) is lilting and mellifluous, imbuing a floating, mercurial element to the performances, but it's also playful, each line gently teasing out the edges of his melodies. 

For both neophytes and the converted alike, The Circle Remains will be an easy point of entry for the uninitiated, and it will certainly provide another proof-positive for the longtime fan. 

BUY / STREAM THE CIRCLE REMAINS HERE

TOUR DATES

CANADA
September 3 - Park Theatre - Winnipeg, MB
September 4 - Artesian - Regina, SK
September 5 - Capitol Music Club - Saskatoon, SK
September 7 - Festival Hall - Calgary, AB
September 8 - Bo's Bar - Red Deer, AB
September 9 - The Owl Acoustic Lounge - Lethbridge, AB
September 11 - Purple City Festival - Edmonton, AB
September 18 - Riverstone Retreat, Durham, ON
September 19 - The Canadian Canoe Museum - Peterborough, ON

EUROPE
October 3 - De Casino - Sint-Niklaas, BE
October 4 - Thiemeloods - Nijmegen, NL
October 7 - Vega Jr - Copenhagen, DK
October 8 - Annelundsgården - Malmö, SE
October 10 - Kulturhuset - Halden, NO
October 11 - MIR - Oslo, NO
October 12 - Moskus - Trondheim, NO
October 13 - Hedingen - Vemdalen, SE
October 14 - Debaser Nova - Stockholm, SE
October 15 - Blackbird - Uppsala, SE
October 16 - Baggelycke Gård - Motala, SE
October 17 - Kulturhuset - Vänersborg, SE
October 18 - Dexter - Odense, DK

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SUMMERSETS SHARE “LOVE LIKE YOU” FROM UPCOMING LP

SUMMERSETS ANNOUNCE NEW ALBUM, PINE TREES IN A PERFECT ROW, OUT AUGUST 28, 2026

WATCH / SHARE “LOVE LIKE YOU” HERE
BUY / STREAM “LOVE LIKE YOU” HERE

FALL TOUR DATES BEGIN THIS OCTOBER

PRE-SAVE PINE TREES IN A PERFECT ROW HERE
PRE-ORDER PINE TREES IN A PERFECT ROW HERE

Photo Credit : Cayllan Cassavia // DOWNLOAD HIGH-RES

Today, summersets, the duo of Kalle Mattson and his childhood friend and long-time bandmate Andrew Sowka, are sharing another new single from their upcoming album out next month. Pine Trees in a Perfect Row was written “to be a (complicated) love letter to Northern Ontario and small town Canadian identity and experience,” explains Mattson. “It's a collection of songs about real Canadian stories, and a character study of a landscape and place that is rarely written about in popular music.” 

Each song on Pine Trees in a Perfect Row is based on versions of real people and stories, a collage of characters from my life from Northern Ontario, serving as a sonic autoethnography intersecting memory, class, and place. “While the album is rooted in the idea of the Canadian small town, it’s not just a 'Canada' record; it's a look at Canadian identity on a personal and specific scale, with the intention of speaking to a (hopefully) universal sentiment: that you never really leave your home,” says Mattson.

The new single, “Love Like You” is the true story about “my mom and my step dad’s relationship,” explains Mattson. “I had written openly about my mom’s passing when I was 16 in the past, especially on a record called Someday, The Moon Will Be Gold, but it’s been years since, and I wanted to write this one not from my own perspective this time. I’m now just over half my life removed from her passing, and I’m almost the same age she was when she first got sick, so the song lyrically is obviously extremely heavy, but hopefully the music and production helps balance it out. It is a love song!”

WATCH / SHARE “LOVE LIKE YOU” HERE
BUY / STREAM “LOVE LIKE YOU” HERE

MORE ABOUT PINE TREES IN A PERFECT ROW
By Michael Barclay

Like many of their financially pinched generation, Kalle Mattson and Andrew Sowka of summersets might have to “Move Back Home”. That song, from the harmony-rich Ottawa duo’s second album, Pine Trees In A Perfect Row, is of the timeliest singles of 2026, by acknowledging the affordability crisis in North American cities. As any headline will tell you — but not many songs will — millennials are reckoning with the fact that they’ll be unlikely to afford a home in major urban centres, and are moving back to the small towns they were eager to escape in their youth. (In the case of summersets, that’s the Great Lakes city of Sault Ste. Marie, in Northern Ontario.)

“Move Back Home” was the first song Mattson wrote for Pine Trees, and it gave him a theme to centre the rest around. “So many people I went to high school with moved away from Sault Ste. Marie or somewhere else in northern Ontario, and then in order to move ahead in life they had to move back home: retreat to move forward.” There’s an explicit theme of class consciousness and economic realism absent in so much popular music, even though the times clearly call for it: witness the recent revival of Tracy Chapman’s “Fast Car” as a rare example.

WATCH / SHARE “MOVE BACK HOME” HERE
BUY / STREAM “MOVE BACK HOME” HERE

But there’s another timely element of home that runs throughout Pine Trees in a Perfect Row, one that speaks to Mattson’s identity as a Canadian songwriter at a time of considerable North American tension.  That said, the first track is simply titled “Canada”. Says Mattson, “The chorus was just a placeholder, but every three-syllable word I tried never felt right. So let’s own it! There are so few modern songs about Canada. And not in a waving-the-flag way: I’m as conflicted as anyone about where I'm from and how it’s shaped my life and my writing.” The album’s striking artwork is influenced by the Canadian modernist movement of the 1960s, which culminated with Expo 67. 

As a solo artist in the 2010s, Mattson won or was nominated for every major prize in Canada, for his three consecutive albums 2014’s Someday, The Moon Will Be Gold, 2015’s Avalanche and 2018’s Youth.. During pandemic lockdowns in 2020, he formed summersets with Sowka, his childhood friend, to explore Everly Brother harmonies and to alleviate the weight of being a solo artist. Their acclaimed 2023 debut Small Town Story was a narrative concept album, exploring the lives of one couple whose story ends in tragedy.

WATCH / SHARE “MILLION DOLLAR TICKET” HERE
BUY / STREAM “MILLION DOLLAR TICKET” HERE

WATCH / SHARE “CANADA” HERE
BUY / STREAM “CANADA” HERE

This time out, Mattson says he didn’t want to write fiction. On Pine Trees, the stories and characters are very real: one song, “Another Year For Free”, has one verse about high school, one about a divorcée, one about his Italian immigrant grandfather who worked at a steel plant, and one about his mother’s cancer. He admits the vignette structure is based in part on Paul Simon’s “Slip Sliding Away”, a song he’s taught in class as a songwriting professor at a Canadian university. 

“Secondhand Skates” tells the story of a childhood friend and hockey teammate who was killed by an allegedly drunk driver at 19, while walking his girlfriend home the night before Canada won Olympic gold in 2010. “All the details in that song are true,” says Mattson. “The driver didn’t brake. There was a cross on the side of the road made out of hockey sticks, and that image always stuck with me. It was really hard to write and not make it feel too on the nose. It was the last song I wrote for the record.” 

WATCH / SHARE “IF YOU WERE A STRANGER” HERE
BUY / STREAM “IF YOU WERE A STRANGER” HERE

The sweet sounds of summersets often mask melancholy and darkness, but there’s one song on Pine Trees that Mattson considers to be “the only true love song I’ve ever written.” ‘If you were a stranger / I would fall in love again / If you were the start / I would stay right until the end.” He explains, “My partner and I grew up together, and have been together most of our adult lives. We have complicated family situations: we both lost our mothers young, don’t have a lot of family — we’re all we got. I wanted to write something that felt like us.”

Pine Trees is a stripped-down acoustic record that sounds like what it is: recorded live off the floor with keyboardist/producer Jim Bryson (Kathleen Edwards, Weakerthans) and Peter Von Althen (Skydiggers) on drums. Only additional guitarist Christine Bougie (Bahamas) and a string section were overdubbed later. That immediacy and intimacy comes through in every note. 

Says Mattson, proudly, “It feels really like I've finally made the record I've wanted to make for a long time.”

PRE-SAVE PINE TREES IN A PERFECT ROW HERE
PRE-ORDER PINE TREES IN A PERFECT ROW HERE

PERFORMANCE DATES
Oct 10 - Ottawa, ON - TBA
Oct 23 - Toronto, ON - Burdock Music Hall
Oct 24 - Sault Ste. Marie, ON - The Loft

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PINE TREES IN A PERFECT ROW TRACKLIST
01 Canada
02 Move Back Home
03 Forgetting For The Better
04 If You Were A Stranger
05 Another Year For Free
06 Second Hand Skates
07 Love Like You
08 Million Dollar Ticket
09 Words Worth Writing
10 Somewhere Gone
11 Pine Trees In A Perfect Row

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